I am the celebration monster of Academy City

"Nonsense, can you cut down on the nonsense. I'm in a hurry. I still have time before the opening ceremony tomorrow, so I can do it again, bastard!!"

"The procedures for your temporary departure from Academy City have been completed here. You can just leave."

Hattori Hanzo handed some folded papers to Kamijou Touma in due course.

Kamijou Touma opened it and saw that it was Academy City's exit permit and related documents.

The required fields above have been completed.With these things, you can indeed walk out of the gate of Academy City in a dignified way, but if you want to apply for these things, you should go through a lot of review...

"You guys are really well prepared, bastard..."

Kamijou Toma's faint eyes fell on Gan Quanyu who was holding his chest impatiently.

"Look at what I do, I don't know everything, I only know what I know."

Kanizumi Yuu yelled at Kamijou Toma impatiently.

Kamijou Touma weakly withdrew his gaze.Well, I'm sure it's not Gan Quanyou who is plotting against him behind his back.At least that's the only good news today.

"Well, since I can go out, I'm leaving now, and try to come back as early as possible while the time is still early."

Another helpless sigh.But now that the decision has been made, it's better to go out and save the lives of the two of them, and Kamijou Touma can't say anything about his complaints.

"Since I'm not in Academy City, Index will ask Ayu to take care of you for the time being. By the way, isn't the recent security in Academy City bad enough?

How can a magician be able to sneak into the Academy City, and they were beaten back when they agreed that Kanzaki and the others were beaten back, and they were able to apply for the qualification to enter the Academy City after going through many obstacles..."

Full of confusion, Kamijou Touma once again embarked on the battlefield to save someone's life today.

Kanizumi Yuu and Hattori Hanzo looked at each other, and Hattori Hanzo also shrugged helplessly.

Looking down from the dormitory, under the already lit street lights, the young man with the hedgehog head ran forward and said something to the burly man who was following him, while the burly man just kept nodding.

August 31.

Even if I realized that my homework hadn't been done earlier, and actively remedied it.

But in the end, because of all sorts of events happening that day.No matter how hard Kamijou Touma tried, there was still no way to complete the remaining homework.

This is probably "Kamijo Touma's style".

Volume FiveEND.

postscript

Readers who have been chasing after chapters for a long time.

Blessed are the readers who have stumbled upon this book by chance and are still able to read it here.

As always, readers who save a volume and read it again thank you for your continued support.

I am A Cun...

It may be somewhat unexpected that this volume ends here.After all, compared to the previous volume, which completely told a story, the event belonging to "Ringo Gang" at the end of this volume is just the beginning.

When I wrote this, I also considered whether to finish the plot of Little Apple (Ringo Gang) and then open a new volume.

But sure enough, repeatedly emphasizing the date of August 31 still gives people a feeling that it must end here (end of summer vacation).

So, as always, let’s talk a little bit about why the papers are divided in this way.

This volume mainly writes the stories before the summer vacation (after returning to Academy City) and during the summer vacation (the original plot).

In other words, the function of this volume is a successor function.Taking over the previous semi-original plots and entering the original plots that are more familiar to everyone.It is the role of this volume to be able to connect and transition the two well.

You must have read a lot of fans of Moban. How to write a plot that is different from the original or from others is a difficult point.

The interesting thing about the magic forbidden fan is that unless you disassemble and reorganize many plots like an explosion, otherwise it seems to be the best according to the original work. Even if you have the script, you can only pretend to be a force similar to the prophet, because in the final analysis, at this stage The original work of The Forbidden City is more like a reasoning game.

Compared with doing the intricate situation later, it seems that it is not so interesting to solve the mystery in the early stage.

For example, the amnesia problem of Index in the first volume, such as the ritual field and angels in the fourth volume.And the Super Cannon is Kiyama Haruhiro.

How to write a different plot is a question that I have been thinking about repeatedly in the process of writing this volume.

To be precise, I was thinking about the problem before writing this volume.In order to connect with the original work, a lot of preparations have also been made in the previous plot.

For example, the battle between Brunhilde and Kanzaki Kaori (although it is only a few hundred words).For example, Oreos also paved the way before entering the original work.

But what I want to talk about in detail is the beating of Mikoto and the falling of the angel.

In the article, Gan Quanyou had repeatedly considered whether to beat Miqin severely.This is also what I am conveying my thoughts through Gan Quanyou's mouth.

The reason why the plot of beating Miqin appeared is because it seems that many people have been expecting Miqin to be beaten for a long time, so it came out.

How to beat Miqin after the sister incident is over, this is the problem that bothers me, and it is also the reason why I hesitate to write about getting away with it.

But seeing so many readers looking forward to it, I got this answer after sorting out the previous plot and thinking about it for several days.Don't know if you are still satisfied.

By the way, in the plot of beating Mikoto, the first idea that appeared was actually the fight between Yuu Kanizumi and Touma Kamijou.

I don't know why this idea came up, but I always thought it was cool so I had to write it down.

Using this as a base point and working backwards, Kamijo Touma came to the reason why Misaka Mikoto threw a punch at Kanizumi Yu.

Conceiving the ending first and then deducing the reasons backwards is also my common method of conception.The advantage of this method is that it can ensure that the plot will not collapse. The disadvantage is that when I want to achieve this ending after letting go of myself, it is easy to have an awkward feeling of "forced ending".Regarding this disadvantage, I am also trying to find a way to solve it.

The plot of the falling angel is actually the core plot of this volume, corresponding to the climax plot that is usually placed at the end.

The last few pictures of this episode can be said to be a summary of the first half of the episode.

Including why Gan Quanyu's ability is like this, why he became a Kamen Rider, and whether there will be other Kamen Riders in this world are explained.

It has been hinted many times before, but it is stated here that the Kamen Rider here is ≠ the Kamen Rider in the "Kamen Rider" series.

Not a Kamen Rider who gained the power of a Kamen Rider, but a false Kamen Rider modeled on the concept of a Kamen Rider.

Also in this volume, "The Real Ganquanyu" is also a plot that I wanted to write very early.

This idea appeared probably in the second volume.At the beginning, it was mentioned that "for some reason Yuu Kanizumi's ability is not normal", there was this setting at the time, but I didn't have the idea to write it out.The fact that Kihara Nayuta appeared for the first time gave rise to the idea of ​​having the "real Yuu Omizumi" appear.

Later, when I wrote about the probability ability of LV5 level, I decided to let the "real Ganquanyu" appear on the stage.

And "the real Gan Quanyou" is also the reason why I think I am a retro web author more than ten years ago.

When most readers and even the author don't pay attention to what will happen to the "original body" after time-traveling and what the mood of "abrupt time-traveling" is, I still care.

Regarding the latter, that's why the start is at that point in time.Because I know that if I write Gan Quanyou's time travel at the beginning, and Gan Quanyou's mentality collapsed and muddied during that time, it will definitely not be a pleasant beginning.So this section of processing can only be used as a background.

And the former is the answer I gave in this volume, in the incident of the falling of the angel.

"Abigail" is right in what he said in the post. This kind of plot that emerges from the original body may be very interesting to watch in the animation, but it is expressed in words, "The protagonist that everyone is familiar with has been offline for dozens of chapters. "Suddenly a newcomer appeared to replace the protagonist's action is actually a poisonous point.

The reasons for the poison include but are not limited to readers not being able to see the familiar protagonist for a long time, including the original owner’s unscrupulous destruction of the protagonist’s hard-earned things, including the original owner’s use of the protagonist’s interpersonal relationship, etc.

And I also stubbornly want to write it out knowing that this is a poisonous point.I have been trying my best to avoid this poisonous point.

What I want to say is that "the real Yuu Kanizumi" is not an annoying person, he didn't do anything wrong, he is the most innocent one.

Because of the closure of the posting area during that period, I don't know what readers think about "The Real Ganquanyou" and what kind of feedback they give.But it might be a good thing if you think about it the other way around.

The real Ganquanyou and the power of God understand each other and protect each other. I think this is his final salvation for the real Ganquanyou.

And the role of the real Gan Quanyou was destined to end in tragedy from the very beginning.

I don’t know if anyone has noticed a detail, that is, at the end, it was the power of God who reached out to ask the "real Ganquanyu" for candy, not Zhenyou who offered to give it.

The meaning here is that even the power of God did not protect Zhenyou to the end. Before Zhenyou completely disappeared, the magic of "Angel Fall" was about to be completely completed, and the power of God had to destroy the ritual field immediately.

The ability of level five is Zhenyu's thing, and it is also something that Zhenyou stubbornly didn't give to "Oasis".

In fact, this is also the idea that I have had since the beginning of the book.

How to control the combat power, especially in a world with disparity in combat power like the magic ban, is a difficult problem.

In fact, it's not a big deal for a level five superpower to meet a real boss on the magic side.

Based on this point, the level cap I set for Gan Quanyou was 4o from the beginning to raise his ability to 5, but he was taken away by Zhenyou and returned to 4. This is also the plot that was decided when I decided to write this plot.

But just like Gan Quanyou said to himself, he has used his abilities less and less nowadays.

Unknowingly, the selling point of the work seems to have been changed.And in the process of writing the plot, I will also find many ways that "Yu Ganquan can solve the problem without taking action at all".

When everyone is keen to analyze the combat power, the protagonist does not need to fight by himself at all, which is very frustrating.

In fact, this point is also reflected in the two pictures where Zhenyou used his ability. In the episode where Zhenyou appeared, he specifically mentioned that his level was 5o at the end. He originally expected to have a fight on the beach, but it turned out that there was no need to fight at all.

The two pictures where Kanzaki and Motoharu Tsuchimikado were knocked down are not so much a "tribute to the original" as I forcibly displayed them (wry smile).

There are really many ideas about this plot, and it is too long to talk about them one by one. Even sharing the creative mood should stop here.

In the development of the plot in this volume, what troubled me the most was the distress that appeared only after writing this point, and what I even wanted to stop changing several times was the point of "writing to the original work".

I also complained about this through Gan Quanyou in the chapter.If it is the New Testament, if it is the plot of the Three Wars.

I can disassemble the whole plot and reorganize it.However, there is no particularly obvious "serial drama" plot among the previous ones, and more of them are single events, explaining the world view.

Under such circumstances, I really don't want to write these plots.But if you can’t write it, you can’t. How to write new ideas and different plots is very disgusting.

The reason why I feel sick has to go back to the plot of the second volume of "Biohacking".

The reasons are the same.That is, in these plots, there are many things that need to be explained by you, and it will not work without explanation.

But explaining too much is like hydrology or copying the original plot, so why don't readers read the original work?

It’s just that the shortest shortcut to solve the incident is actually a matter of a few chapters.So the problem came back.

Gan Quanyou and the author, I know what logic is, but you still need to write out the logic chain completely.

Even the reason why the opponent was persuaded or defeated must be written.

This requires refining the original plot and writing interestingly, otherwise it is hydrology or encyclopedia.Then why don't readers go to the encyclopedia, right?

Some readers may have noticed that when I write similar explanations now, I am in 1+1 mode.Half of it is the explanation after the humorous embellishment, and it is usually the development of the plot, so as to avoid the situation where it is all explanation.

Some people may have said that we have all watched animation, so you just have to pass it if it is not too bad.

But I didn't know until not long ago that there are actually readers, so I read this as an original.

I think this is a good opportunity to offer them the Amway Magic series, and I can't let them down.

It is not acceptable to not write about something that [-]% of people can understand, but [-]% of people can't understand it.Those who understand have to take care of those who don't understand but are interested in this series and want to know more about it.

My interest is to write about things that most people don't understand, and it is for this reason that summarizing and embellishing things that most people understand but have to write, in my opinion, is actually no different from Writing nonsense is one of the reasons that makes me uncomfortable.

In addition, there are actually very few parts, but they do exist.That is, even if you have seen the original plot, there are people who will find it difficult to understand if you don't explain it carefully.No intention to target, just explaining the necessity of such an explanation.

This volume is the most uncomfortable volume I have written so far.And this kind of discomfort will continue until the plot before the start of the Third World War.

I can only continue to think about how to bring something different to everyone, not just a simple repetition of the plot.

In this volume, I probably managed to present it differently from the first, second, third and fourth volumes of the original book.

As for the plot of the fifth volume, which is the finale...

Difficult to appease...

I don't know what readers think of this paragraph, but I personally am not satisfied with this treatment.In this volume of the original book, there are actually three plots.

Aizali, Accelerator and the final work, secretly meets the devil.

In this book, the plot of Accelerator and the final work has long since ended.

The rest are Aizali and Ansian Fengmo.And these two events are over!Complete!without!have!appoint!what!close!Link!Even in the original book, it diverges from noon to afternoon.

The processing here becomes the transformation show and fighting plot of Kamijou Touma and Hattori Hanzo.

Personally, I am dissatisfied, very dissatisfied.I want to think more about this paragraph.The difficulty is that I can't think of how to write a more interesting plot, unless I skip this paragraph directly.

In the end, I can only write it down like this. If I can't face it, I can only escape. After this paragraph is over quickly, I can never start again. (distracted laugh)

From my point of view on the Second Creation of Magic Forbidden, if it doesn't completely follow the original plot, this is an hourglass.

There is an infinite creative space before the plot begins, and another infinite creative space after the Three Wars plot and after that, and the middle section is the small leak that cannot be smaller than the upper and lower connection of the hourglass.

At least here I can feel that the plasticity is too low.I still have to think about how to get through this plot next.

Thinking... seems to be saying this word all the time.Really can't help it, it's hard to calm down.

When I wrote this postscript, I still felt that there was nothing to write. As a result, there were only two pieces of complaints.

That's it, I can't say any more.

Please continue to support us in the future.

With the development of the plot, it seems that there are fewer and fewer plot development modes centered on a certain person.By what standard should traditional art continue to change its cover...