Tokyo Literary Godfather

It’s no problem that Yuji Maeda plays the cello. Although his specialty is drums, he is very familiar with cellists after working in an orchestra, so although he can't play a beautiful and moving piece of music with the cello, it is not a problem to imitate the movements decently of.

The performance was also quite good. Kei Fujiwara asked him to perform the key part of the movie, which was about restraining his father. Yuji Maeda only spent half a minute brewing emotions, and a tear fell down. Kei Fujiwara made a decision at that time.

At this point, the male and female protagonists are all decided. The male protagonist is Maeda Yuuji, the female protagonist is naturally Mia Sato, and the remaining important supporting roles have also been selected in turn.

Kei Fujiwara will not be overly involved in the rest of the matter. After all, Ohno Nagaharu is the general supervisor.

Besides, he also has his own movie to work on.

The main creative candidates for the three movies have basically been decided, and casting is being carefully selected.

One of the protagonists of "Infernal Affairs" will be Takara Miyata, and Ken Nagasawa has made a cooperation intention with another production team not long ago, but Kei Fujiwara intends to let him play, and Ken Nagasawa's agent intends to let Nagasawa Ken Ze Xian let go of his pigeons and came to photograph Fujiwara Kei's works.

But this kind of behavior is bound to offend people, so it is still being debated. But I guess it's not a big problem.

Both Nagasawa Ken and Miyata Takara are at the peak of their popularity, and not long ago "White Tower" and "Blue Life and Death" were broadcast in the same season. As the main characters of their respective TV series, the fans also have conflicts. It seems that Debate over who is the ratings king in today’s version. The two male actors have their own charms, and both have a lot of fans, and one has mostly male fans (Miyata Takara) and the other has mostly female fans (Nagasawa Ken). They are in the same movie, and they can carry the box office. Said, and there must be something to see.

Moreover, there is a slight rivalry between the fans of these two people now. With a little operation at that time, maybe there will be a ticket buying war between the two groups of fans.

As for Odagiri Kozo's "My Sassy Girl", the heroine is also named Inoshita Takami, who is the second female lead in "Blue Life and Death".

Hitomi Deki is really hot right now, "Blue Life and Death" has established her status as a first-line actress, and now there are so many commercial performances and endorsements that she is almost overwhelmed. Too much fire is not necessarily a good thing, either for the company or for her personally.

So Fujiwara Kei decided to cool her down for a while, and wait for the market and fans to return to rationality, and then the company will continue to inject new film and television resources into her, and then build a moat for her works. Looking at the current situation, there is no need to continue to add firewood to her. This fire will probably not be extinguished every year and a half.

Compared to the female lead, Takami Inoshita's side is relatively deserted. Although starring as the second female lead also brought her into the public eye, and she got endorsements and film appointments, but compared to Hitomi Deki, she is completely different. In fact, this state is a good opportunity for actors to improve themselves.

Because there are job opportunities, there is no shortage of opportunities to hone your acting skills; it is also because the popularity is not so high that every move is paid attention to, so the normal life will not be disturbed. For an artist, this is actually a very comfortable state.

But for Takami Inoshita, a newcomer who has just entered the circle, she doesn't feel that way. Instead, she feels envious when she sees Hitomi Izuki being praised by her full name—this is really normal.

The company will not see an artist become popular, and then all the resources will be poured into her alone. After all, the fame and obedience of an artist are inversely proportional, and the more popular artists in a company, the more popular artists are. The chance is smaller, so the artist management department of Mizunami Productions decided that after Hitomi Deki, it would be the top priority to promote Takami Inoshita to the front line.

And "My Sassy Girlfriend" is an opportunity. Although Takami Inoshita is not as popular as Hitomi Izuki, she still has a small accumulation of fans, so it should not be a problem to impress investors.

The three movies are all progressing in an orderly manner. "The Embalmer" was the first to hold a start-up ceremony. After paying homage to Izumo Aguo, the official filming began.

When Kei Fujiwara was filming "Confession", he was filming in his own name. At that time, Kei Fujiwara was not the president of Mizuha Productions. Therefore, "The Embalmer" is the first serious film to be produced after the reorganization of Shuibo Productions.

Therefore, although Kei Fujiwara did not personally supervise and produce the film, it still has considerable significance. After Kei Fujiwara had a meeting that day, he went to the set in person and planned to participate in the opening ceremony.

However, there was a big traffic jam on the road. I sat in the car and listened to the local radio broadcast in Tokyo. The source of the traffic jam seemed to be more than ten kilometers away. A group of singing and dancing groups were holding an offline fan meeting. As a result, the crazy fans directly cut off the traffic, causing partial paralysis.

"These idiot fans and idiot entertainers!" The driver kept slapping the steering wheel, "I just know how to cause trouble to others, but I really don't know what the meaning of the existence of the artist profession is, and what contribution it can bring to society!"

Fujiwara Kei couldn't help but look at him through the rearview mirror. The driver had just suffered from road rage, and then he woke up. He realized that his boss also ran an entertainment company, and immediately changed his words: "Compared with the artists of my company." It’s just so different.”

After the traffic was diverted and the driver drove all the way to the set, the start-up ceremony was over.

The opening ceremony was very auspicious, so the crew did not wait for Kei Fujiwara. When Kei Fujiwara came to the set, he strangely noticed that everyone around him seemed to be in a bad mood.

At that time, Kei Fujiwara didn't ask any more questions. Instead, he got into Ohno Nagaharu's rest car while waiting for the crew to take a lunch break. He saw Ohno Nagaharu sitting in the air-conditioned car, frowning and drawing storyboards.

"What's going on?" Kei Fujiwara asked directly.

Ohno Nagaharu didn't ask any more questions. He seemed to know what Kei Fujiwara was asking and replied directly: "It's nothing, because we didn't get a good omen, so the crew members were a little unhappy."

"What?"

Ohno Nagaharu briefly explained the specific situation. What happened was quite simple. The first scene after the film was turned on was a mess.

The first scene was a scene between the male and female protagonists, but the female protagonist's performance was really poor, and she even laughed slightly in the middle, which is a taboo for actors. But it's not like laughing like no one else is watching, so it can be fooled.

And although there is a saying that the first scene after filming cannot be NG, there is no rule that the first scene after filming must be cut into the feature film. As long as it can be acted smoothly and the lines are not mispronounced, it is fine. Seeking auspicious omen is the main purpose.

However, when performing an eating scene, Sato Mima frowned after stuffing a piece of meat into her mouth, but immediately spit it out, then turned to look at Ohno Nagaharu and said: "I'm sorry, this piece of meat is spoiled. Can you give me another piece?"

The entire crew fell silent instantly.