Tokyo Literary Godfather
Chapter 151 Child Star
Kei Fujiwara gave the order, and the entire crew immediately responded and began frantically contacting the actors.
A total of dozens of roles required auditions... For a time, it seemed as if all the talent agencies in Tokyo had received calls from Fukuyama Station to invite auditions.
For a time, the news that Kei Fujiwara was going to make a big production spread throughout the industry.
This guy doesn’t want to film a Dahe drama, right? Some industry colleagues discussed privately.
After receiving the invitation, the actors knew that it was the work of this dark horse screenwriter and came to audition one after another.
Adult actors are easy to find, and there are a lot of them, and their acting skills are generally above average.
But it's a bit troublesome to find a young actor who can act and doesn't have stage fright.
Whether it is filming "Homeless Child" or "Housewife Mita", a little girl actor under the age of ten is needed. However, most child actors have flaws in their acting skills, such as emotional instability, for example, their acting is particularly exaggerated, their eyebrows are beaming, and their speech is read aloud.
It's not easy to find child actors who are particularly talented. Acting really depends on talent, especially for children, half-old children have not received long-term acting training, and they pay more attention to the talent and spirituality in their bones.
The crew interviewed several children, and a girl named Inoue Morimata caught the attention of Kei Fujiwara. He seems to be very introverted, and is embarrassed to talk to adults. He always grabs his manager's pants, but as soon as the clapperboard sounds, the expression on his face changes immediately, as if he instantly becomes part of the script. The character speaks clearly, speaks the lines with cadence, and the performance is very contagious.
After her audition performance, the crew couldn't help but admire her in their hearts, and even Mizuhara Yui couldn't help but applaud.
Under normal circumstances, the crew will not deliberately show their special love for a certain actor. On the one hand, it is to facilitate bargaining, and on the other hand, it is afraid of affecting the performance of other actors, but this time Mizuhara Yui took all these things into account. Putting it all behind him, he couldn't help but express his love for Inoue Mori again.
After the performance, Inoue Mori shyly hid behind his manager again.
"This kid is very good." Kobayashi Shuzo said to Fujiwara Kei.
"Yes." Fujiwara Keiya nodded. The child is also very beautiful, a bit like a combination of Adachi Yumi and Ashida Aina.
"Mori Mata-chan." Fujiwara Kei stepped forward at this time, stretched out his hand to greet Inoue Mori and took another step forward.
Inoue Mori looked at the approaching monster again, and looked up at the manager in a panic. The manager pushed her and said, "Don't be afraid, this is Mr. Fujiwara, the chief creative writer of the show."
Inoue Morita clenched his silver teeth, as if he had made a great determination, walked forward, bowed politely, and said: "Hello, Mr. Fujiwara, I am Inoue Morita."
When bowing, her two little hands are raised behind her buttocks, which is so cute.
Kei Fujiwara resisted pinching her little cheeks and said with a smile: "Hello, Komori Mata, I will tell you a scene now, with only a few lines. If you perform well, our audition will be over today. "
Inoue Morimata's eyes lit up, and he seemed to want to end the audition early.
Fujiwara Kei sighed inwardly. It seemed that he was another poor child who was deprived of his childhood by the dreams of adults. He was forced by adults to rush around to perform, and even lost the only leisure time in his life.
This kind of situation can be found in every country. Fujiwara Kei has seen many in his previous life. At a young age, he was running around in major movies. His parents were agents. Once he didn't behave well, he would come up with loud mouths. Because they were his biological parents, they would start fighting. No mercy and no psychological pressure.
There are indeed many children who later become stars. In Fujiwara Keihara's world, almost all of the younger generation of entertainers and stars started out as child stars. It is increasingly difficult for children from ordinary families to become celebrities through formal means.
However, Inoue Morimaa seems to have found a professional agent instead of his own parents... which is rare.
Although the child looked pitiful, Kei Fujiwara was not so sympathetic, so he patiently and meticulously told Inoue Mori about the drama.
Inoue Mori is not very old, but he is very smart and has strong understanding, and he quickly understood. Children have good memories. I just repeated a few lines that Kei Fujiwara said and memorized them.
If this child is interested in acting, he will definitely achieve something in the future. Fujiwara Kei couldn't help but think to himself.
Fujiwara Kei took out his wallet from his pocket and handed it to Inoue Morimata, then walked away.
Inoue Mori took the wallet again, closed his eyes to adjust his condition, suddenly opened his eyes, and then desperately took out the money in the wallet:
"Needles, I will swallow a thousand needles or two thousand needles. If the Lord of Hell wants a tongue, I will give it to him. Even if it means breaking the promise or breaking the oath, I will definitely protect my mother's life!"
After he finished speaking, a tear slipped from the corner of his eye.
Kei Fujiwara was also a little dumbfounded: Great!
And Inoue Mori seemed unable to get out of his emotions, still holding the handful of banknotes tightly in his hand.
Kei Fujiwara raised his head: "The agent comes here to comfort me."
The female agent hurried over, touched Inoue Morimata's head with her hand, and whispered something in her ear. After a while, Inoue Morimata calmed down again, and shyly hid behind the agent, quietly Looking at Kei Fujiwara.
"Very good." Kei Fujiwara was very satisfied, "Leave their contact information."
I tried many roles one after another, and many actors, except Morimata Inoue, there were a few who also performed very well.
The audition lasted until very late, Kei Fujiwara glanced at his watch, then at the date on the wall calendar, and said to the staff: "Tomorrow my readers are going to visit the set of "Furuhata Rensaburo", if I can't get away, please You guys welcome me."
The staff immediately said: "Don't worry, Mr. Fujiwara, we will definitely treat you with care."
In fact, this work does not belong to the TV station or the production company. Kei Fujiwara fulfilled his promise in the novel and maintained the friendship between him and the readers. This is private work. But no one would jump out full of hunger and accuse Kei Fujiwara of using public equipment for private use. You must know that there are still many screenwriters who buy sex at public expense. What kind of fart does Mr. Fujiwara do for such a trivial thing?
The next day, Togada Nanako dressed up carefully and looked in the mirror repeatedly before going out, feeling a little nervous.
She was lucky enough to be one of ten lucky readers who was invited to visit the set of "Furuhata Rensaburo".
Although I have met Teacher Sima Keita many times, I still feel nervous.
Togada Nanako went to the agreed place, a coffee shop outside Fukuyama Terrace. Nanako Togada didn't check the time and came forty minutes early, so she had to wait patiently in the coffee shop alone.
The Japanese are very punctual, and it is not good to arrive early or late.
Togata Nanako ordered a latte and sat quietly by the window, when a familiar businessman called: "Togata."
Togada Nanako turned around and saw Kei Fujiwara tilting his head and looking at her.
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