Travel through the Xiangjiang chaebol young master and become Liu Tianxian's godfather

Shao Yifu now thinks about the cause and effect, and discovers as soon as possible that everything they have done is under Ma Qingyang's monitoring, how can this fight Ma Qingyang, and he can't even avenge that revenge.

He had no other way now, so he hurriedly ran to ask for help from the Li family behind the scenes.

But when the old lady of the Li family heard everything that happened, she was a little intimidated at that time.

And she remembered that Shao Yi had murdered Li Xiaolong, whom she admired very much, before helping them, and couldn't help but sneer: "I knew why I had to do it now, when would I repay my grievances, send off guests!"

So now Shao Yifu is really alone, especially when many people believe that he is the mastermind behind the killing of Li Xiaolong.

Whether it is from ordinary people or from those powerful figures, they all look at him sideways.

Originally, they partnered with him to do business, but because of his stinginess, they didn't get any benefits from him, but were cheated by him.

Now that the tree is falling, there are even more people who want to jump from TVB to Asia TV.

Now Shao Yifu can't take care of anything else, he wants to save his life now.

So Shao Yifu himself came to Asia TV in person and pleaded guilty to Ma Qingyang in person.

He said with tears in his eyes: "Virtuous nephew, this is all to blame on the damn Fang Yihua's own opinion, I don't know all the things."

I originally wanted to live peacefully with my nephew, but I never dared to play these conspiracies, and I didn't want to harm my nephew!"

Ma Qingyang said lightly: "What nonsense are you talking about, I don't understand, it's nothing, please go back!"

Anyway, Ma Qingyang would never admit that he sent someone to send Fang Yihua, an old miser, to hell.

Shao Yi knew that Ma Qingyang definitely didn't want to have anything to do with this matter.

But he knew that if he continued to fight like this, he would definitely lose.

Because he has been pampered all these years, he simply does not have the courage to let it go.

Now, Shao Yifu begged bitterly: "What do you say are you willing to turn into a jade silk?"

Ma Qingyang smiled faintly and said: "You said that you are so old, 543 years old, and you have such a bad relationship with your children, aren't you afraid that no one will support you when you are old!"

Shao Yifu didn't understand why Ma Qingyang said this.

Ma Qingyang actually wanted to send Shao Yifu to see God and accompany his old lover Fang Yihua.

But Ma Qingyang recalled the original time and space Shao Yi's contribution to donating to education.

At that time, I didn't know how many Shaw Towers there were in the mainland, although he was from the original time and space, and this time and space had not been done, but Ma Qingyang was unwilling to kill him directly.

Ma Qingyang could see that this old guy was horrified since he saw his old lover fall to his death in the elevator, and he didn't dare to fight with himself at all, so there was no need to kill him.

After all, this guy also has some connections in Xiangjiang, and he is also a big man with some impressions in eastern Guangdong, if he is really killed, it will be difficult to end.

Therefore, Ma Qingyang said to Shao Yifu: "I will buy your TVB Shaw Brothers Films and Shaw Brothers Cinemas at a reasonable price, you don't want to stay in Xiangjiang, or go back to your Singapore."

I suggest that you better get a charity fund and do some good deeds, otherwise your fate will be worse than your third brother!"

......

It is said that in the early days, Shao Yifu was not keen on charity, and even attached great importance to money, until the death of his third brother made him change his opinion.

Shao Yifu's third brother is relatively stingy, and his reputation in the company and society is not very good.

The more people care about something, the more they tend to lose something.

Shao Yifu's third brother valued money the most important during his lifetime, but his third brother did not take any money away after his death, and his various behaviors during his life were still criticized after his death.

Perhaps Shao Yifu thought about it and felt that money was something outside his body, or maybe Shao Yifu did not want to follow in the footsteps of his third brother, and Shao Yifu only started working on charity two months after his third brother's death.

Shao Yifu also said: "It is not important how much you earn, but how much you donate to the country is what matters!"

......

Ma Qingyang said that he would buy Shao Yifu's property at a fair market price, but he only spent 400 million yuan to pocket all the shares of TVB Shao Yifu, Shaw Brothers Films, Shaw Brothers Cinemas, Clear Water Bay Cinema and land.

Of course, because the foreign devils are unwilling to let the two TV stations all be in the hands of one person, they are opposed to this acquisition.

Therefore, Ma Qingyang let his confidante, the gambling king's daughter He Chaoqiong, come forward, seemingly being acquired by the gambling king, and the Hong Kong Governor's Mansion agreed.

In fact, whether it is Asia TV or TVB, the boss behind the scenes is Ma Qingyang.

The Li family was unwilling to get involved, so they simply sold the remaining shares to He Chaoqiong and completely withdrew from TVB.

Since then, it seems that the gambling king is the major shareholder of TVB, but in fact, the real major shareholder is Ma Qingyang, and their gambling king family is only the second shareholder.

When TVB was also in the bag, Ma Qingyang re-planned the two TV stations, and selected two more creative and reliable professional managers from below, and asked them to manage TVB and Asia TV respectively, so that they could still compete with each other, give full play to their respective strengths, do healthy competition, and not do vicious competition.

Because there are many immigrants now, and the proportion of Chinese speakers is also very large, in order to make Chinese a trend in Xiangjiang, he simply let TVB speak Cantonese, and all programs of Asia TV are in Chinese.

Because TVB is now in the empty space of being excavated, there are no decent programs now, whether it is TV dramas and variety shows, there is nothing to see, so the audience has to watch Asian TV and gradually accept Chinese programs.

In the future, Ma Qingyang will still put most of his investment in Asia TV, and only the kind of programs and TV dramas with a strong Hong Kong flavor will be placed on TVB.

Even the Miss Asia held by Asia TV every year has more bonuses than Miss Hong Kong, so it attracts more beautiful women to participate in the Miss Asia election.

Moreover, Ma Qingyang also introduced those fascinating programs in the mainland in later generations.

The Voice has been improved to become The Voice of Asia and a trump card program of Asia TV!

There are also running men, happy base camps, ace vs. ace, these classic programs all appear on Asian television, so that even if the audience does not know Chinese, they must accept these programs because of (CGCB).

In fact, before that, there were not many Cantonese films or Cantonese songs, and many movies at that time were still in Chinese. It not only improved the productivity of Chinese films in Xiangjiang, but also had a fixed audience of Chinese films in Xiangjiang, so after the war, Xiangjiang was the first to set off a boom in Chinese films and established some large-scale Chinese film production companies. (If you read a violent novel, go to Feilu Novel Network!)

The main audience of Chinese films is the middle class, which is generally produced by large production institutions, paying attention to quality and quality, and the production is large and even luxurious. Cantonese films, on the other hand, focus on the local and Nanyang working class as their main audience, emphasizing entertainment over ideology, and the production standards are mostly relatively rough.

The production of Chinese films in Xiangjiang was prosperous after the war, but due to various reasons, such as the lack of a fixed cinema line in Xiangjiang and the squeeze of Cantonese films in the local and Nanyang markets, Chinese films were not very prosperous in the first half of the 50s of the 20th century, but Chinese films actually have a huge potential market in Xiangjiang and Southeast Asia.

First of all, Xiangjiang is flooded with a large number of mainland immigrants, who have a strong demand for Chinese films.

Secondly, Baodao is the largest Chinese residence outside the mainland, and it is also a relatively large market, and there are also a large number of Chinese audiences in Nanyang and other overseas regions.

After 49 years, overseas basically rejected the import of mainland films, and only Xiangjiang Chinese films could meet their needs, and some discerning film companies began to set up large-scale production enterprises in Hong Kong to produce Chinese films. []

The "take-off" of Xiangjiang Chinese films should start with the Shaw brothers, and after the boss Shao Yifu returned to Xiangjiang from the Nanyang area, he continued to focus on Chinese films.

The traditional opera "Huangmei Tune" shot by Shaw Brothers director Li Hanxiang became popular all over Xiangjiang, driving the take-off of Chinese films.

Later, it was a martial arts film action movie directed by Sho Che and others...... Chinese films are flourishing; and because he feels that "young people in Xiangjiang are increasingly unable to speak pure Chinese, especially men." So he suggested ditching live recording and switching to post-event dubbing. This idea was adopted by Shao Yifu and Zou Wenhuai, and has been influenced until now.

Just 30 years have passed, and there are many immigrants from the mainland, who occupy the cultural world, but later these immigrants have grown old and been influenced by the local culture, anyway, for various reasons, the advanced culture imported from the mainland has been lost!

Although Chinese education in Hong Kong has been going on, historical changes, a large number of talents have come to Hong Kong, the phonetic alphabet has been continued, and some schools have opened Chinese classes.

In 72, Mandarin was officially launched and the use of Hanyu Pinyin.

In 1973, the Heung Kong Putonghua College was founded, in 1974, the Putonghua education program of the Hong Kong Radio was launched, in 1974, the Department of Extramural Studies of the University of Hong Kong adopted Putonghua and Hanyu Pinyin, and in 1976, the first Putonghua College in Hong Kong was established.

However, with this trend, Chinese films began to die out in Xiangjiang, when more and more Cantonese films and Cantonese songs completely replaced Chinese films and Chinese songs, which made the cultural ties between Xiangjiang and the mainland weaker and weaker, and finally resting on its laurels and completely severed.

Although Li Xiaolong's movies speak Chinese (Cantonese should be the afterword), the appearance of Li Xiaolong has also greatly inspired the pride of Xiangjiang people in local culture, and the content themes of directors such as Chang Che have also begun to tend to be localized.

In 1973, Chu Yuan, a director of Shaw Brothers who came from Cantonese films, filmed the Cantonese film "Seventy-Two Tenants", which was widely popular, and collected a huge box office of more than 5.6 million Hong Kong dollars in one month, driving the revival of emerging Cantonese films.

Later, more popular Cantonese comedies appeared, and the Hui comedy of the Hu Guanwen/Hu Guanjie brothers launched by Golden Harvest made the recovery momentum of Cantonese films soar, and gradually led to future Chinese films or other dialect films with Cantonese dialogue versions.

In the early 80s of the 20th century, Hong Kong was unified into Cantonese in terms of language form.

Prior to this, there was a clear distinction between Chinese films and Cantonese films in the Heung Kong Film Industry, and there was no such clear distinction between Heung Kong films since then, and the two merged into one to form a new Heung Kong Film Industry.

As a mainlander who has crossed over in the flesh, Ma Qingyang will never allow such a thing to happen.

He felt that the self-contained and even rigid culture of Xiangjiang culture was incompatible with the mainland, in fact, it started from the unification of the language form into Cantonese.