The Wolf of Los Angeles

Chapter 159 Secret Operation on Oscar Night

The next morning, Campos got a message from his informant and immediately reported it to Hawke.

After hearing this, Hawke asked Caroline: "How old is Will Smith's son this year?"

"Jaden Smith?" Caroline recalled: "He seemed to be born in 1998 and is less than five years old."

She didn't dare to ask, was Hawke's idea of ​​hitting a child?

But after thinking about it, it seems that my boss has a higher bottom line than most people in Hollywood.

Hawke didn't say more, because the news he received from Campos was not very ordinary.

A while ago, Sean Combs organized a party to entertain Zipperton and Will Smith and took his son to attend.

Hawke automatically blocked Sean Combs' party.

Zipper Dun and his wife, especially the woman Cylar, are not very vicious.

As March enters, the Oscars are getting closer and the focus of all media in Los Angeles has shifted to the Oscars.

Even paparazzi active throughout Los Angeles threw away those ordinary targets and replaced the followers with stars or directors who were nominated for heavyweights.

Will Smith, who slammed the Oscar nominee, did not appear on the Oscars' list.

The Smiths will not attend the Oscars in protest, either.

Hughes Aircraft Factory, "Me and Robots" set.

A Mexican named Domingo, after more than half a month of waiting, finally waited until Will Smith and Bridget Muna appeared on the crew to rehearse together.

He was a temporary scene builder, and he spent a lot of money to get into the scene worker team.

Most importantly, Domingo's woodworking skills can meet the requirements.

As the lunch break approaches, Domingo finds Will Smith and Bridget Muna come out of the rehearsal grounds and walk towards the area where the trailer is parked on the set.

He carried a huge tool kit and left the team of companions who went to lunch on the grounds of going to the toilet.

There were a lot of people on the set now, and Domingo was not in a hurry. He turned into the toilet on one side, went into a partition, took out the small camera from his bag, adjusted the lens, turned on the computer, and put it in his bag.

When he came out, he observed a little while, and saw that no one was paying attention, he plunged into the trailer parking area.

The Hughes Aircraft Factory has long been transformed into the largest film and television shooting area in the Los Angeles area, and the huge factory is just for the renovation of the studio.

However, the inherent lack of supporting facilities is extremely reliant on trailers to solve it.

More than twenty RVs of various types are parked here.

Domingo had already stepped on it a little, got into the RV, and soon found the heroine's special purpose. He found that the RV curtains were all open and there was no one in the car.

He found the nearby male protagonist's RV again. The curtains in the car were closed tightly. Only from a specific angle can one find that a curtain on the side and rear was not closed tightly.

This is where Domingo has done some time ago, and it is not easy to notice. From the angle he chose, he can also shoot the car.

Not only the hero's car, but he also sneaked into the heroine's car.

Domingo quickly came to find the right angle. After a little observation, he found two people in the car. He immediately took out the camera, hid behind a RV, quietly extended the camera, and quickly made adjustments to capture the situation in the car. .

The two people were doing things between men and women.

Now I can’t take a picture of my face due to posture problems.

After waiting for a while, the two of them changed their positions and the camera took a picture of their faces at the same time.

Domingo remembered his boss' instructions, not to take more photos, take back the camera to check, make sure there is no problem, turn off the phone immediately and hide it in his bag, and quickly leave the piece.

He called the boss while heading to the restaurant.

When we arrived at the restaurant, Domingo had a normal meal with his colleagues. After dinner, he was still long before he started working, and several people even went out for a walk.

During this period, he went to a convenience store to buy cigarettes, met Carlos, and handed over the camera bag quietly.

Carlos drove away immediately.

In the afternoon, Edward had already received the video of the filming and sent it to Hawke's desk.

Hawke watched it carefully. Although the video was not particularly clear, the camera was still secretly shot through the gaps in the curtains, it was enough to see the faces of Will Smith and Bridget Muna and what they were doing.

It took more than half a month to achieve the goal after the task was assigned.

Caroline came over and asked, "Do you send it now?"

"No, wait a little longer." Hawke looked at Edward: "Has they been discovered?"

Edward specifically asked: "No."

Hawke put away the storage disk and said to Caroline: "People will come to sell this video before get off work. You can go to the reception yourself and buy it at the normal price."

Caroline understands: "Okay."

Not long after, a Mexican woman came to Twitter to sell news videos, and Caroline personally received her.

Hawke spoke to Campos again, asking him to be patient and not to worry.

If you can get the best videos of Will Smith, if you can't get them, the existing videos will be eye-catching enough.

...

On March 23, 2003, the 75th Academy Awards Ceremony was held on time at the Kodak Theater.

This has attracted attention from the United States.

Especially media reporters.

On such a special day, even paparazzi gather in places related to Oscars.

For example, the theater on the Avenue of Stars, hotels that hold Oscar nights, burger shops that celebrities like to visit, etc.

Those stars who have nothing to do with the Oscar will be automatically ignored.

In the city of Calabasas, Los Angeles, a mansion called Dream Castle occupies the entire hill.

This is Will Smith's home.

There is only one main road up the mountain. In the museum parking lot near the intersection, Campos and Garcia, who have been changing cars and shifts back and forth, have been waiting for nearly a month with a few people.

During this period, they met with the target Duane Martin visiting the Smiths' mansion. But it can't follow the past, it's too easy to shock people.

The sky gradually turned dark and the surroundings became extremely quiet.

In the past, paparazzi gathered here.

Tonight, those guys disappeared without a trace and all went to chase the Oscars.

On top of a Chevrolet, Campos woke Garcia who was dozing off: "There is a car coming out."

Garcia rolled over and picked up the telescope to look over there. The bright headlights made him unable to see the front of the car: "There are two cars."

Campos picked up the intercom: "Everyone, get ready to go."

The staff quickly arrived in the other three cars.

Campos has money and can handle legal status, which has attracted many Mexicans.

Among them are former Mexican police who were forced to cross the border by traffickers and guys who were killed by traffickers and fled.

Campos observed for a moment, and the car was getting closer and closer. He said to Garcia: "I and the one in front, you can take people and the one in the back, remember, there is no good shooting opportunity, don't be alarmed."

No mistakes, one song, one content, one in 6, one book, one bar, one reading!

Garcia immediately put on her bag and got out of the car and moved to another car.

A person came over there and sat in the passenger seat.

The car that came down from the hill turned onto the main road.

Campos has been staying in the car and remembers it clearly that the Smiths' family has no customers these days.

He waited for a moment and followed.

There is also a car behind, cross-tracking with Chevrolet.

Another car that came down the mountain was Jada Smith's Porsche, and Garcia led people to chase after him.

Will Smith took a car and arrived near Lake Barberya Park.

The driver was his assistant and playmate Bilar.

There are many single-family houses separated by walls.

Will Smith's friend Duane Martin lives in this area.

He had children at home, so it was inconvenient to call Duane to go there, so he didn't dare to go to a hotel and wait for the place to wait. He happened to come to Duane's house on Oscar night.

The street is quiet, with the renovation of Lake Babelia Park on one side and the sparse houses on the other.

Will Smith called and asked Bilal to park the car at the door and observe it around the car before putting on the sweatshirt hood and quietly getting out of the car.

He told Bilal: "Stay outside."

Bilar nodded, “I will wait for you to come out.”

Will Smith got out of the car, came to the door and entered his fingerprint, and quickly went in.

The fence blocked the gaze of the peeping outside.

Duane was waiting for him at the door.

Outside the courtyard gate, a black Ford passed by the door without stopping at all, and continued to drive forward.

Bilal took a look and saw Ford turn around from the intersection ahead, lowered his head to adjust the radio, and listen to the news about the Oscars.

Then he lowered the car window and lit a cigarette.

On the black Ford, a Mexican picked up the intercom and said, "Boss, there is a car parked in front of the target house. There is someone in the car, don't go directly."

"I understand." Chevrolet stopped far away at the side of the intersection.

Juan in the passenger seat was a young man who was just twenty years old and was a little anxious: "What should we do?"

"You wait in the car." Campos got out of the car, pretended to be an ordinary pedestrian, and came to the intersection to observe.

He had exchanged experiences with two veteran photographers, Hawke and Edward. He went to see the street lamp poles as soon as possible. This was not the main road, and the lamp poles were shorter and were not suitable.

It’s better not to mention the green trees on the roadside.

Campos looked at the park under renovation and found a place to be used, not too far from the target house, and an old-fashioned water tower was erected.

It looks like a special landscape that is left behind.

Campos went back, and carried his bags with Juan, saying, "Come with me, don't speak out."

The two of them flipped over the park fence from here, ran towards the house with their waists, and soon came to the water tower.

The water tower has a straight metal ladder. Campos took the lead in climbing upwards. After climbing to the upper floor of the water tower, it was confirmed that you could see the target house here.

He waved to Juan below, and Juan immediately followed.

The two squatted on the metal support frame of the water tower. Campos took out the camera and carried it on his shoulders, turned on the computer and looked at the other side of the house.

The lights were on several large windows of the house, but there was no one to see.

Juan also opened his bag, took out his SLR camera, installed a telephoto lens, and searched for the right shooting angle back and forth.

Through the camera, the two can see the distribution of the house, but no one is present.

Campos glanced at the car parked outside the courtyard door and whispered, "Stop it, don't worry."

Juan nodded repeatedly.

There was a steel frame under your feet, and it was uncomfortable to squat on it, but the two of them tried their best to endure it.

This squat has passed for a long time.

Finally, two dark-skinned men appeared.

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(End of this chapter)