After digging out the stone, Melueita was a little surprised, because the part of the stone buried in the ground was as sharp as a knife.
Although, since the stone itself is only the size of a palm, it is difficult to use it as a murder weapon.However, it should still work well as a tool.
Especially, when Meluetta has almost nothing on her body right now.
In other words, the Earl was looking at this stone at the time?
Impossible... He can't see anything underground...
Meluetta thought uncertainly, and then continued to recall the Earl's actions at that time.
In addition to the cell, he seemed to have gazed at a railing of the cell.
So, holding a sharp stone, Melueita walked towards the place where the railing was.
After getting closer and observing carefully, Melueta couldn't help being shocked again.
Because, the seemingly solid prison cell railings have long been in disrepair, and there are rusty and even loose railings everywhere.
But even so, the metal railings were not easily removed by Meluetta.
Except for one, it looks inconspicuous, but when you touch it, you can find the slender railing that is in a precarious condition.
Holding the sharp stone in her hand, she knocked on the swaying railing for a long while, and Melueta actually removed it.
Of course, removing a railing doesn't mean she'll be able to escape the cell.After all, using the net as a metaphor, she just tore a gap in the dense grid that didn't affect the overall situation at all.
But, looking on the bright side, she got a crowbar-like iron rod that was longer than her arm and had a slightly curved front end!
Contrary to the previous nothingness, she has two convenient props in the blink of an eye!
Then, what should we do next?
With the sharp stone in her left hand and the long iron rod in her right hand, Melueita pondered for a long time.
Then, no clue.
So, she decided to continue to "seek help" from Mr. Earl.
Once or twice may be a coincidence, but if there are too many times, it may be that the other party is really giving hints!
Meluetta closed her eyes, replaying the Earl's actions again and again in her mind.
Perhaps because of looking back on the relationship too many times, the image of the earl became more and more clear in Meluetta's heart, and the impression gradually deepened.
Then, she couldn't help but be attracted by the Earl's face that seemed to have no flaws except for his indifference.
Being attracted too many times, she couldn't help but patted herself on the cheek several times.
In the end, through the review, Melueita successfully figured out the next step.
In fact, Mr. Earl has personally demonstrated this crucial step.
So, I saw Melueita holding a long iron rod in her right hand, desperately extending her arm from the gap in the cell railing, trying for a long time until her arm almost cramp.
Finally, he successfully touched the mechanism on the square table in the dungeon with the front end of the iron rod.
With the touch of the mechanism, there was a "huh", and the whole dungeon was illuminated by the light of the torch.
Under the light of the fire, Meluetta continued to follow the earl's prompt, and looked towards the side of the cell, which was almost in the blind corner of her vision.
Then, she really vaguely saw something scattered on the ground outside the cell.
After hooking back with the iron rod for a long while, Melueita successfully obtained the third item.
A very long rope.
Volume 12: Chapter [-], The Escape Room of the Saint
Now, Melueita has three props, a sharp stone, a slender stick and a rope.
This rope, Meluita thought for a while, and felt that it should be the one that tied her up when she tied it a few days ago.
Meluita was very touched to be able to reunite with that rope in this way?
As for what to do next, Meluetta had completely given up thinking, and only planned to follow the hints given by Mr. Earl.
In addition to the few places that have proved that there are indeed gains, the Earl also took a general and careful observation of two places before.
In one place, in the direction of the entrance of the dungeon, Melueita is temporarily unable to investigate.
In another place, it was the wall on the same plane as the cell's railings, and it was also in the blind spot where she couldn't see at all.
However, Meluetta could still touch this wall by scratching it with a stick.
After trying to rub it a few times, Melueita felt that there was a piece of cloth hanging there, and as the cloth was scraped back and forth by the stick, there would be a metallic "clang" sound. .
After carefully listening to this voice several times, Melueita's body suddenly trembled slightly.
Could it be... what hangs on this wall is the key to the cell, right?
The moment she thought of this possibility, Meluetta felt that the clues in her mind were connected into a thread, and all the props in her hand had their uses.
She carefully looked at the ball of rope, the length of the rope...was not enough.
After thinking for a while, Melueta fixed her gaze on the lunch box next to the cell.
The lunch box made of soft materials may be reorganized into a rope after disassembly.
Thinking of this, Melueta immediately started to move.
As a child from a poor family, she has strong hands-on ability and dexterous hands.
And when unpacking the lunch box, occasionally her hands would be scratched.However, apart from being painful, the wound heals quickly.
After dismantling the lunch box and reassembling it, the rope was successfully extended for a while, but after all the calculations by Melueita, it still didn't seem to be enough.
So, after deliberating for a long time, she gritted her teeth and took off her robe.
Even though it was the only clothes she could wear, it was nothing compared to running for her life.
After tearing the robe into long strips with the stone knife, the length of the rope was finally enough.
Meluetta connected one end of the rope to the stick, and tied the other end to the stone.
Then, she began to throw the end of the stone in the direction of the torch.
She hoped that the stone would fit right on the torch stand and light the rope!
But unfortunately, the practice was not as smooth as Melueita imagined.
Fortunately, the stones that were once thrown out were connected by ropes, so even if they were not thrown away, they could be recycled.And occasionally accidentally hit the torch directly, she can also work harder to turn on the mechanism to make the torch light up again.
In this way, Melueita threw the stone again and again, and when she didn't know how many times she threw it, her body felt tired and numb.The flying stone was just right stuck on the platform with the torch hanging on it.
Under the flame of the torch, the rope began to burn after a while, and the fire became stronger and stronger, and began to spread rapidly along the rope.
When it really succeeded, Meluita was stunned for a moment but didn't react when she was excited.
Seeing that the fire was coming, she came back from a dazed state. She stretched out her arms desperately from the railing of the cell, holding a long stick in her hand, and pressed the other end of the rope against the wall beside the cell. above.
Soon, the flames drawn along the rope burned directly on the wall next to the cell, on the cloth covered.
Hearing the hissing sound of the flames, smelling the unpleasant smell of different fabrics when they burned, even though the long metal stick in her hand was red and was constantly scalding her palms, Melueita gritted her teeth and never let go.
Until, the long-awaited "clang clang" sounded again, and what Melueta wanted finally fell to the ground when the flames faded.
Once again using a long stick that looked like a crowbar to hook something that fell on the ground, Melueita couldn't help but let out a cheer of surprise.
She was right.
Hanging on the wall next to the cell is indeed the key of the cell.
...
Due to the severe burn on one hand, he did not recover immediately.Moreover, Melueita was also worried that the small fire in the dungeon might attract guards or something.
Therefore, she huddled in a corner in the cell and waited patiently for a long time.
For a long time, no one else came.
It seems that although the cell is lonely without anyone guarding it, it is beneficial when escaping from the prison.
After nervously inserting the key she picked up into the lock of the cell, listening to the sound of the lock disc turning, Melueita only felt that she heard the sound of heaven.
The cell door opened.
Meluita, who walked out of the cell tremblingly, felt as if she was still dreaming, and staggered a few steps under unsteady steps.
If it's not inappropriate, she really wants to find a way to record her inner joy now.
Under the light of the torch, she found the underground passage to leave, and saw the gate formed by the light curtain.
She knew that this was a very profound enchantment magic, and she didn't know what it used as a medium. In short, only the count himself could pass through it.
It was precisely because of this barrier that she could not enter or leave that the members of the Church of Scourge would rest assured that they would leave her alone in the dungeon without guards.
But similarly, this light curtain door is not without other closing methods.
Otherwise, she would not have been able to be stuffed into the dungeon.
As for the mechanism to close the light curtain, Melueta also has a clue.
After all, the last clue given by Mr. Earl was not used.
Following her memory, she came to the last corner of the dungeon where the Earl had watched.
On the surface, it looked like an ordinary wall in front of her, but she knew that it was definitely not that simple in reality.
After beating with a long stick for a while, Melueita found that there was a palm-sized place in this area, and the material was slightly different from other places.
Then, she put her hand there.
Just for a long time, nothing happened.
During the waiting period, Melueita couldn't help feeling a little discouraged.
After all, we have come to this point, and seeing that she will be able to escape from birth after clearing a few more levels, the feeling of being splashed with cold water is not good.
However, Meluetta did not give up.
Because... she believed in Mr. Earl.
When such thoughts surfaced, she was startled.
She didn't know where her trust in Count Campret, the kidnapper, came from.
Perhaps, when she followed the other party's prompts to escape from the cell step by step, she had already established a wonderful trust relationship with the other party.
For almost a quarter of an hour, Meluetta kept pressing her hand on the wall.
Now, she has faintly discovered the details of this material.
The more she touched the wall, the warmer the area became, but on the contrary, the palm of her hand that was attached to it became gradually colder.
If you guessed right, the mechanism here uses a rare heat-absorbing magic stone.
The reason why this kind of magic stone is used as the material of the mechanism is probably that the creator accidentally activated the mechanism in order to prevent simple accidental touches.
As time passed, sure enough, the light curtain blocking the entrance of the dungeon began to gradually dissipate.
Seeing the disappearance of the light curtain, Meluetta couldn't help recalling the words that Mr. Earl once said.
Getting her out of this dungeon is actually a very simple matter.
Monsieur Earl is not lying!
She was really "simple" and managed to break out of prison!
At this time, barefoot, wearing only cool close-fitting clothes, holding an iron rod, Meluita, who has degenerated from a village girl to a savage, and the burns on her hands have not completely healed, her eyes are burning in front of her. I thought so in my heart.
...
...
On the other side, what is Earl Riber, who personally "guided" Meluetta's escape route and gave many "hints", what is he doing?
After eating three meals and drinking two teas, he fell asleep soundly.
After all, it was already late.
However, Earl Ribell still didn't sleep peacefully that night.
It wasn't that he had another nightmare, but the moment Meluetta stepped out of the dungeon, Ribel's mind seemed to explode suddenly, and a large section of plot scenes flooded in.
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