Chat history six days ago.
"In?" Akashi Rin asked.
"Yes." Aoyama Yuu.
"Come to my house, buy a new game, two people cooperation, take you through the level." Akashi Rin.
"I still have some things here, I'll come over later." Aoyama Yuu.
Chat history five days ago.
"Did you watch the episode yesterday? Did you participate in the dubbing?" Rin Akashi.
"That show is not my taste, isn't it good? Then I will watch it when I have the chance." Aoyama replied leisurely, "As for the dubbing, I'm going to dub a new show soon, and you must watch it when the time comes."
"No problem, I've read all your episodes," Akashi Rin said.
"That's great." Aoyama Yuu.
Four days ago.
"Going out to eat? I just got off work here." Aoyama Yu said, "I'm quite busy at work today, and I'm super tired."
"No, play games." Akashi Rin replied, "Are you so tired after get off work? Then I won't drag you down. I wanted to call you to my house to play games. If this is the case, go home and have a good rest."
see this paragraph.
Akashi Wakana's blood pressure went up.
Low blood pressure should also give high blood pressure to Akashi Rin's way of chatting.
Although Akashi Rin's answer was very sincere, and he also answered his own thoughts, Akashi Wakana also understood Akashi Rin's personal situation that he didn't like to go out.
But the thing that Akashi Rin absolutely shouldn't do is that when he asked Aoyama Yu to do something, Aoyama Yu did it, and when Aoyama Yu wanted to do something, Akashi Rin refused.
Akashi Wakana felt sorry for the unlucky boy Yuu Aoyama.
How strong it is to withstand Akashi Rin, a bastard who is full of thoughts lying at home.
No wonder we dated for two months.
It can only reach the progress of holding hands.
Suppressing the desire to complain.
Akashi Wakana tapped the input method frantically, and typed a paragraph of words on the unsent chat box, "Press the confirm button to send this paragraph of words for me."
"Come on, now!"
.....
Chapter 187 Chapter 182 Mother chatting?Get out!
Akashi Wakana really can't stand Akashi Rin's way of chatting.
How did Aoyama Yu communicate with Akashi Rin for such a long time, and can bear Akashi Rin's sometimes unreasonable thoughts.
"It's not how you chat." Akashi Wakana thought about it and deleted the content.
She chatted, she chatted, not Akashi Rin.
What is the use of chatting?
"Is there any problem?" Akashi Rin was still unaware of his own problem, "Isn't chatting out, and making your own request reasonably."
This understanding is also correct.
But it's not every time you let Aoyama Yu come to listen to your talk.
Akashi Wakana caressed her forehead, "Then, when Yuu Aoyama made the request, your answer was a bit chilling."
Akashi Rin went back to read the chat records, and said a little embarrassedly: "It seems that there is a big problem, but it's normal that I don't like to go out."
"But you look at the chat records yourself. Every time you ask Aoyama Yu, he readily agrees. He asks you out for a meal, and you want to stay at home." Akashi Wakana complained: "Xiao Yu is really Under pressure that shouldn't be at his age."
"Love is not enough for two people to like each other, it's mutual understanding. You always play with him, and you refuse when he asks you for play. What do you make people think?"
"Kids who were sent to kindergarten ran away long ago after being treated like this."
"No, after reading the chat records, my blood pressure has gone up, you have to apologize to him." Akashi Wakana said seriously.
"Wait a minute, I can't apologize." Akashi Wakana said after a few seconds before reacting.
In the case of Akashi Rin, it is impossible to apologize before he realizes his mistake. After so many days, he did not realize how poor his chat skills are, and suddenly apologized, which can only explain one problem.
That is, someone peeked at the chat history and pointed out the problem.
Sometimes, you really can't interfere too much with this kind of relationship problem. If you interfere too much, is it still Akashi Rin's love affair?
all in all.
Without interfering with the love affair of my stupid daughter, it is imperative to minimize the number of times my daughter commits stupidity.
"It seems that I have to help with my homework." Akashi Wakana narrowed her eyes slightly, not to mention helping Akashi Rin to make up for her speaking skills, but at least let her understand what not to say.
She looked at the outline of Akashi Rin's face, thinking.
Same as Aoyama Yu.
Akashi Wakana also had the same thought.
That is—to transform Akashi Rin's otaku life.
We can't let her continue to be "bad" like this. What if Yuu Aoyama's competitiveness rises and there are more rivals in love?
This can't make our daughter support these blind little guys?
Humph.
......
"Qingshan-kun, here we come." Xin Haicheng said with a smile on his face. In fact, the screenwriters should decide on the script together, but Xin Haicheng doesn't know why, and always likes to ask some Qingshan-kun's opinions.
In fact, the reason is very simple.
Aoyama Yuu is a young man.
Young people are the ones who understand young people's thinking best, understand young people's hobbies best, and know the plots that young people want to see best.
The screenwriter has a strong ability to control the rhythm of the script, allowing the story to revolve around a center and write a lot of content.
But the screenwriter is not the audience.
These are two concepts.
Many authors and screenwriters complain about what they write. Readers don't like to read it, but they like it very much. The reason is that their perspective is different from that of normal people.
The author's perspective is the author's perspective, and the reader's perspective is always the reader's perspective. The author can have a vision and foreshadowing that the reader does not have, so he thinks that his writing is great, but what about the reader?In the foreshadowing, before the clues are revealed, it will naturally feel that this content has no meaning and is very boring.
Makoto Shinkai likes to ask Aoyama Yuu questions.
It is nothing more than that Aoyama Yu is a contemporary young man, and Xin Haicheng wants to know whether his plot can attract young people's likes.
But in the eyes of others.
I probably feel that Aoyama Yu is a young man who is valued by Xin Haicheng.
This invisibly increased Aoyama Yu's status in the crew, and many people spoke politely to Aoyama Yu.
Ordinary voice actors don't have this kind of treatment.
Most producers still regard seiyuu as a tool to increase the quality of the work, rather than an important element that makes up the work.
In contrast, seiyuu is only a bit higher than ordinary behind-the-scenes staff, and compared to directors, producers, screenwriters, etc., seiyuu is not enough.
Xin Haicheng asked Qingshan Yu for some opinions on the script, which drove Qingshan Yu's hidden value.
If Aoyama Yu really has some screenwriting talent in the future, and has Makoto Shinkai's relationship, his influence in the industry will only continue to rise.
"In this story, who do you think is more appropriate to focus on?" Xinhai asked sincerely.
【your name】.
The story of Tachibana Taki and Mitsuha Miyamizu.
In the traditional film format, the male protagonist always has more roles than the female protagonist, but if we want to divide it by the daily themes of youth, the female protagonist must have more inkling than the male protagonist.
Because the proportion of men who watch this kind of subject matter is far more than that of women.
Tachibana Taki can be more ordinary, and being ordinary can make most people have a sense of substitution. At this time, Miyamizu Mitsuha, the more the plot shows her beauty, her shining points, the easier it is to arouse the audience's favor.
"Mitsuha Miyamizu." Aoyama Yu gave his answer without hesitation, "The plot revolves around Sanye Miyamizu, doesn't it? Although it is a story of two people, the core of the real plot trend is still It's Mitsuha Miyamizu."
Changing the role of Tachibana Taki to any Qingri male protagonist will not feel any disobedience, because the appearance of this role is to let the audience into the male perspective, the more ordinary male high school students the better, more The usual advantages will also magnify the audience's sense of refreshment.
Xin Haicheng was surprised that Aoyama Yu had such a high awareness of this script.
Kaoru Konoe was recommended and brought here by Yuu Aoyama, but the protagonist is not Yuu Aoyama. Although the original protagonist of this story is not Yuu Aoyama, he can figure out from what angle he should measure the script so quickly, so as to It is very valuable to consider the interests of the group.
The role of Aoyama Yuna is the protagonist, but not the protagonist, it is an auxiliary job equivalent to Green Leaf.
The plot also revolves around Miyamizu Mitsuha.
This movie is also quite a test of Aoyama Yuu's level. Ordinary voice actors receive this script, and after clear positioning, the effect is to completely set off the beauty of the heroine. After finishing, I can't think of Tachibana Taki's character, but I can only remember Mitsuha Miyamizu.
Of course, there is another level of voice acting.
Doing your best without being surrounded by the halo of the plot can not only set off the beauty of the heroine, but also make the audience feel that Tachibana Taki is indispensable. Without Tachibana Taki, there would be no Mitsuha Miyamizu.
This is difficult.
After all, the character setting needs to be set off by the plot. There is not a lot of plots written around a character. Just relying on the sense of language and the emotion of the voice actor's voice can make you feel that this is the most important person in Mitsuha Miyamizu's life.
Let the audience feel that Mitsuha Miyamizu cannot live without Tachibana Taki.
How difficult is this?
Yuu Aoyama is good, Makoto Shinkai is also very assured of Yuu Aoyama's voice acting skills, but it is still too difficult, too difficult to perform the role of Taki Hana Taki without the blessing of the script.
It is also difficult to dub it even for experienced male voice actors.
Xin Haicheng's words like this actually put a lot of pressure on the well-behaved Kaoru Konoe next to him.
Kaoru Konoe thought that the protagonist of this movie was Yuu Aoyama, but he never thought that he would be recommended, and he would get the most important core character in the whole movie, even Yuu Aoyama had to revolve around her.
Such pressure made Konoe Kaoru's breathing heavy.
This burden is too heavy.
Thinking of the funds invested by the entire crew, the various official sponsorship advertisements, and the famous screenwriter Makoto Shinkai, and even the senior Aoyama Yu who I respect very much.
Everyone may have to listen to her dubbing, and if she makes a mistake, it will cause a chain reaction for everyone.
Konoe Kaoru was already a little nervous, so now that he realized the current situation clearly, the pressure on his body was even greater.
.....
Chapter 188 Chapter 183 【Your name】Fire is set!
Konoe Kaoru never felt that he was a person who could shoulder heavy responsibilities.
Although she was willing to work hard for the script, just like what happened to Mitsuha Miyamizu, she woke up and came to the boy's room.
Trying to get himself into the script faster, Kaoru Konoe went to live in Aoyama Yu's room for a few days.
Fortunately, Yuzuru Ayanokoji, a friend of Aoyama Yu, took me to follow a senior senior for training in voice actor skills.
But hard work is hard work, but I just don't want to let down the hard work of other staff, don't want to let down Aoyama Yu's recommendation, and don't want to let down this opportunity.
But this encounter was completely different from what she had imagined.
All the pressure came to her alone, Kaoru Konoe thought that she was just here as a foil for Aoyama Yu, who would have thought that Aoyama Yu came to serve as a foil for her.
This made her ask herself.
Can you do it yourself?
Kaoru Konoe has already realized the big difference between dubbing movies and dubbing fan dramas. The plot of fan dramas can be delayed without any problem. The movie seems to condense all the content that must be mentioned in one paragraph in an instant.
Every picture, every action, every line of dialogue, and every frame of the picture must give clues to the audience, letting the audience know the character's thoughts and her background.
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