The Treasure Hunt of an Antique Dealer

It’s not even digging walls. In recent years, there are almost no jewelry made with traditional Chinese court craftsmanship. In the past few years, the state-owned jewellery factory in Beijing has been simplifying the process of exporting jewellery. Although foreigners don’t know how to appreciate it, they still have to Catering to their needs is a last resort.

In the past two years, it is really difficult to grasp the traditional crafts. The masters are getting older and the market is about to fully enter the market economy. The state-owned factories that have controlled the top skills are almost finished, and I don't know where to go.

What's terrible is that the market economy of this society has not yet reached the mature stage, everything is so impetuous, and the old craftsmanship that is time-consuming and laborious is no longer sought after.

Zhang Nan is looking for someone, no problem.

Through the relationship between Beijing and the city, there have been five master craftsmen in jewelry processing who have taken a few apprentices to the United States. One is to make traditional jewelry customized for the wealthy Chinese, and the other is to integrate traditional Chinese jewelry crafts into the Western world. Among the jewelry design concepts.

He is a capitalist, while protecting the traditional craftsmanship, it can be considered to help it carry forward. Although there is a curve to save the country and a straight line-to put it bluntly, he is still making money for himself, and he does not do thankless things.

Two of the hired masters are actually almost finished, and most of the actual operations are performed by those apprentices-apprentices, apprentices, not apprentices, at least veterans with more than 10 years of experience.

As for the masters, guidance is the main thing, just like those famous elderly experts in big hospitals. If you want to go to the operating table, you will not perform the surgery yourself at all during the operation, at most you can stand on the side and give pointers at critical moments.

I can't move, even those who are in their seventies and eighties, don't even talk about their physical strength, and their hands are unstable.

In the first half of this year, the Star Jewellery Group has launched a small-scale high-end jewelry series that integrates traditional Chinese elements. It is very popular with high-level customers. In the Western world, the collision and integration of different styles is still very marketable.

Those people are really masters. They can restore the jewelry craftsmanship of the Western Han Dynasty 2000 years ago, and even make them more refined. Now the tools are advanced.

At this meeting, Zhang Nan also said to Zha Li: "As long as it is not a wire spot welding process, those masters and a bunch of apprentices can definitely imitate it for you."

"Shot spot welding, what is it?"

Looks very mysterious and tall.

Trouble, I almost missed it. Zhang Nan had to explain what kind of craft it was, and Charlize Theron was stunned.

As for the real thing...

The legendary skills, even experts such as Nongbosheng, are not everyone who has heard of the magical skills, let alone seen the real thing.

Except for the Southern Song Dynasty imperial tomb that is still sleeping underground, and in all likelihood cannot escape a catastrophe many years later, the whole world has a real piece of wire-spot welding jewelry and a golden step. This is Charlize Theron. For the time being, I don't have to look at it, and Zhang Nan will not tell her who has it, let alone let someone copy it now.

Besides, just like imitation, it can't be perfect, the gold wire has to be several times thicker.

......

Of course, it is not just these pieces of jewelry that followed Wang Zhaojun into the ground. There are a lot of burial objects. The jewelry alone is estimated to have more than 50 pieces and sets. Some have been scattered and need to be cleaned up: there are three pieces of jewellery and return. There are a large number of hairpins, jade pendants, and jade pendants. Unfortunately, many precious metal-based jewels have been squashed and need to be repaired.

There are manpower for restoration, so let's get it back first, and wait until all the cultural relics and jewelry are restored at least next year, or even the next year.

Zhang Nan remembers that the tombs of Emperor Yang Guang and Xiaohou of Sui Dynasty were discovered in Yangzhou in 13 years. The most attractive thing in the tomb of Xiaohou was a queen crown with severe corrosion but still intact structure. Later this crown was decorated. I was taken to the West Qin Provincial Institute of Cultural Relics Protection for cleaning and restoration. The entire restoration work actually took two full years!

Wang Zhaojun is a married princess, but there is no phoenix crown in her tomb. This is not to say that she is not enough to enjoy this kind of crown decoration, but that there was no such female ceremonial crown at all in the Han Dynasty.

The headwear of royal women such as queens and princesses of the Han dynasty used the pattern of using fake knots (updos), swings, and hairpins. In the later Wei, Jin and Southern and Northern Dynasties, it seemed that there was no phoenix crown. And renamed Step Yao Huashu, it takes a lot of time to get dressed up in the morning.

what to do?

Probably a wise person has come up with a lot of these, and they have to be carefully installed on a hat, and put a set of "hats" on their heads when needed.

It saves trouble and time, and it will not mess up the hair. If you are old, gray, or bald, you can still cover it up-this paragraph belongs to Zhang Nan's personal guessing.

The appearance of this phoenix crown and the development of the past dynasties is a process of constantly adding accessories to the head. It is now in the 90s. Tang Dynasty phoenix crowns have been discovered, and the Western Qin Provincial Institute of Cultural Relics Protection has restored a Tang Dynasty princess phoenix crown~www .readwn.com~The Sui Dynasty has a phoenix crown. On the basis of the systems of the dynasties since the Han, Jin, Southern and Northern Dynasties, the Sui and Tang dynasties established the combination model of flower trees, 钿, 钗, and Bo 鬓 on the wind pipe, and distinguished by the number of flowers and trees grade.

During the Song and Ming dynasties, the dragon and phoenix immortals continued to be added to the head, which developed into a very large and grand ceremonial crown, but still preserved the basic elements of flowers, trees, tins, and temples.

As for the Yuan Dynasty and Qing Dynasty...

Forget it, the ruling classes of these two dynasties were not the Chinese attire at all. The ceremonial crowns on the heads of the Empresses of the Manchus could be called phoenix crowns, but they had little to do with the traditional Chinese ceremonial crowns. I took the piece.

As for the Mongolian Yuan, it seems that I haven't found it in real objects. From some of the remaining paintings, those Yuan dynasty queens wear traditional Mongolian aunts' crowns on their heads, and they can't beat the traditional Chinese ceremonial crowns.

But Xiaohou's tomb has not been discovered yet, and the actual upper limit of the Chinese Phoenix Crown lies in Tang.

A ceremonial crown, superimposed over the ages, lasted for thousands of years. Wang Zhaojun hasn't had that meeting yet, if there is, it would be an incredible discovery.

Experts save trouble. This restoration work will be a private investment and organization. The funds will be provided by Zhang Nan. Experts such as Nong Bosheng will mobilize retired old friends to bring some disciples to participate.

This can be regarded as a huge restoration project, even the coffin is decayed, and a large number of the funerary objects have disappeared, but even so, there are still more than two hundred artifacts left in the funerary objects.

Some of them are obviously Central Asian and West Asian styles. For example, there are two high-neck, high-base sacred beasts and sacred tree silver holding pots. Even if they have been oxidized, they can still be seen at a glance as Persian craftsmanship.

Products of multiple cultures appear together, and all have to be repaired and copied.

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