Don't call me Master, call me Director

After all, there is no human body in the "Ultraman" TV series in their world. Ultraman is Ultraman. They are the patron saints from the Kingdom of Light, and they only appear in the most critical moments of human beings.

But soon, Asuka and My Dream were slapped in the face.

Because when the mirage appeared again the next day, they also saw the illusion like Dagu.

However, unlike Dagu seeing the transformation of the Showa Four Elders, what the two of them saw was their transformation into Ultraman.

In the chat, the three people talked about the course of my dream-parallel world.

Dagu thinks that maybe the things in the dream are real, something that is happening in a parallel world.

As for Dagu's guess, Asuka and Womeng did not dismiss it as they did in the original "Super Eight", but held a kind of suspicion.

For the three people, the current real life is not satisfactory. They have not fulfilled their childhood dreams, drifting with the crowd in society, and making a living.

Naturally, the current boring life cannot satisfy the three of them. If they can really transform into Ultraman and become a hero, they naturally wish for it.

This can also be regarded as a relatively obvious difference between Shen Er's version of "Super Eight" and the original version. Shen Er's literary dramas pay more attention to the psychological description and changes of the characters, rather than the original version.

Because such a description can make the character creation closer to reality and resonate with the audience.

A hero is not achieved overnight. The character curve of a character in a good movie is a smooth arc, and the change of the character's mentality is accumulated bit by bit.

The current three just think that being an Ultraman is cool and can get rid of the boring real life, and they don't think about the real meaning of being an Ultraman.

On the other hand, although the life in front of them is mechanically repeated, there is no major survival crisis. The three of Dagu did not have the necessary urgency to transform into Ultraman.

It's not that the characters in the original version of "Super Eight" were handled poorly, it's just that the focus is different. The original story is more clear about love and hate, and children can understand it directly.

As for Shen Er's film, because he himself made this film with a strong sense of substitution, he unknowingly made the core of the film biased toward adults.

Fortunately, the special effects level of Shen Er's movie is several grades higher than the original version. It has already broken away from the category of general special effects films, and is closer to the Hollywood blockbusters of his previous life.

In addition, Shen Er's title of director can attract a group of young audiences who did not watch the special feature film, which is enough to make up for the children's market that Shen Er lost.

"Hey, that is, I am awesome, and I can attract far more traffic than the original Ultraman series."

Admiring his masterpiece, Shen Er leaned on the back of the chair and raised his legs gracefully, and the corners of his mouth kept rising.

If you can serve Second Master his hand with a glass of red wine at this time, it will be a proper behind-the-scenes big boss fan.

"If it's only Tsuburaya himself, there's no way to learn how I shoot, the movie will explode to death directly."

"In that case, Tsuburaya doesn't have to wait another two years, and can just pack himself up and give it to TYO."

Sitting behind Shen Er, Kazuo Tsuburaya hurriedly said after hearing Shen Er's pretentious speech: "Brother Shen Er, please don't say such horrible things. If TYO really takes over the company, then our Tsuburaya family really wants Was kicked out of the house."

Shen Er rolled a glance at Tsuburaya Kazuo behind him.

[Originally in history, you would be kicked out.And still deserve it! 】

Tsuburaya Kazuo who was stared at felt aggrieved.

He was obviously saying that Brother Shen Er was better than TYO, why was he stared at?

"I just think it's really tiring to wipe someone's ass, because the person who is wiped will never know how much they have stabbed."

"...Let's go ahead and watch the movie."

Sensing Shen Er's contemptuous gaze, Tsuburaya shrank back with a smile.

Chapter 237 Ultraman is back

On the screen, just when the three of Dagu remembered their childhood and felt confused about real life.

The sharp screams awakened the three of them.

Immediately afterwards, everyone in the cinema hall heard a heavy roar.

It turned out that the dark shadow mage behind the scenes planned a car accident. Under the influence of dark energy, a truck rubbed against the railing on the side of the road, and rushed towards the intersection like a beast.

Because the time happened so fast, everyone on the road was frightened, and the children who were crossing the road were even more frightened and unable to move.

It's useless to be able to move, the speed of the car is too fast, so fast that ordinary people have no time to escape.

At this time, the four elders of the Showa era who were walking in front moved.

Among them, Zhu Xingtuan rushed into the cab of the truck trying to stop the car, while the other three pulled the children away from the sidewalk as fast as they could.

Compared with the one stroke in the original version, Shen Er has emphasized the processing of special effects in this section.

Borrowing the visual effects of Hollywood's fast silver and fast superheroes such as The Flash, Shen Er turned the 5-point special effects bridge of the original book into a super blockbuster.

Splashing glass, people's terrified expressions, and the freeze frame of the truck running out of control and crashing to one side.

Against the background where time has almost stopped, the Superman-like actions of Hayata Susumu, Zhu Xingtuan, Go Hideki, and Hokuto Seiji in the camera left the audience dumbfounded.

In previous special-shot dramas, the expressions of the heroes before transformation were very simple and rude, either by flashing their eyes as clairvoyant eyes, or by using simple props to show their infinite strength.

And now this kind of super scene of saving people under the truck is beyond the imagination of all the creators in the field of special photography.

"Simply, if I had money, I would be able to play like this. I'm so envious!"

Shirakura Shinichiro, who has supervised the production of "Kuuga", "AgitΩ", "Dragon Knight"...etc. Heisei Kamen Rider series, has not yet been sprayed into a sieve by fans because of the show operation, sighed.

As the "Toei high-level executives" in the mouth of fans, Shirakura, who has not yet rotted, was regarded as a god in the ten years before the knight Heisei.

Kamen Rider was able to rush to the top in 2000, overpowering the team and Ultraman to become the top three special shots, and Shirakura's credit can't be erased anyway.

Of course, these credits cannot be used as an excuse to launder Baicang's showmanship in "The King of Time".

In the later stage, Bai Cang is completely the existence of the nerve knife, and he can form a Toei convulsion team with Mingui and Omori.

In Shen Er's view, it is biased to say that the above three are biased. After all, Zhu Tianmin and his like are also unforgivable, but these three are more famous.

The current Shirakura is not as late as ten years later, relying on the achievements of Kamen Rider masterpieces such as "Kull Me" and "AgitΩ", he is currently a god-like existence among mask fans.

"That director named Shinji Matou is too wasteful. His scene of saving people in a car accident is enough for me to shoot several episodes of Kamen Rider."

Bai Cang's words are not proud to express that he can save money, but deep envy.

If there is a choice, who doesn't want to spend as much money as they want when filming!

The deduction of Kamen Rider's expenses like that is not the result Shirakura wants.

Koichi Sakamoto, who was sitting in the row behind Shirakura, also nodded after hearing this sentence, expressing his agreement.

Unlike Shirakura, who has been developing in Japan, Koichi Sakamoto led his team to develop in Australia in the past two years.

Originally, Sakamoto's idea was to learn from foreign countries first, and then return to Japan for development after learning advanced foreign technologies.

After hearing that Tsuburaya was acquired by outsiders, Koichi Sakamoto, who has been a diehard Ultraman fan since childhood, returned to Japan with the dream of being able to direct Ultraman's works.

Relying on his contacts in the special photography circle, Sakamoto easily got the movie tickets for the premiere.

His original plan was to read "Super Eight" first and then go to Tsuburaya for an interview, so as to create a good impression on them that he came prepared.

However, what Sakamoto never expected was that the "Super Eight" he saw would be such a 3D movie!

Seeing the shards of glass rushing out of the screen across his cheeks, Sakamoto couldn't help feeling that the world was different.

In particular, the 3D stereoscopic technology used in this movie does not require glasses, and does not belong to the current mainstream chromatic aberration 3D technology, which made Sakamoto messy.

It is precisely because he is engaged in technology and understands the current situation of 3D technology in the industry that Koichi Sakamoto feels that this movie is a bit unbelievable.

I can't understand at all how the director did it.

【Am I getting old?Obviously I'm only in my 30s! 】

With the ethos of ranking seniority in the Japanese film and television industry, Sakamoto is definitely not too old to achieve this position at his age.

But I saw a young man who was under 20 and made a movie that he couldn't even catch up with.

Even Hiroichi Sakamoto, who has always been confident, couldn't help asking himself this question.

In contrast, Milo Jonson, who is only a film critic, is less sentimental.

Because of the delicate relationship with Time Group, Milo Jonson paid a lot of attention to the movie "Super Eight" and knew a lot of inside information.

He is not a senior technical control, nor is he a serious special chef.

Milo Jonson himself knows something about Tokusho only because horror films use a lot of Tokusho's shooting techniques.

But as an industry insider who cares about the development of the film industry, Milo Jonson believes that if the film can be successful, it means the maturity of IMAX film technology and the market's recognition of it.

That's good news for Milo Jonson, who is famous for his reviews of commercial movies, and the more commercial movies he makes, the more money he'll make.

The biggest selling point of "Super Eight" - glasses-free 3D technology, is naturally also within the scope of Milo Jonson's consideration.

[Not all the shots have 3D effects. Most of the pure text scenes have almost no off-screen effects, but they behave so naturally when they are turned into off-screen images... How did you do it? 】

Milo Jonson is not a technology madman. After thinking for a long time that he could not explain this miraculous effect with science and technology, he simply gave up and compared this movie with the existing 3D technology for movies.

[The advantage is that you don’t need to use 3D glasses, the picture effect is more natural and bright, and the screen effect is very good.I believe that there will be no shortage of jump scares in horror movies in the future. 】

[The disadvantage is that the effect of going out of the screen is very good, but the effect of going deep into the screen is a bit mediocre. Is it because the technology cannot do it, or is it because of this movie? 】

[According to my observation, because of the good screen effect, this movie has a lot of shots deliberately showing off skills, which disrupts the story performance. I hope this will not become the trend of naked-eye 3D movies in the future... 】

Although marveling at the new technology used in "Super Eight", Milo Jonson still felt that such technology was too powerful and even suppressed the narrative ability of the movie.

However, the film critic also has to admit that with the support of this new technology, the overall quality of "Super Eight" has really stepped up to a new level.

Especially those pictures full of 3D feeling gave him a real and dreamy feeling.

【Shinji Matou, he is really right when he claims to be the number one commercial director in the world, he is really a scary person. 】

Unlike these filmmakers who are still struggling between enjoying movies or analyzing new technologies, ordinary audiences can't wait to see more at this time.

They want to see the tense and exciting battle that made the blood boil in the opening of the title again.

Although Shen Er used illusions and car accidents to show the 3D technology of the movie during the development period of the movie, but in the eyes of the audience, this kind of operation is nowhere close to itching, making people irritated and itchy!

At this time, the story has developed to one-third of the way, and a key plot is needed to make a turning point, which is what the audience is extremely hopeful for.

Although countless actors from the Ultraman series were invited to play guest roles in the literary scenes of this movie, there are countless detailed easter eggs in various corners of the movie shots, and there are also empathetic social animals and humans.

But none of these are the protagonists of "Super Eight". Since it is called Ultraman, the protagonists can only be monsters and Ultraman.

And now, the monster that all audiences have been waiting for has finally appeared!

Dagu, who was working, suddenly traveled to the illusion again in a trance, and met the deep sea monster Guvila!

On the calm pier, Dagu looked into the distance and was wondering why he came here.

Suddenly, a huge wave suddenly surged up on the sea in the distance without warning, and Dagu had to run to the inside of the pier quickly.

Immediately afterwards a huge drill emerged from the sea.

The hideous behemoth finally showed its terrifying side in front of the audience, bringing devastating damage to the pier as soon as it landed, and completely destroyed the warehouse at the pier.

The ground trembled because of the existence of the monster, and the cars on the road were bounced lightly. Dagu was like stepping on a trampoline, falling to the ground every two steps.

Dagu, who could only lie on the ground, let out a helpless cry: "What's going on, is the world going to be destroyed?"

The answer to Dagu was a huge shadow covering the sky and the sun, and a huge foot that fell from the sky, trying to trample him into a meatloaf.

At this critical moment, a strong golden light fell from the sky and repelled the monster.

A giant with red and silver patterns appeared in front of Dagu, and he took a posture to attack Guweila.

"Huh!"

The hero of the new era, Ultraman Mebius appears!

"Ultraman!"

Whether it was Dagu on the screen or the audience off the screen, everyone cheered at the moment Mebius appeared on the stage.

Even in Tianchao's Dianying, even if "Ultraman Mebius" has not been introduced, the children are cheering for this Ultraman who has never seen it before.

It doesn't matter if you are familiar or not, as long as you are a giant of light, he will bring you an indescribable sense of security.

"This is what I want!"

Even an adult like Li Riying covered his mouth excitedly when he saw the tall figure of Mebius on the screen.

"Ultraman is back."

Chapter 238 Compared with such a movie, it is not wrong to lose

In the early years of the Chinese Internet, there was such a saying.

What is happiness?Happiness is cats eat fish, dogs eat meat, and Ultraman fights little monsters.