Fairy Britain, they all want to raise me?

So what do you want him to do?

Continue to hold on to the guy who can't win at all, and continue to fight like a fool?

Must we tear down all his excuses for giving up, let him admit his incompetence, and then leave the arena in disgrace like a loser?

Not even the last bit of dignity was left to him.

Guinevere held onto his bed, slowly sat on the edge of the bed, then leaned his head on the bedside table, looking ahead in a daze.

When he raised his head, all he could see was the pitch-black sky, which was as bleak as the road ahead of him.

He couldn't win, he had just confirmed this.

It's not that he didn't work hard, he fought with all his strength, but then he was teased like a fool, easily cut off, cut open, smashed, and killed again and again.

There was no hope at all. The ridiculous long sword he was wielding had no chance of touching the hem of her clothes. Tianhuo, who he regarded as his determination to suppress the situation, would not even be able to unsheath it before he would be killed.

The gap is too big.

Guinevere reopened his light screen and read out the prompt given to him by the system:

[Since you have locked a single opponent to death for more than a hundred times, the system will give you certain suggestions to help you. 】

[After calculation, your winning rate against Lancelot of the Fairy Apocalypse is only 0.0001%]

[System recommendation: Surrender at the beginning of the battle. This will give you hope of survival. 】

You see, even his plug-in system said so, so you can't blame him for not working hard anyway.

The opponent is a dragon, a hero, a legend, and an ancient species that combines almost all powerful elements. Even if it is also brought down to the level of LV1, its foundation is destined to be different. Relying on that cheating skill, Lance Lot was able to kill him like a dog.

If he wants to compare it with the bosses in the games he has played, she is more unexpected than the sword master Isshin in "Sekiro", more savage than the warrior Holero in "Old Ring", and more savage than the warrior in "Bloodborne". Orphan Kos is more hyperactive, more mad than Manus and Gale in the "Dark Souls" series, and has an unparalleled sense of oppression...

She combines the disgusting features of all the above BOSSs, and is even more disgusting than them. The possibility of clearing the level was not considered at the beginning of the design. She is just an ultimate disgusting BOSS who is just for the sake of feces.

Yes, because in Fairy Britain, Fairy Orchid is not a soul-based BOSS with designed fighting methods and moves. She is just such a powerful creature.Those bosses had flaws that could be broken when they were designed, but she didn't.

This is true even if he has endless opportunities. If he can't beat him, he just can't beat him. Although time reset is useful, in the face of the absolute gap, no matter how many times he tries, it's useless.

Although the simulator can be regarded as a game, the simulation itself is not a game.

It simulates life.

In life, there are often enemies that are impossible to win, situations that are so... unreasonable that one feels hopeless.

After all, some people are born to be swordsmen, and some are born to be fish, right?

However, due to the design of the environment alone, in Gloucester, when all creatures were forcibly pulled to lv1, Lancelot's own initial strength and defense were forcibly lowered to the same level as Guinea. Will is at the same level...On this basis, it gives him a theoretical possibility of winning.

"Ha, haha, hahahaha!" Guinevere suddenly laughed loudly.

I don’t know whether he was laughing at this game or at his decades of life as a leek.

"...What the hell is this ultimate shit BOSS..."

——Just now, when he received the simulator's advice to give up and realized that he had to prepare to run away, Guinevere couldn't help but breathe a sigh of relief, and felt a sense of relief from the bottom of his heart. a feeling of.

Because he just found an excuse to give up.

Because he just found an excuse to suppress the volcano-like emotions that were about to erupt in his heart.

The emotions that are about to burst out completely.

But, now, that excuse is gone.

Therefore, everything is like rolling rocks on a high mountain at this moment, no matter how hard it is to suppress.

"——I don't accept it."

Yes, in reality, in reality, he has bowed his head so many times, bowed to reality, bowed to money, bowed to the world, bowed to authority, and knelt down one by one before all the things that he could not defeat.

Forced to accept that he is just a mortal, forced to accept that his starting point is lower than others, forced to accept that his talents are worse than others, forced to accept that some people are born in Rome, and he is born as a cow or horse. .....He has been forced to accept so many things, and he has also bowed his head because of so many things...

As he said, the only thing he had was his stubbornness.Because only on one point can he truly stand on the same starting line as everyone else.

Apart from that he has nothing good.

But why must he lose?

Why can't ordinary people defeat this arrogant hero?

Born to be a powerful creature?What skills are not required?

so arrogant.

But why can't a naturally weak person defeat dragons and heroes with perseverance?

Go back in time, fight, and start again!

Thanks Gloucester.

Because, as a person who was born to be weaker than others in countless aspects, only here, he had a glimmer of hope of winning.

"So, I don't care if you are a goblin, a knight, a dragon or whatever, I don't care how much stronger you are than me,"

This time, facing the girl knight opposite who was ready to go, a smile from the heart appeared on Guinevere's lips:

"As long as we are here, the probability of me defeating you is not zero!"

Chapter 40 Theory exists, practice begins (two-in-one)

The fight begins again.

The petite girl knight burst out again, and her body once again turned into a blue meteor, hitting Guinevere directly.

However, this time, Guinevere, who was opposite her, gave up blocking, swung his sword in a round direction, and struck an angry blow directly at Lancelot's forehead.

Block what?Why block?

His sword and his wingspan are much longer than Lancelot's scabbard and wingspan. As long as he attacks, he will be the first to hit the opponent!

The best attack is defense!What he played today was confrontation!

Pure power?

Then let me show you a pure mad dog!Boy!

He just had to stop this dragon carriage today!

If it fails... then start all over again!

Guinevere slashed with his sword, but his timing was a little too early. When Lancelot was still twenty centimeters away from the edge of his sword, he had already slashed through it, and then, a heavy iron fist hit his chest. , smashing his heart into pieces.

Before dying, Guinevere just stared at Lancelot with her blood-red eyes, which made her, the victor, feel a chill rising in her heart, and she subconsciously took two steps back.

Then, Guinevere roared with the last remaining strength in his body:

"Come again!"

Then the battle started again. At the beginning of the battle, Lancelot turned into a meteor and rushed straight towards him.

This time, Guinevere still chose to attack without hesitation.

This time, his sword fell 0.3 seconds slower and was knocked away by Lancelot's punch.

"Come again!"

This time, he still used forward slashes and meteor attacks.

This time, his timing was still wrong.

This time, he still used his remaining strength to roar:

"Come again!"

This time, after being knocked away by Lancelot, he decisively used his last strength to stab himself in the head.

The natural death time after being crushed in the lungs was too slow. He needed to speed it up manually to omit those irrelevant details.

.................

Exactly how many times have you died?

If the simulator itself hadn't accumulated the number of deaths, Guinevere probably wouldn't have counted them at all.

He just refused to admit defeat, filled with anger, and chose to start over again and again.

He is not a completely inflexible person, and most of the time he is completely flexible.

But only in certain aspects, in certain aspects that he has identified, he will become this kind of guy who is stubborn to the point of being stubborn.

Others say that he will never look back until he hits the wall.

But he said he wanted to try to see if he could use his head to make a hole in the south wall.

Too fast, Lancelot's speed was so fast, it was like a flash of light.

That fleeting opportunity is indeed difficult to grasp.

But it’s not impossible to grasp.

If the theory exists, then he will use practice to prove it.

With 271 deaths, he finally captured that moment perfectly and forcibly interrupted Lancelot's charge with a sudden swing of his sword.

But this time, his brain did not react in time to the next step. He was just stunned at this only success, and was killed by Lancelot's sword immediately after.

However, he smiled.

Then, starting from next time, start incorporating the actions after success into your action plan.

Anyway...as long as his heart is not dead, he will have countless opportunities to start over!

But it turns out that that time was just a lucky break on his part.

Or maybe not entirely, it's just because he has to take into account the subsequent actions, which causes his concentration here to decrease.

In short, for the next hundred times, he failed to catch Lancelot again.

However, it doesn't matter.

If a hundred times doesn't work, then do it a thousand times or ten thousand times.

The next success was when the cumulative number of deaths was 382.

This time, after forcing Lancelot to stop, he succeeded in quickly making up the next sword,

Although this sword was dodged by Lancelot sideways, and was cut in half by her scabbard that she threw back.

But it doesn't matter, as long as he can make a little progress, it proves that all his efforts are not in vain.

Then, the simulation continues.

The next success is to accumulate 452 deaths.

This time, he used a fake move with his second sword to trick Lancelot into turning around and slashing back, and then he suddenly stepped forward to pursue her, swinging his sword towards her landing point.

This time, the tip of his sword finally hit Lancelot successfully. Although the distance was not enough, it only left a very shallow wound on her side, which was swung by Lancelot with his other hand. Kill with sword.

But this is the breakthrough of zero.

Just this once.

As long as this happens, it can be proved that she is not a guy like Woodworth who can't even break the defense. She is just difficult to hit.

As long as he can hit her, she will bleed.

The next success is 511 deaths, the next time is 567, and the next time is 599.

Then 632, 656, 677, 683, 699, 713, 725, 730, 741, 748, 751, 753...845, 846, 847, 849, 850...

By the 900th time, he was [-]% sure to capture that fleeting moment.

Of course, that doesn't mean his chances of winning have improved that much.

Because that is just one of Lancelot's many attack methods. In addition to that, she has too many attack methods.

And the most troublesome thing about her is always her nerve-wracking mobility.

After ignoring inertia, she could always quickly move to Guinevere's side and behind, and launch a thunderous blow at him.

In this regard, after thinking for a long time, Guinevere took the countermeasure-big windmill.

It's not the kind of move in various games and anime where you just swing the weapon in a circular motion, spinning like a top. Although such a move looks good, it actually has horrifying flaws. In actual combat, The practicality can only be said to be Tuyile.

What Guinevere used is something that exists in reality. It was improved and researched by the Spaniards and specially developed for two-handed swords. A set of sword skills that use rotational force and in turn turn the weight of the weapon into an advantage. In a sense It is also an extension and smooth application of another sword technique, "Farfalla di Ferro" (Iron Butterfly). It is a set of sword techniques that move the sword along with the situation.