Tatsuya walked into the office building after weighing the mobile hard disk that stored his novels.
He explained his intention of coming at the front desk and showed his appointment record, and he was welcomed into a meeting room.
There is a small round table and a projection device inside, which is very suitable for holding small meetings.
The welcoming lady expressed surprise at his age, and after joking a few words, brought him coffee.
After a while, the lady withdrew and told him that the editor-in-chief who had made an appointment was already on his way and asked him to wait for a while.
So he temporarily idled in the conference room and began to observe the environment here.
"Not as luxurious as Mom's office."
When he came to such a conclusion, he was actually relying on such a joke to eliminate a little nervousness.
At least he has seen the world in his mother's company, so he won't be nervous about entering such a company with strict management.
He is nervous about the future of his novels, after all, novels are a tool for him to realize his dreams.
If he is frustrated at this step, then his plan to interfere with the inner world from the "cause" will come to an end without a problem.
Thinking in this way, he rehearsed the problems that might arise when communicating later.
However, he only knew that the editor-in-chief he had made an appointment with was a middle-aged man, and he couldn't speculate on the other party's behavior without enough information.
own attention.
Coincidentally, the computer connected to the projection equipment had been turned on by the welcome lady, and he simply browsed the files in the computer.
This kind of public equipment will regularly clean up the disk to ensure that the copied and displayed data will not be stolen.
But some unimportant corner materials still leave traces inside.
Da also found an introduction document of the "Paper Drama Library".
This is probably intentionally left on the computer for outsiders like Tatsuya who are waiting for the meeting to browse.
He flicked the data interface casually, looking at the information that he had checked before submitting the manuscript.
—Basically nothing to be concerned about.
——Also, if it can be displayed on public equipment, it must be something announced on the official website.
He was about to close the file and waited obediently for the arrival of the editor-in-chief.
But when he habitually crossed the file to the end, he saw a familiar symbol.
It was the logo of the publishing house, the theater filled with paper men.
He has a sense of déjà vu for such a design, but this is not the reason why he pauses.
The real reason is that the parent company that acquired the publishing house also signed the documents.
The three Chinese characters "Sanqianyuan" are signed under the logo.
"I kept you waiting, the author of Magical Girl novel, "The Story of Rebellion"."
Chapter 30 Past, Future, and Present Stories ([-])
"I kept you waiting, the author of Magical Girl novel, "The Story of Rebellion"."
Almost at the moment when Tatsuya was overwhelmed by the signing of the parent company of the publishing house, a proud female voice broke into the conference room.
He was in a moment of confusion, after all, the name Sanqianyuan had been surrounding him during this time.
——Asshole, I was only thinking about the publishing house, not the parent company that acquired it.
——No, I’ve seen this name before, but I only felt that I’ve seen it before, and I’m not as shocked as I am now.
——Because before I came to Fenglingdu, my impression of Sanqianyuan hadn’t risen to the level of a dangerous family, so naturally I didn’t care.
After quickly analyzing the reason why he ignored the parent company of the publishing house, he immediately adjusted his emotions and regained his composure.
"Hello, Miss Editor-in-Chief, I'm Tatsuya Kamu..."
After regaining his composure, he smiled and stood up to greet the editor-in-chief who had arrived in the conference room.
However, while seeing her attire clearly, another question burst out of his mind.
It took a lot of effort for him to stick out his hand and shake hands with the "Editor-in-Chief".
"...If I remember correctly, the editor in charge of my novel must be a gentleman."
This editor-in-chief is really too young, although it is a bit weird for him, a junior high school student, to say this sentence.
However, as mentioned before, the editor-in-chief he made an appointment with was a middle-aged uncle, but the one he saw before him could be described as a girl.
"I have read the novels of Master Kame, and I think it is not qualified for that uncle to come to receive you, so I deliberately changed the person in charge, and I will communicate with Master Kame in person. You don't mind, do you?"
The girl, or the young lady, is wearing a bohemian fashion dress.
The whole dress is creamy white, it seems to be an ordinary dress, but it is more elegant, with leather tassels between the skirt and shoulder straps, and the subtle patterns in the folds also show its difference.
The atmosphere is high-grade, and it does not appear obtrusive in such a rigorous working environment.
The eldest lady even tied up her long hair, which matched her haughty look and elegant hair accessories very well.
The long skirt was below her knees, and the high heels touched the ground. She looked like an aristocrat who had just stepped out of a TV series.
Behind her was a young man in formal attire. From the perspective of attire, the young man looked more like an employee of an office building.
But no one would mistake the order of master and slave between them, it is really the young lady who talked to Tatsuya, it is too dazzling.
She shook hands with Tatsuya with complete etiquette, and answered his questions in a neither humble nor condescending tone.
The choice of words and sentences always give people a sense of
It gave the illusion that she was looking down on the person in front of her from a height.
This temperament is not something ordinary people can possess.
"Of course I don't mind. In other words, it's really flattering that the eldest lady came to receive a young author like me in person."
The scene at the scene was obviously a [-]-year-old girl receiving a boy who was a junior high school student.
But a proud, old-fashioned guy insisted on making the atmosphere look like two old and cunning businessmen were negotiating.
There is no real emotion involved in the seemingly enthusiastic words; the commercial smiles on their faces are like masks of fake smiles.
If there were any other normal young people around, they would definitely complain about their age-inappropriate social style.
However, the young man who came with the eldest lady fulfilled the duties of the housekeeper very well, silently waiting on the side, without changing his face.
But Tatsuya and the others continued their courtesies.
"Master Kamu is modest. Let alone the quality of your work, your surname alone is enough for us to come here with the highest standard of treatment. Or, I might be wrong? You came today because you are fading away. Don’t you want to get the halo of the young master, and just sell your talent as an author? However, even that doesn’t matter, you just treat me like an ordinary editor-in-chief.”
The politeness is mixed with temptation, and the content of the temptation is very informative.
Just as Tatsuya had guessed the identity of the young lady, the young lady obviously knew his identity.
She spoke with the title "Young Master" when she opened and closed her mouth. She was obviously receiving a young master, not an author.
"The editor-in-chief... No, the lady is very clear about my identity. I am indeed an author today, and I am here to pay a sincere visit to my editor. Now that things have developed to this point, I would like to ask you a question, Is the young lady the current young lady of the Sanzenin family?"
The gap in intelligence is reflected at this time.
Since Tatsuya didn't care about Sanzenin as the parent company of the publishing house at the beginning, he didn't expect to encounter such a thing at all.
His understanding of the Sanzenin family only rests on the information obtained from a series of events.
At most, plus the information obtained from the investigation of the witch of a former eldest lady of Sanqianyuan.
"That's right, I am the eldest lady of Sanqianyuan, Sanqianyuan Shenghua, nice to meet you, young master of the Kamu family."
"To each other, I'm Tatsuya Kamu. It's a pleasure meeting Miss Sanzenin."
The two held hands together for the second time. This time, both of them communicated as members of the big family.
The communication about the novel that Tatsuya was looking forward to was getting farther and farther away. He knew that once his identity was revealed, things would change in the future.
He still bite the bullet and sat at the round table with the eldest lady.
The young housekeeper still stood behind the eldest lady without saying a word.
"Let's go back to the original topic—Master Kamu, you said that you only came to this publishing house as an author, so it just so happens that I didn't come here just because of the family behind the master. I have read your contribution, this is not a polite word, I am very interested in the things you show in the 'other world'."
Sour communication still revolves around Tatsuya's novels.
It's a pity that this kind of opening to talk about the preferences of the setting is not the normal communication between the author and the editor at all.
The editor never cared how extravagant the author's setting was. No matter how good the setting is, it's useless if you can't write an interesting novel.
The real subtext of this young lady is that she is very curious about how much information Da Ye knows about the "inner world".
Tatsuya scoffed at that.
— Just interested?You should know more about the other world, right?
——The influence of Sanzenin Yuuki, it seems, did not melt away when she became a witch.
——You really are a dangerous family involving the other world.
His purpose of coming here has quietly changed, he no longer expects his novels to be published here.
Rather than wasting his efforts here, he might as well seek out more information for the other team's operations.
"Oh? Missy, do you like the setting of the 'inner world'? That's really great. I just want to portray an extremely sinister 'incubator' to tell readers how harmful pyramid schemes are. I think that once my novel is published, the girls who have read it will take the initiative to stay away from such activities as pyramid schemes!"
Having clarified his purpose, Tatsuya also began to talk nonsense in his words.
Anyway, the other party didn't reveal that the Sanqianyuan family knew about the inner world, so he simply pretended to be crazy and pretended that he didn't know.
Although he clearly remembered that Hayami Maya called him "the young master Kame who is famous in the world as an ordinary person".
Then, as the boss of Hayami Maya, the Sanzenin family must know the identity of his inner world.
But he didn't tell the truth, what could the other party do?
"Heh, the insidious 'incubator'? It's really an appropriate term. However, I am very interested in your setting, but I am not optimistic about the plot you describe. Because this is a novel about magical girls, your writing On the contrary, the main character has been refusing to become a magical girl. Even in the ending, "Enxiang" ended the tragic cycle as a human being (Tatsuya modified the plot of the original work to highlight the tragic cycle between the magical girl and the witch). I don't think so Doesn't the plot match the theme?"
The other party really didn't take Tatsuya's pretending to be crazy.
On Tatsuya's novels.
A seemingly pertinent rhetorical question was also raised.
"It doesn't match the theme—then in Missy's heart, what kind of plot is suitable for magical girls?"
"Of course it is a kingly novel that emphasizes that magical girls are the embodiment of justice!"
Seeing a dagger when the road is poor.
Perhaps, this eldest lady didn't care about Da and admitted that he was a related person in the other world.
Chapter 31 Stories of the past, future, and present ([-])
At this point in the mutual temptation, Tatsuya could see it.
This eldest lady didn't come to him because of what was happening in the other world.
She really came to talk about his novels as an editor.
However, what she hopes to express in the novel runs counter to Tatsuya's original intention.
"Magical girls are supposed to be the embodiment of justice. Their act of eliminating witches should be a part of purifying the curse of this world. Although their ending is a bit tragic, their deeds are undoubtedly noble. We should pay tribute to every magical girl. Passed away, all pay their respects. As for the 'incubator'... that bastard really has no way to clean up."
"In short, the tone of your novel is wrong from the beginning. What we want to declare is not to 'cut off the cycle of tragedy', but to encourage more girls to devote themselves to the cause of justice. Love and justice should be a The theme of this kingly work, if Kamu-kun can change the novel in this way, I promise to do my best to promote it for you."
The proud eldest lady is not a vase raised in a greenhouse.
I have to say that the things she advocated are really provocative.
It seems that she has made similar speeches and incitements in her own family.
Unfortunately, since she denied the connotation that Tatsuya wanted to express, they are no longer the same people.
——Well, in other words, since I learned what Ya'er suffered, I'm no longer on the same path.
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