Tokyo Gentleman Story

(twenty one-)

Morinya got creative inspiration because of Lihua, but he hasn't thought about what he wants to write specifically.

But the real Xia Gengyi on the other side was already lying on the street.

He was holding the phone and was looking for foreign aid everywhere.

Mashita Koichi is now the supervisor of "The Sword Girl Miko".

"The Swordsman Miko" is a "true and dazzling technique" that Morinha suddenly wanted to make.

According to Mori Xia, he wanted to make this work "a benchmark for real fighting in the new century."

You said, I'm a good animator who is a "rice shochu", how come to do real animation?

But Mori Xia said that the organization has been appointed.

So Makikoichi...he didn't read poems, so he called to find someone, and then found free animator Masahiro Ando, ​​hoping that he could join.

Masahiro Ando is the same as Koichi Masashita. He said that he is an animator. Going to Musashino is a bit of a high climb. You still have to ask yourself!

Hearing that Ando said this, he became anxious when he went to Koichi.

Masahiro Ando is not alone, because he has a lot of contacts here, and he can directly become a painting team when he is pulled out.

Brother dei, you have to give me a hand at this time!

But Mashiro Ando over there also has his own considerations, and the volume of Musashino's animation is getting bigger and bigger. This requires cooperation with them, so I really need to think carefully.

No way, really ploughing a good sacrifice to the assassin.

"We are going to make a real fighting animation one by one throughout the whole process! There are enough full frames and the treatment of theatrical animation! Please help us!"

"Hi, please advise!"

Just now Ma Shita Koichi over here has finished talking, and Ma Hiro Ando over there directly...agrees?

So fast?

"Is it really one shot for the whole process?" asked again over there.

"Ah, that's right." said Kenichi Maoshita, "at least all fights are shot one at a time. What we are going to do is an experimental animation, and there will be many new technologies and techniques added."

Hearing the words of Ma Xia Koichi, Ando Ma Yu there seemed to let go of his heart.

Musashino likes to make experimental animations and works, which the industry knows.

Musashino, backed by Company A, is a model of wealth and willfulness.

Not only that, but the theatrical animations made by others are also very popular.

The previous "Fate of the Sky" directly increased Supervisor Jin Min's worth ten times.

So people really don't want money.

If it were to be replaced by another club, Masahiro Ando would not believe the nonsense of "one shot for one whole process".

But if it was Musashino who said this sentence, it would be different.

Because they are really local tyrants.

The kind of moat.

You should know that at this time, most animation companies have turned to the "production committee" system model, and funds and profits have been strictly restricted. Therefore, the performance of animation companies has been greatly affected.

But on the Musashino side, it's not too much of an animation. And here, if you are not a Sony Nintendo or the like, and you want to form a production committee, no one will kill you!

"Great, then when can we talk?" Zhen Xiageng glanced at the calendar.

"No, I'm in Tokyo right now. In the afternoon...no, I'm two hours...ah, I can be at your company in one hour!"

Musashino Animation also has a lot of invitations and outsourcing, and because of its huge size, the industry basically knows where Musashino Animation is actually. Just listen to the name. Musashino Animation, of course, is in Musashino!

In fact, it only took more than fifty minutes for Ando Masahiro to arrive at Musashino Animation.

Mashitako looked at the panting Masahiro Ando, ​​and didn't say much, but invited him to the coffee shop to discuss the matter while drinking a drink.

After signing a non-disclosure agreement, Manishita Koichi began to describe the production of "The Sword Maiden".

"Well, this is an animation made with the theme of traditional swordsmanship. We want to be the benchmark for real animation, so we don't hesitate to spend money." Zhen Xia Keng is clear about his own situation. This animation lets him come. It is really difficult to do it.

And the reason why he is really going to farm is because he is the veteran of Musashino Animation, and he has also produced the "Rice Shochu Trilogy", so it is also the girly theme "Swordmaid Miko", and it is not wrong to find him. If you don’t care about the fighting part.

But Senxia said, fighting must be done well, this...this really won't work without foreign aid.

After all, this kind of work with one shot and one shot and twenty-four foot frames per second is almost unavailable in the industry.

The animations of Mud Boom are all twenty-four frames per second, but in order to save money, most animations will use one shot two or one shot three to paint, that is, to shoot a picture twice, which may just be a simple modification Just a mouth or a view. Therefore, for such a picture, eight paintings or twelve paintings per second may be enough, which saves time and effort. One work, complete three thousand pictures, can be turned into an animation.

But if it’s one shot for the whole process, it means that you need to paint in full, and you need 24 paintings per second. For a full 24 minutes, you need close to 35,000 frames. This is the money-saving animation. ten times.

In the future, there is an animation called "Light Feather Flying", which promoted that he used more than 20,000 paintings, in fact, because of the action scenes.

The reason why action animation is so expensive~www.readwn.com~ This is the root cause, so many animations in the future will like to use 3D to draw, because it saves money!

Of course, the actual painting is not so exaggerated, because the action drama is limited after all, and the literary drama does not need so much painting. On the contrary, excessive painting may even have the opposite effect on the literary drama.

"Our current plan is to make a 3D storyboard first, and then use it as a reference to make a 2D picture. There may also be a real person reference." said Kenichi Mahashita.

"Redirection?" Ando Masahiro asked again.

"No, it is for reference and reference, and will not be reposted directly."

Of course, this technique of retracing is the most convenient. It can burst out a large number of paintings at once, but the actual effect is actually not good, because the lines of the redrawn picture will not be very good, and the picture effect will be unstable.

Masu Ando closed his eyes.

At this time, he had already imagined the picture in his mind: On the dark and windy night of that month, two swordsmen met unexpectedly. This was the first-class fateful battle between Itsukushima and the second day...

"This work is a story with a girl as the protagonist..."

"Qiaodou sack (wait a minute)!" Ando Zhenyu felt that he had misheard, "You mean a girl?"

"Hi, the protagonists of this work are all cute girls. Well, to be more precise, they are the witches, the sword maidens."

Miko...

Masahiro Ando felt like a witch in his head...

...

Ando Masahiro is the one who made the Tan of No Emperor's Blade. By the way, he also did the Canaan of Takeuchi's original case, and he was also the one of the most recent new fan...

The second one is meow.

The typhoon is coming, meow, see if I can save some manuscripts...

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