"Now let me explain the game so far"
An unprecedented, extreme, public match that invited mad warriors. The audience who saw it were holding their breath wiping cold sweat.
Apparently, I was satisfied to see the Mad Warrior actually being agile and seeing something rare.
On the other hand, I am afraid of me with that Mad Warrior.
Well, I'd rather have my neck lined up and appeal to brutality.
"Let's start with why she stopped running around"
I was beginning to explain to the Colosseum audience.
They are two birds with one stone because they share my guidance.
"Everyone in the audience would like to actually try it later, but sticking your fists out while standing, you can't slap them hard. Move only your shoulders and elbows, but that doesn't hit your opponent hard. On the contrary, by pushing the opponent, you will be pushed backwards."
Naturally, attacking an opponent with only the force of his arm doesn't strike him very hard.
This is the same thing if you use a sword, it doesn't make sense to just move your arms and attack them, whether you stay seated or standing.
"This is also true of the fact that you are beating your opponent with only the force of your arm, because clearly you can only use the weight of your arm. When you all push something heavy, you won't just push it with your arms standing upright, you'll be able to keep it in the objects that push your weight to help you. The act of punching with a fist or slashing with a sword is more powerful if you use your weight successfully."
Something has started a hell of a basic commentary, so everyone is surprised the other way around.
Well, maybe so, but so what, it felt like.
If we don't start talking from such a basic point, we won't be able to convey anything that won't be communicated.
"But this naturally means becoming unstable. When you're pushing something heavy, for example, and that heavy thing suddenly breaks or moves unexpectedly, humans roll easily."
Using weight means your body becomes unstable.
In short, it means that you are leaning in the other person's direction.
"Of course, you can handle some postural changes if you train your trunk. But still, there are limits. It's weird, but it's dangerous to overweight someone, whether you hit them or slash them."
Run was always hitting to penetrate with all his weight in.
Sure, it would be powerful, but killing me doesn't seem to require that much power.
"And that's not just an attack. Much to the contrary, do you know the difference between 'running' and 'walking'?
I'm sorry because it really changes my story, but I want you to forgive me because of my amateur.
"The answer is simple, if either left or right leg is always on the ground, if there is a moment when both 'walking' legs are floating, it is' running '. And... if you're a walking person and a running person, a running person is easier to make you fall"
More importantly, it can easily be terrible if you fall.
If a fully ill man turns with some kind of clap, he may also suffer injuries that do not fit to the point of falling on one knee.
Of course, though Lan avoided his body stopping due to forward passivity, etc.
"I was following her movements with my eyes. So I also figured out her 'stride'. That means you can almost read the timing of her attack."
I jumped on my own.
I dared to move at a speed that was visible to normal humans, flying big and showing them.
"Her attacks were always perfect when she was in the lead. That means the stage before the attack was perfect. In other words, if she can disappear from my sight, she must… perform a perfect preliminary motion to perform a perfect attack, and prepare in advance to perform a perfect preliminary motion."
Perfect preliminary motion. That means you'll behave the same way no matter how many times you do it.
No matter where you aim, just before that attack, just before, and just before, perfect preparations are made.
Everyone in the Colosseum understands that I've jumped a lot of times.
Yes, it's not the same with the runway jumping just before it starts running.
"No matter how much she is a Superman, or a Mad Warrior, she's just physically capable. As long as you run, as long as you fight while you run, as long as you have a moment without feet on the ground, there is a moment that you will never be able to change your movements"
Of course, it's easy to say by mouth, but after perfect recognition of her speed range, it's unacceptable to fail once.
If it ever fails, the genius's girlfriend will surely target that failure.
"That's why I can seize that opportunity. Understanding it intuitively, she learned to sit back and fight. Once you get some closer, it will be harder for me to read the machine from her."
I shoot my fist out of the same aide as a runway jump.
Afterwards, I shoot my fist from standing still.
On those two occasions, the audience somehow understood.
"And she could also attack from a stopped leg. Even if I could travel in a contraction, her reflex nerves could have targeted me after I moved. My shrinkage is a move away in an instant. You can't attack her until you've moved it."
Once, after traveling a short distance in shrinkage, he dares to shoot his fist in a slow motion.
Being able to travel far is not the same as being able to move fast. She could move faster than me, naturally, in a way.
"By reason, she should have waited. My attack, the Power of Fire, is established as an attack as long as you touch the target, but still, if you don't move, it won't be an attack. What I can reach is also where she can reach. If I waited for that moment to attack, she could also strike a deadly blow at me. That's what she thought."
I should have thought I could win this.
She can perform the motion perfectly.
Behind or over the head, I should have been able to react instantly and deal with it.
"The problem is that she is a mad warrior and is always in a state of excitement. She could do it perfectly even for the first time, something she couldn't have done or anything else in her life. In fact, the operation itself was perfect. The problem is the very action of waiting. In a way, I couldn't help but give this one the initiative"
I had a wooden knife in my hand.
That was all there was to it, an upset run across the audience.
"This wooden knife is just a wooden knife. But even this wooden knife is naturally enough to kill people. In that sense, nothing seriously changes. But people are disturbed. Just because your opponent has an iron sword will constrict you more than your opponent with a wooden knife"
Well, sometimes that's why I don't know anything scary, but I'm strong.
But there are weaknesses because you don't know anything scary.
"Of course, she doesn't constrict or anything. She's in a state of excitement, and no matter what I had, I wouldn't be frightened. The problem is, when she had to wait and see. A human in an excited state 'waits' in front of his opponent. That's how hard it is for everyone to figure out."
The act of waiting is mostly painful.
Sometimes you feel painful because they're in front of you right now, because it's a short time.
"She was holding herself back. I was trying to keep myself from popping up. I mean, I was stifling my body. Perhaps for the first time in her life, she had to behave inconsistently"
Humans can't do what they start to do.
Similarly, if you try to do something you don't even like, you weirdly gain strength, or vice versa, you fall out.
"She was a mad warrior, which is why she didn't know fear, but neither did she know suppression. More importantly, it's hard to contain yourself, and it takes a lot of effort to contain it."
To put it bluntly, she doesn't like to wait.
Even if I feel strongly for myself that I have to do so, I can't afford it.
I'm not used to it because I didn't have to.
"No extra force should be put in to best move the body, not just in combat. If I'm too strongly aware, I really get extra force in my body. She couldn't wait. To wait, having to wait hard made my body tense. Whatever you do in that state, it doesn't work."
Freedom means being able to do anything.
I mean, at the point where you want to attack, when you turn to the guard, you collapse all at once.
She is imprisoned for being a Mad Warrior, who is strong enough to do what she needs to do when she needs to, and who can only attack.
"I have to be patient, I'm immature at the time I think. Even if you think of something in your mind, it must not appear in action. That's why she couldn't see through my actions"
I'm controlling my emotions.
That's why she couldn't preface my actions.
"My shrinkage, which is my moving move, has no spare motion. But even if the preliminary motion is gone, there will be spiritual killing-like leaks. She can also feel it because of the Mad Warrior. But I don't have it. I was willing to kill her, but there would be no leakage of intent to kill in the general sense. Not so immature."
This is what it means to have an extreme body of mind and mind, even courage is not necessary if we are to argue in the extreme.
My mind gets in the way of my body and my moves. That is why the mind must remain transparent.
I'm immature at the time I think I have to.
It creates strong tension with it, so it must be able to do so naturally.
As a matter of nature, we must be able to maintain it.
Become natural, remain natural. That's the hard part.
"She moves out of her mind, and I can move out of my mind without. That's the difference between me and her, and the lag that really occurs. Unless she can outdo it... you won't even be able to fight me."
Why did the school director let me and her fight in front of the public? That would be extremely simply because I wanted to prove that I could contain her.
What were you going to do then if you had a seizure and rumbled out?
I think this school, Bathrub, and Sopeds were annoying.
Around there, it seems too trustworthy.
"But if I could overcome that point… she would be a mightier warrior than any mad warrior has ever been. It can no longer be called a mad warrior."
She recognized her infirmity.
From here on out, that would be up to her.
Though I don't think she deserves that much.
That's only because I'm a Immortal and I look at the present more heavily than the future.
"And it's not just a mad warrior... it's not even a warrior, but if what you practice can't be done in action as it is, you can say that's not enough training. Whether they are opponents of the art logic they see for the first time, trying to possess privileged qualities, whether they are resentful or irrelevant, there must be no disturbance in the 'sword' they wield. Both the first and last waves of training are the same, and the first and last to fight in action must be slashed in the same way. Because that's what training is all about."
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