Tokyo Literature and Art Times

   Chapter 256 Do you want to make it into a love movie?

  Tokyo is really hot in summer.

   Akira Kurosawa is like an ordinary old man, wearing a very simple white vest and a pair of simple shorts.

  The nanny went back, and there was no one else at home, just him.

   Takeshi Iwata has added a lot of vitality to his house, and he doesn't seem to belong here.

   But that’s okay, none of this matters.

   Akira Kurosawa is looking at this script, an unfinished script.

   Honestly, it was a surprise.

   When it comes to the new work, it is still Friday, and now it is only Tuesday.

   In just a few days, Takeshi Iwata came up with a script, and the speed is really amazing.

  Young, yes, because of youth.

   It's nice to be young, it's **** nice to be young.

   Akira Kurosawa sighed in his heart, anyway, it is impossible for him to come up with a script so quickly, although he has not finished it.

   And, just looking at this script...

   Pony, Shinji.

   These two characters are really interesting.

   From a certain point of view, the two of them are ordinary students.

   But both of them are very unusual.

   The pony is actually a sidekick. He rides his bike almost every day, taking Shinji to school.

   And Shinji is the bully in the school, he uses his fists to suppress disobedient guys.

   Of course, it is necessary to get money from other students.

   This kind of thing should be very common in the past, in the present, and even in the future.

  The two of them are typical bad students, so it's really not good to call them ordinary students.

   Even the teacher's evaluation of them is

   "No one told you to study hard, right?"

   That's right, that's how they were trained.

   It was obvious from the words that the teacher had no hope for the two of them.

   didn't want them to study hard, just asked the two of them not to cause trouble.

  Even, even if you mess up some small things, don't overdo it.

  Unfortunately, these two guys are still unable to settle down.

   Make a puppet out of some plastic pipes or something, and the most distinctive feature of this puppet is his... Jinjin.

  This thing can still be turned upside down, and it's even facing the teacher.

   Seeing this, Akira Kurosawa couldn't help laughing.

   Akira Kurosawa is a veteran, and he deserves his reputation as a film master.

  If you look at this series of plots from the perspective of international film critics, what kind of evaluation will they give?

  The teacher represents authority, and further, represents power.

  The two teenagers yearned for freedom, and their actions were simply resisting power.

   That's right, film critics in Europe and the United States like this tone the most.

   But, is this movie trying to express this?

   Next, these two guys still want to go to see adult movies. They are not old enough, and Obasan, who sells tickets, doesn't sell them. What should I do?

   Make a towel like a tie and hang it on the neck of a T-shirt. Are you an adult with a tie?

  Obasan saw through their tricks at a glance.

   But in the end, it was the two guys who gave away tickets.

   It's just this scene...Although it hasn't been made into a movie, it's already making people laugh.

   They both know embarrassment and blame each other.

   After watching the small movie, I got a glimpse of the mystery of the primordial reproduction of all things.

   Fun cafe for the two of them.

   Found a beautiful waitress.

  It’s a pity, there are good students in the school.

   This guy is very skilled. After drinking the coffee, he even got a little bear thing out of a napkin.

   The waiter smiled like a flower after seeing it.

   The means of picking up girls are superb.

   Pony and Shinji scoffed.

   But they can't do anything, what should we do?

   went back to school and continued to ask for money from the classmates, but...

   met two more idiots, talking about comics.

   "You guys are too bad!"

   "How dare you take the stage at this level?"

   The two of them talked for a while, and as a result, the two classmates were given a good meal by 'Si Guoyi'.

   Akira Kurosawa looked at this script, he was in a really good mood, it was so interesting.

   Well, it doesn't seem to have much to do with the reviews of those film critics.

  Teacher or something, it's just that these two guys burned the class teacher's new car.

   Sure enough, they are two bastards.

   However, a teacher is a symbol of authority and power, and it is estimated that this will be defined by European and American film critics.

   can be next…

  One day, Shinji, the school overlord, encountered a tough problem.

  Bang bang two punches, was hit to the ground by a foreign guy.

  The script says: Xinzhi is on the ground, twisted like a maggot.

   is very vivid, but why is it so described?

   Akira Kurosawa was not too entangled.

   Later, Xiaoma and Shinji knew that the man was using boxing, so they both seemed to have found their way.

   Yes, the two started their career in boxing.

   Could it be that from here, this movie will become an inspirational sports movie?

   Akira Kurosawa didn't think it was possible, but what was written in the script was very real.

  Iwata Takeshi is here, in fact, he added some of his things.

  Although he is a traverser, the original Takeshi Iwata also practiced boxing. Therefore, boxing has some training methods and many details.

   He's really well written, very professional, and it feels like a sports movie.

   However, soon the variables came out.

   It turned out that the boxer who had cleaned up Shinji was also in this boxing club, and they met.

   Shinji has made progress after training for a period of time, and his strength is incomparable.

   During training, he deliberately chose the guy who beat him as his opponent.

   Of course, the guy readily agreed.

   Everyone is better than one game.

But…

   Before it even started, Shinji kicked him directly. The other party was not prepared at all, and turned his back to him in the future.

   Then, Shinji kicked and punched again.

   Where is the shadow of boxing?

   is clearly a street fight.

   Shinji is revenge, he is also happy, he won.

   But, does anyone in the whole club want to teach him or play against him?

"he!"

   Shinji pointed at the pony.

  Coach looked at the pony, he had no choice but to smile.

  The pony has always been Xinzhi's follower, Xinzhi is his head, and even his heaven.

   Even if I practice boxing, it is because of Shinji.

  Pony never thought that one day, he would fight against Shinji in the ring.

   Of course, what he was thinking at the moment was that he was definitely inferior to Shinji, and he would definitely fail.

   Well, this also helped Shinji, right?

  Thinking like this, he naturally went all over Taiwan and became Shinji's opponent.

   Akira Kurosawa was a little strange when he saw this.

   A director's script, as far as Takeshi Iwata is concerned, he doesn't need to please anyone at all.

   In short, a fledgling scripter, he has to think about how to make the investors, that is, Japanese producers, interested in his works.

  You have to please them, it is best to be familiar with their tastes, it is best to be familiar with everything.

   However, Takeshi Iwata does not need to do this at all. His script is for himself to read, he is his own investor, his own producer, and he is a supervisor.

   At most, it is for a famous supervisor like him, Kurosawa Akira, but the relationship between everyone does not need to be modified.

  However, here is completely different.

  Iwata Takeshi used a lot of space to describe the inner state of the pony!

   This is really strange, because of these things, Iwata Takeshi, the supervisor, knows it himself, and he knows how to shoot.

   Of course, he can write, but he doesn't need to write so much, so complicated.

   Is it just for yourself to see?

possible.

   But Akira Kurosawa thought it was unlikely.

  It's not necessary, just like now, Takeshi Iwata can say it himself.

   can say, why write?

   How tiring to write.

   is incredibly real.

   Then, why did Takeshi Iwata describe the inner activities of the pony so much here?

   Akira Kurosawa thought of a very likely answer.

   After the film master turns another page... Sure enough!

   Xiaoma knocked Shinji down on the ring with one punch!

  Simple, just one sentence.

   That's all.

   does not have any special description.

   is a stark contrast to the complicated inner drama before.

   This punch is too hard?

  Taisi country one?

   Yes, indeed Sri Lanka One.

   But, in fact, this is not a physical country.

   Akira Kurosawa instantly understood what Takeshi Iwata was thinking and what he wanted to express.

  Shinji is the one that the pony has always followed, his elder brother, his head, and his god.

   But after this punch, the pony changed.

The reason why    follows the rule of faith is that the rule of faith is heaven.

   Purely because the pony he hasn't grown up yet.

   After this punch, the pony grows, he is no longer a child, he is a real man.

but!

   This punch also shattered all his previous dreams.

   It turned out that the guy he followed was so weak.

   What will this do to the pony?

   Yes, he will lose his way.

   Maybe this is temporary, but it is also possible, it is permanent.

   The script has been written so far, and Akira Kurosawa is really... uncomfortable.

   What about the back?

   What happened after that?

  The film master wore a vest and looked at Takeshi Iwata with a grumbling expression on his face.

  Iwata Takeshi was ashamed, he knew exactly what was going on.

   But, the script is indeed written here.

   Of course, in just a few days, he was able to write this because he already knew the main plot of "Bad Boy's Sky".

   Naturally, although I understand it, I can actually write it down, it is completely different, and the workload is not small.

   Plus there's a lot of detail in it, and there's the problem of multi-line narrative.

  It’s not easy anymore, but it’s very powerful to be able to write these.

   In addition, there is... um, it's Akina.

  Thick egg fried that day, the two of them

  Chu Yuxun hanged himself and died.

  cough...this also delays writing, right?

   So, that's all it can do for now.

   However, Akira Kurosawa asked a crucial question.

   "What advice do you want me to give you?"

  Yes, why did he give this unfinished script to the film master?

   Obviously, Takeshi Iwata needs some help.

   Now, let's just say it straight.

  Iwata Takeshi was not polite, although he was still scratching his head, and his eyes were a little erratic and a little shy.

   "That... do you want to make it into a love movie?"

   When Kurosawa Akira heard this, he was stunned for a moment.

  Love movie?

  Why didn't I see love in this script?

Wait a moment!

   Akira Kurosawa seemed to want to understand something, and then he laughed.

   What did he want to understand?

  …

  PS: It's a little late, sorry, and there may be typos, but it's finally done, thank you for your support, thank you.

   (end of this chapter)