This is My Planet

: Today’s update is delayed, by the way

, The fastest update This is the latest chapter of my planet!

Today I have something to go to Fuzhou, I have nothing to do in the car, the code is definitely not coded, just chat.

There will still be two changes when I go home, but I will be late, so I won’t be relieved.

Speaking of the recent plots written here, it can basically be regarded as showing what I said before opening the book-interstellar wars, space operas, types of wars that combine technology and cultivation, and various civilizations.

Regardless of whether it is written well or not, it is indeed written in this direction, right.

This is what I said beforehand about "transformation" and "new themes", and I also said "may fail".

In fact, I thought that the controversy over whether it failed should be reflected in this second volume. Maybe Ji Cha did not write this kind of thing well, or maybe it looked okay... etc.

But what I didn’t expect is that I didn’t even start here. A large number of old readers thought I meant “transformation” as writing urban essays, pretending to be a pig and eating a tiger, pretending to be a slap in the face, and a brain-damaged family... I didn’t wait to write. When something unfolds, there is already a wave of scolding.

Basically, it can be said that half of what I really want to write is not seen by old readers, and they don't know whether it is good or bad.

So far, the "Ji Cha transformation" that the outside world thinks is "abandoning old readers and cater to Xiaobai".

"Transformation, it's not shabby."

Others felt that the plot of the game's popularity at the beginning was very horrible, and there was no immortal emperor fan.

Someone also told me sincerely, alas, it is better to understand and write that the king of the city soldier plays a pig and eats a tiger. I wish you success.

I:"???"

To be honest, these few months have been the most uncomfortable days in my codeword career.

Not because of bad reviews—but because I clearly wrote A, but a large number of people pointed out that it was B...So far, countless people don't know what this book is written in.

The transformation that everyone understands is not a transformation.

Someone kindly told me that if you want to write about urban attire, you can refer to Hidden Killing.

Who said I want to write urban costumes? My urban plot is just a section?

This kind of confusion and loneliness that no one even listens to excuses really feels like "trembling and cold".

Maybe a friend said, then why did you write an urban plot in the first place, and why did you want to surrender yourself and find someone to misunderstand it?

Because the design of the work is progressive.

From one city, to one country, to one star, to star field, to ten thousand realms.

In the mortal city content, the level is very low. As a crushing powerhouse, it is completely a game mentality. Just like we go to kindergarten to play, it’s fun to watch kids do everything, kids punch you Also laugh haha, you will not show in front of children, I can calculus, I can sprint for a few seconds.

Of course, you will not deliberately hide when you need to show, just behave as you want, because this kindergarten doesn't have any challenges for you, just come to play.

This is a game of stardom, and it is different from pretending to be a pig and eating a tiger. Even if there are similarities on the surface, it is really two different things.

How to distinguish two things? It is easy to draw judgments only from the direction of expansion. Have you beaten the young to the old? Have you shown your strength? Others still don't know that you show, and continue to line up to send your face?

No.

On the contrary, it didn't take long for Lianyuan Capital to be killed.

It is better to say that the king of soldiers is the king of soldiers, because in the routine it is the reverse, and because of the reverse, the urban plot is destined to be short-the villain will immediately rise to the highest level if the villain is not mentally disabled. Level, and when the highest level is finished, the planet will be set.

So obviously this is just an initial stage of "understanding this planet", and the next stage is "This is my planet", and the main line begins to unfold.

The next plot is the main plot.

Maybe I want something wrong.

Too many people think that you have to show not only calculus to kindergarten children, but also linear algebra, and Goldbach’s conjecture. Otherwise, this will be your academician?

I don’t know how long I have said.

When there is no need to show off in kindergarten, scolding is not necessary.

When it comes to truly dominate the planet and the heavens are contending for hegemony, it is the time to really start to show off, when people are gone.

In all fairness, is Lao Xia really uncomfortable in the interstellar plot? The forced grid is almost overflowing.

I felt like an old general standing on an empty stage.

A friend asked me, if this is the case, can’t we simply not have an urban plot in the first place? Change the entry point.

Actually, it’s ok, but it’s too late. I can’t delete all 200,000 words. Maybe one day I’m free and I can re-edit this book, but it’s not working anymore.

Actually, the urban plot is not only a progressive function, but also a process of transformation.

The injury is not for pressure, but the main line of affection highlights his "wavering". When the road is set, the injury will be healed. And in this swing period, the compulsory standard cannot be too high. If it is at that time, how can we prove the correctness of the new path?

At that time, if you didn't "entangle", how could you contrast the relief afterwards?

So structurally, the urban plot is "pressing", while the interstellar story is "releasing" at the beginning. At the same time, the urban plot also paves the way for the world view.

In the final analysis, I am still young and seriously ill and want a complete logic and structure too much.

As a result, Wen Qing was regarded as Xiaobai... even the wind driver who knew me best before could not avoid it.

Sometimes there will be a Qingwen-like irritation-if I had known this, I might as well do it.

Really write that the city soldier is pretending to be forced to slap in the face, my grades may be much better. As for the audience who pretends to be forced to slap their faces like this, the audience who read the story misunderstands it faster than anyone else, and it is not people around.

In addition, the invincible stream itself is difficult to write, and it is easy to miss the sense of expectation, because it is invincible, and there is no pressure to cause too flat.

So the transformation is a failure~www.readwn.com~Yes, this book basically declared a failure...but the reason for the failure is not the same as what I expected. Let me go back a few months ago and tell me the result. Maybe they don't believe it.

However, after a few months of frustration, I am now looking away.

I write mine, and readers who like it will continue to read it.

Basically, it is set to four volumes of 2 million words content, which is almost two volumes, almost halfway through.

As long as the expected content is written carefully, there will be no regrets for the individual.

If a **** is not a god, it is resigned to fate.

But...probably I will change my pen name for the next book.

Because I can't bear the high expectations and pressure of "others write like that and can praise a few words, Ji Cha writes like that is a star".

I am not a goddess.

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