The world's number one pianist

It’s my birthday today. I wanted to write a short chapter about He Shen to celebrate, but I couldn’t find where to publish the full-subscription chapter, so I had to give up...

I’m already 24 this year, but I’m still doing nothing. I don’t know what I’m busy with every day.

By the way, let me talk about the new book.

I’ve written 10 versions of the beginning of the new book, but I’m still not satisfied with it.

I wanted to write about medieval Europe at the beginning, but gradually it became modern.

I couldn’t find a particularly perfect entry point.

Is the direction probably similar to the apocalypse prediction? But there is a big difference.

I imagine that all artworks disappear and become a conceptualized object.

For example, Mona Lisa, she represents the entrance to painting, pulling the plane to space.

She will look at passers-by, and the people she looks at will be forcibly pulled into the world of the painting.

After the setting is completed, I can’t help but complain, why does this setting feel a bit like a mysterious resurrection of a ghost painting?

In addition to Mona Lisa, many other artworks will be conceptualized.

The symphony of fate that can strangle the throat of fate. (Music)

The dance of the black swan represents the dance of death. (Dance)

Venus who keeps searching for her most perfect arms (sculpture)

The goddess of victory who keeps guarding the last afterglow of the present world (architecture)

Don Quixote who keeps shuttling between the present world and the afterlife (literature)

There are many more. I want to find the most perfect entry point for this world, but it is a bit difficult.

But the cool selling points have been set, and the outline has a prototype.

After the concert in June, I will start formal creation in July, and I will definitely publish it before August.

I hope you will like the new story!

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