Tokyo Literary Godfather

In the conference room, Kei Fujiwara told everyone the general plot and main selling points of the four dramas in one breath, and the conference room was silent.

If it was another screenwriter who came up with the outlines of the four dramas in one go, they would not be surprised. As a screenwriter, this virtue is always anticlimactic.

These people are very good at first, and they come up with a story outline at every turn, but asking them to write them all out one by one is as difficult as an advanced mother.

So if other screenwriters come up with four outlines for them to choose at the same time, it is probably because he has not thought about any of the four stories. He wants his colleagues to discuss which story may be popular. Which one to write.

However, everyone here is familiar with Fujiwara Kei's style of doing things. One of his styles is to never take action when starting a business.

Once he proposes a detailed plan, he must have an extremely mature writing direction. Maybe this story has already been printed word by word on the blank paper in his mind. Once turned on, this guy can immediately write out the script like a human typewriter in a very short time, and the quality is super high.

Usually, his writing speed and writing quality are already admirable enough, but in the past, he was at least a little bit measured, and he conceived one play after another. As a result, four dramas were presented at the same time today for everyone to choose.

So can they reasonably suspect that you already have detailed stories in your mind for these four dramas?

If we ask you to write four dramas at the same time, you can't do it...

This guy is so capable that it’s a bit unbelievable...

"Ahem." Shibasaki Hideaki coughed and said, "Fujiwara-sensei, I haven't finished filming "Furuhata" yet. Shouldn't Kobayashi-san be responsible for the next drama?" So why did you ask me to come?

"That's true, but Shibasaki-kun understands TV dramas better than I do, and I also want to hear your opinion." Kei Fujiwara said sincerely.

This is Kei Fujiwara's true thoughts. After getting along for a period of time, Kei Fujiwara found that Hideaki Shibazaki is indeed a talent. The director's level is very high, which has exceeded his qualifications. And this person's prestige in the team is also very high, second only to Fujiwara and Suwon.

And what satisfies Kei Fujiwara the most is that this person’s aesthetic appreciation of art works is popular and popular, which means that he will not commit some literary youth errors and shoot some highbrow works.

But from Shibasaki Hideaki's ears, Kei Fujiwara's words seem a bit too modest. Who doesn't know that you are a new genius in the broadcasting industry? Want my opinion?

"I dare not discuss my opinions. Personally, I like the drama "Naoki Hansawa" the best. Just listening to the general plot introduction, I think it is very interesting. If it were me, I would film this drama."

After Kei Fujiwara heard this, he nodded subconsciously. As expected of you, I saw the best one at a glance.

"I personally think "HERO" is good. In the past two years, idol dramas seem to have gradually become the mainstream of TV dramas, and audiences like to watch them. This drama should be regarded as a combination of idol dramas and professional dramas, and is close to the style of "Long Vacation". If If you make this drama, I believe there will be many popular actors who are willing to join." Mizuhara Yui said.

Indeed, after "Long Vacation" became popular, many young actors wanted to get the opportunity to work with Kei Fujiwara, but no one expected that he would find two old men to play the lead roles in his next two dramas. You just made an idol drama and it became an instant hit, shouldn't you strike while the iron is hot? I really don’t know what this dark horse is thinking.

And...this drama seems to be most suitable for Arima Katsura to play the main role. Ahem, they have also heard some gossips between their chief screenwriter and this popular actress. There is no guarantee that he does not have his own little thoughts, such as wanting to make a special drama to praise his little girlfriend or something.

"I think "Homeless Child" is very good." Kobayashi Shuzo said at this time.

He is responsible for the next drama, so his opinion is important. Among the four dramas narrated by Kei Fujiwara, this one about a poor little girl moved him the most.

Maybe it's because he has a daughter and a granddaughter. When Kei Fujiwara said the words "Give me money if you sympathize with me", his heart was inexplicably touched. I imagined in my mind what I would do if my precious granddaughter became "homeless". As I thought about it, my eyes became a little moist.

Good guy, no one chose to co-author "Housekeeper San Tian"?

Don't be like this, this is Nanako Matsushima's masterpiece, and when the last episode was aired, it was a crowd-pleaser.

"Okay." Kei Fujiwara, "Both directors, please explain, if you were to make a film that you like, how would you like to make it and which actors would you choose?"

Hideaki Shibasaki took his time and named several actors he thought were suitable for the role of Naoki Hansawa.

Kobayashi Shuzo also mentioned the names of two or three child actors and his own shooting plan.

"Let's exclude the drama "Naoki Hansawa" for now. I'll leave this drama to you, Shibazaki." Kei Fujiwara said.

Shibasaki Hideaki nodded and said, "Okay."

"Choose one of the remaining three dramas. I will write the first episode scripts of these three dramas within a week. After getting the scripts, we will have another meeting to discuss." Kei Fujiwara said.

"Write three dramas in one week?" Yui Mizuhara opened her eyes wide. I know you are a model worker, but don't work so hard, Fujiwara. After all, you are eating rice, not drinking diesel.

"That's right." Kobayashi Shuzo also said: "Is it a little too difficult to create three dramas at the same time?"

Fujiwara Keido: "It doesn't matter. After all, it's just the first episode. I can finish it."

Kobayashi Shuzo still said: "I think it's better to assign you a team of screenwriters."

Mizuhara Yui also nodded when she heard this. She always wanted to give Kei Fujiwara a literary assistant, and then set up a screenwriting team composed of episode writers and line script writers to serve Kei Fujiwara alone. Otherwise, she was really worried that Kei Fujiwara would be too busy.

Kei Fujiwara is the core of the entire team. If there is a problem with his creative state, all work will have to stop.

"If I need help, I will speak up." Fujiwara Kei said, and the others could not say anything else.

Soon after, the fourth chapter of the astrology magic chapter of "Genius Detective Mitaraikai" was officially serialized.

Kei Fujiwara cut and abbreviated the book "Astrological Killing Magic" into five chapters, and with one more chapter, the truth about Asold back then was revealed to the public.

Nishikido Hagahara bought the latest issue of "Shunju Bunsho", this time he didn't open "Samurai Atomic Heart" first, but first watched "The Genius Detective Mitarai".

In this chapter, Mitarai met the notes of a participant in the case and got more clues. In the novel, Mitarai showed a suddenly realized expression, which means that the protagonist of the novel already knew the truth of the year.

Nishikido Chihara felt a little annoyed. Once the protagonist of the novel knew the truth of the year, it meant that all the key clues in the novel had been given, and under the condition that all the clues were given, he failed to restore the truth of the case, which made him A little frustrated.

Nishikido Hasahara likes to read mystery novels because he enjoys the process of fighting wits with the protagonist. As long as he finds out the truth earlier than the protagonist, it means that he is smarter than the protagonist. In the past experience of reading novels, he was often invincible, but this time he seemed to have encountered Waterloo.

Nishikido Chihara couldn't help but wonder in his heart, maybe the clues haven't been given yet, right?

If in the end the protagonist solves the case by relying on airborne clues that readers have never seen before, this is a taboo in mystery novels and will offend readers very much. Surely readers will throw the book in the trash and swear they will never read another novel by this author again.

And after the content of this chapter is over, the author wrote a paragraph at the end of the article, letting him know that such a thing is impossible.

Because the author left a letter of challenge in the last chapter of the article.

"This letter is a little late, but to ensure complete fairness, and to allow more readers to solve this mystery, I have decided to muster up the courage to write the famous line .”

“Readers, please accept this challenge.”

"Needless to say, the clues to solving the puzzle have been fully presented to the readers, and the key to solving the puzzle has been laid bare under your noses."

"Anyone who can solve the final mystery, please don't announce the answer in public for the time being, but write the truth in a letter and send it to the editorial department. I will choose the top ten readers who guessed the truth, sincerely We invite everyone to visit the filming site of "Furuhata Rensaburo" and have dinner together."