The Heavens: Hogwarts Transfer Students

Linde did not ask the little wizard to personally explain his intention of painting. Appreciating literary and artistic works, even if it is a child's graffiti, is not a simple decryption process. Just like asking a writer to read and comprehend his own work, his answer may be quite different from the standard answer in the textbook. While appreciating, the audience is also re-creating the work. What they think about is definitely different from the author.

Another reason is that teenagers don’t have much logical thinking when speaking, so it is time-consuming and unpleasant for them to stumble and explain.

So at times like this, Linde must play the spirit of "I don't want you to think, I want me to think". He wants to use these four paintings to explain his theories, and his theories should be regarded as the truth for the current European magic circle.

He pointed to Hannah's blue painting, "Learning magic is like using color. At the beginning, you don't know anything about painting. You can only fill every space on the drawing paper with one color. The strokes of color are chaotic. It is abundant, it is unfettered, it is not defined by anyone, and it refuses to be defined.

"This is the state of the original magic power. Little wizards must maintain ignorance of magic itself, so that the magic power can be exerted, can fill the drawing paper, and then break through the shackles and burst out. This is why, the magic power of most little wizards bursts out of the present At the age of six to eight, the premature magic runaway is because the talent is too strong, and the longer it is delayed, the less likely it is to go berserk. Once you realize that there is magic in your body in advance, even if it is just out of jealousy of the people around you, unconsciously To look for magic in one's body contaminates its pristine state, which can easily lead to squibs, people of wizarding blood but incapable of casting spells."

Some of the children got it, some didn't, and Lind looked around to see Harry's eyes twinkle and Ron's expression bewildered. Linde didn't stop to wait for them, and continued to point to the next one, which was drawn by Justin Fenriely. He was a bright boy, and when he saw that his painting was ranked second, he had an indescribably sad look on his face.

"Once there is a magic runaway, it is time to enter the next stage. When the pure color is filled, we will realize that a color is too monotonous, it does not express anything, it just exists alone, too ordinary, too It’s monotonous, you forget it once you see it, and it’s not a big deal to create it, just keep rubbing the same crayon on the paper. At this time, the first reaction of most people is to introduce more color, as Justin What I did, let the colors distinguish and contrast with each other, making the picture more inclusive. Just like we consciously control the magic, more colors pollute the original blue, but it provides the possibility for the next creation .

"Here, I also need to mention a special existence, silent. This is a dangerous creature born in the body of the little wizard. The reason for its appearance is that the little wizard didn't learn to control magic in time, and because he was afraid of the magic power going berserk Hurt others, start to consciously suppress yourself, and give birth to silence in pain, despair, and sadness. It is like a monster, which will continue to devour the original color until the original magic power is completely polluted, and the little wizard will also So die. Every silent appearance, means a tragedy."

Sadness and panic enveloped the classroom, and the children didn't say a word.

But when Linde walked to the bottom of the third painting, everyone laughed at the same time, because Seamus's painting was so powerful and shockingly ugly. Seamus puffed out his chest and acted proudly. It seemed that he didn't mind making a fool of himself to make his classmates laugh.

"When the colors appear one after another, each color begins to choose its own position. Painting is nothing more than painting the right color in the right place. The cavemen in the Altamira area recorded portraits and prey with simple brushstrokes. Simo Well, I can see some simple structures, such as the pile of yellow with a lot of hair in the middle, maybe it is the sun, maybe it is a ball of wool, and then a lot of red is sprayed out from it, the inspiration may be the juice of watermelon.”

Seamus shrugged, he didn't think much of it.

"The learning of most spells only needs to be applied to this step of imagination. Most adult wizards have only achieved this step in their lives. They can discover some laws and some fantasies from nature, and then apply these ideas to Up to this time, although your magic power has been controlled, it still has a frenzied, disorderly, and abnormal side. The imagination at this stage is wild, and the magic you use seems unreasonable."

Linde took out a round fruit candy from his pocket, made it bigger, and then cast a "long-hand spell" on it, and the fruit candy suddenly grew a pair of hands, and Linde gave another "dancing spell" , Fruit Candy performed a set of cool street dance in situ.

This scene is a little weird, but also a little humorous.

Just like Alice in Wonderland, the characters and scenes in it can be based on real life. It may seem abnormal, but it is not divorced from human reason.

Linde smiled, "We have come full circle, and finally returned to the original goal. If you want to master silent casting, you must go further. The understanding of spells cannot just stop at knowing how to cast them. You must know , what is the effect of this spell, when you cast the same spell on the same target over and over again, how do you want it to react?"

He walked up to Hermione's painting, "Look. I asked you to fill the paper with color, and didn't ask you to draw any specific shapes or things. But Hermione Granger chose to draw a Landscapes. She knows exactly what she wants, she knows how to use color to tell a story in her heart. That's the trick of casting a spell silently. You don't have to say the spell, the spell is already echoing in your heart."

The more wizards influenced by Muggle education, the better they can understand what Linde said. Natural science education cultivates logical thinking, and logical thinking helps wizards understand magic. Although magic does not follow natural philosophy, the user of magic needs to understand the objective reality of nature.

After all, since the magic phenomenon is allowed by this universe, it means that it is a part of nature.

Linde believes that Hogwarts actually needs to offer a natural science course, and it does not require a high level. As long as the scientific literacy of observing and analyzing the objective world can be cultivated, knowledge seekers will not abandon the truth, even if it is So-called Muggle lore.

Halfway through the course time, Linde was going to move on to the next topic, and asked the little wizards to practice silent spellcasting by themselves after returning.

At this moment, someone raised his hand and asked about the secret of casting spells without a staff.

It was obvious that everyone was curious.

Linde didn't refuse, he waved his hand, and it was the same four paintings before, he reversed the order, Hermione's was the first, and Hannah Abbott's was the last.

"Casting spells without a wand is very simple, but it is also very difficult. It requires not only faith, but also your resonance with your own magic power. In fact, the wand has never been a necessary medium for casting spells. The ancient Druids harnessed the power of nature , can freely transform into beasts, they have never used this kind of small wooden stick. The magic power is there, it will not disappear because there is no magic wand, and learning to cast spells without a wand is to return to the heart step by step. When can you return to the original Pure color, forget all the rules and constraints, when will you master cast spells without a stick."

When Linde was talking about this, what he actually recalled in his mind was the famous scene of Zhang Wuji learning Taijiquan.

Zhang Sanfeng: Wuji boy, how much do you remember?

Zhang Wuji: All Forgot.jpg

Casting spells without a stick is indeed a state of complacency and forgetfulness. All wizards have experienced magic riots. At that time, they unconsciously communicated with the magic power in their bodies. If the magic power can be brought under the control of subjective consciousness, there is no need for a magic wand as a medium to guide the magic power.

In the final analysis, the wand is equivalent to a drainage device. The core material of the wand is the body tissue of powerful magical creatures, and its function is to build a communication bridge between magic and reality. And as long as it has the function of guiding magic power, even an instant noodle fork can be used as a magic wand.

This group of children was completely unprepared to accept the theory of casting spells without a wand, and all of them showed innocent and stupid smiles.

Linde blinked, "Okay, let's put aside all the red tape of wizard duels, it's time to let you know the most real and cruel side of wizard battles. I need a volunteer, who is willing to come up and help me? "