Tokyo Literary Godfather

Miya Sato readily agreed to Kei Fujiwara's request, and she had no reason to refuse.

When she was in Hollywood, she got along well with the producer named Bruce Phantomsen. In fact, it wasn't just him. She got along well with everyone on the crew at that time. Everyone loves her.

She has no qualifications to be domineering in Hollywood. She is completely different from what she is in Japan. In Hollywood, she is a model of politeness, warmth, and understanding. Maybe it was too contrary to her nature, so she finally chose to return to China.

And she also knew that with Fujiwara Kei's current reputation and status, it would not be difficult to meet with Hollywood producers through some intermediaries. However, it would be too business-like, so she wanted to use her personal relationships to attract them. Close range.

If he refuses, he still has countless ways and countless connections to achieve his goals.

After Miya Sato readily agreed, the atmosphere of chatting at the dinner table became more relaxed, and Kei Fujiwara even made some harmless jokes.

Miya Sato drank two glasses of soju, her cheeks were slightly red, and she began to become bolder. She suddenly said: "Actually, Mr. Fujiwara came to see me today... I was really surprised. I thought you were attracted to me, Mr. Fujiwara." Woolen cloth."

Mizuhara Yui smiled and said: "Who says it's not the case? I may not really have this intention. However, as a qualified corporate employee and a member of the Discipline Department of Mizuhara Productions, I will not allow my president to extend his claws to female artists and do so. Something happened that corrupted the ethics of the industry."

Fujiwara Kei sighed, "You really misunderstood me. How could I be such a person?"

"Miss Arima doesn't think so."

Miya Sato continued: "Actually, another thing that surprised me is... I thought Mr. Fujiwara wouldn't dare to approach me now..."

"Don't dare? Where do you start talking about this?" Kei Fujiwara asked.

Miya Sato sighed: "I don't know when there was such a statement about me in the circle now, it's almost a bit daunting..."

"Are you talking about the rumors about [Fujin God]? It seems that this incident has really affected Ms. Sato."

"Teacher Fujiwara, do you believe this too?" Mia Sato asked cautiously.

Kei Fujiwara raised his glass, took a sip, pondered for a moment, and said, "Half doubtful. I'm not an atheist, but a pantheist. I've been to churches to pray and to temples to burn incense, because I've heard about the power of these gods and Buddhas, so I half-believe it, but I have never seen or felt their power with my own eyes, so I am half-doubtful.”

"The same goes for you, Miss Sato, I have never had any bad luck because of you, so to me, this is just a rumor to listen to. On the contrary, if the things I ask you to go smoothly because of you, then you are mine Lucky Star, I will definitely thank you."

Kei Fujiwara said.

"Thank you, Mr. Fujiwara. I don't expect to be treated as a lucky star. I just hope that you won't give me such unpleasant comments again..." Miya Sato said with a slight sigh.

After all, the Japanese film and television market is too small compared to North America. Even though China entered the golden age of the television industry in the 1990s, it still couldn't make money as fast as Hollywood, which is harvested globally. Once a movie sells well, it can earn tens of millions of dollars, or even hundreds of millions. This is real. Profits business.

With the development of the times, the profits of the film industry will become higher and higher. Ever since televisions became popular and video theaters opened all over the streets, a voice of dissent emerged: the film industry will go bankrupt and disappear, everyone will watch programs through TVs and computers, and theaters will gradually close down.

This statement was once so popular that even when Kei Fujiwara planned to transform Mizuno from a specialized production company to a distribution company, he began to buy theaters. Some Mizuno leaders expressed concern that there would be changes of the times and that the theaters would no longer be used. What should I do if I start to fall behind in five years? Will people no longer go to cinemas to watch movies in the future, but watch them directly on TV at home?

Movie tickets are so expensive (around 2,000 yen), so this kind of thing is not impossible.

However, Kei Fujiwara knew from the perspective of a later person that this kind of worry was completely unfounded. At least in another thirty years, this kind of thing would not happen.

Mizuhara Yui is now the director of Mizuha Productions. There will be no problem in being a full-time director in a few years, but the premise is that she must make further achievements.

Moreover, it is not enough to have achievements, you must have very outstanding and conspicuous achievements, otherwise you will not be able to convince the public at all.

Especially Mizuhara Yui, as the person who had the closest relationship with Fujiwara Kei at the beginning, whenever Fujiwara Kei made any special promotion to her, she would be considered by others as the one with the highest relationship. Therefore, even if Kei Fujiwara can give her an important position despite these claims, one must consider whether Yui Mizuhara can wield the baton after occupying a high position.

Yui Mizuhara speaks good English and has experience communicating with American companies, so Kei Fujiwara decided to leave the matter to her.

Fujiwara Keinori is temporarily focusing on domestic affairs.

The box office of "Infernal Affairs" has now surpassed "My Sassy Girl". Although the prediction of 20 billion is unlikely to be achieved, it is not a problem at all. Depend on what's above and get what's above, it's very common in the business world.

After dividing the box office revenue among theaters and distributors, Mizuno Productions still had a lot to gain. Making money is important, but how to spend money cannot be ignored. Under Fujiwara Kei's decision, Mizuno Productions continued to purchase two medium and large-scale enterprises. Theaters, taking advantage of the continuous plummeting of housing prices in Tokyo, and the land price in core areas is less than one-tenth of the peak period, if you don't buy it now, when will you wait?

However, it is impossible to expect land prices to take off again. After all, the lost thirty years are no joke.

"The Embalmer" has been scheduled to be released at the end of November, following "Infernal Affairs". The entire month of December is considered a small peak season for the film market.

Fujiwara Kei originally wanted "Deep Sea City" to be released during this time period, but as he expected, Otomo Keiichi finally insisted on releasing his film in January, at the same time as many strong rivals in the same period. Taiwan competition.

Kei Fujiwara has observed the situation in January next year, and the absolute strong will fight in the ring. Even Kei Fujiwara himself, who used the largest production budget and the best work in his mind to join this battle, couldn't help but take a breath. Moreover, this January there are many cartoons and special feature films, which are similar to "Castle of the Deep", so the competition is more intense. It can only be said that Otomo Keiichi is indeed quite courageous.

Although the release date of "Castle in the Deep" has not been officially announced, Mizuha Productions did not deliberately hide it, so the industry soon knew that this groundbreaking work of Studio Ghibli would participate in the box office competition of the New Year's Eve. It was strange. There was a panic on the ground.

One special feature film theatrical version even announced its withdrawal directly, just to avoid a head-on collision with this "Deep Sea City".