How can I let go of the matter of saving my stepsister?

The system did not tell exactly whose memories and experience it was, but Sato Yuu did obtain all the memories of an original artist who had more than 20 years of rich experience in the painting industry in his previous life. Even the physical instincts honed from his long-term research in painting skills were engraved on his hands.

Looking back on my memory, most of my memories of painting over the past twenty years are about daily figure painting, especially paintings of young girls.

The Provider of Memory should be an expert in this type of animation, with a narrow range of skills but superb skills. It is exactly suitable for daily works such as "Mei Fei Mei" which are set in the real world, have no superpowers or special effects, and rely purely on exquisite characters and delicate movements to support the quality of the picture.

With the brush in his hand, it seemed as if he was assisted by God. In just over ten minutes, Sato Yuu drew an original painting of the heroine Nagami Ryoka, who appeared alone in the anime "Sister Not Sister".

"This is really..."

In my mind, I have the memory of Sato Yuu's two years of painting practice in the past, and there is also the painting experience of another senior original painter who has more than 20 years. The moment the original painting is completed, the desire to compare it arises uncontrollably.

Should we say that the result is sigh-worthy or exciting? I think it is the latter.

The gap between experience and hard work is too great. Even if Sato Yuu had spent several hours carefully copying the paintings he had made in the past, one could still see at a glance that the difference between the paintings in front of him, which took only a dozen minutes to draw, was several levels.

Since this part of the storyboard was supervised by Nanae Mochizuki, when it was handed over to Sato Yuu, there were already five or six original drawings drawn by the latter.

The desire to compare arose again, and Sato Yu compared the original painting drawn by Mochizuki Nanae with the original painting he had just drawn.

The degree of completeness and refinement of the character depiction is almost the same, however, in terms of facial expression, the heroine Ryoka's mouth curves more slightly, while her pupils show more details. She dodges with a hint of shyness, which exudes a touching tenderness of a girl.

Both films show the girl's inner shyness and the unspeakable bitterness of deep love. Mochizuki Nanae uses the girl's overall facial expression to show it, while Sato Yu concentrates the mood on one point and lets the character speak with his eyes.

The winner has been decided at this point. Just like the heroine Ryoka in the novel, she tries hard to keep the corners of her mouth tight, but her slightly curved eyebrows show the joy of victory incisively and vividly. Sato Yuya speaks with his eyes.

Wow, this original painting took twenty years of hard work, it seems even Mochizuki Nanae can’t compare to it.

This way, we will be more confident.

Use the original painting to conquer Nanae Mochizuki, make her give him more trust, give him more authority to take the work "Sister Not Sister" as his own, and fight for the right to speak with strength.

I received this painting skills gift package when I accepted the system last night, and I have already planned my future steps step by step. Now after the actual practical verification, my confidence has increased. Sato You only feels that his motivation is unprecedented.

"These first two cards are not important, so let's use the one-by-two method to paint all of them."

The most important scene among the cards is the part in the third card where the younger sister Ryoka goes out and charms the male protagonist with her charming figure.

Only that one picture is enough to complete the stunning reversal of picture quality. The rest are just appetizers and free gifts at best. For these non-critical parts, Sato Yu decided to "cut corners" and only draw them in two frames, that is, each original painting stays for two frames.

Well, yes, under the premise of tight deadline and the extensive use of the one-in-three or even one-in-four drawing method throughout the work, Sato Yu still chose to draw the unimportant parts in one-in-two and the key shots frame by frame in one-in-one, which is a time-consuming and labor-intensive approach.

Seven shots in five days, and such detailed portrayal. Ninety-nine percent of the original artists in the industry would probably call it a rip-off if they saw Sato Yu's crazy idea. Even the unknown original artist who provided Sato Yu with twenty years of painting experience might not be able to do it.

But Sato Yu was not worried because he had verified it before.

It only takes him a dozen minutes to draw an original painting whose quality surpasses that of Nanae Mochizuki. His painting speed is nearly twice as fast as that of ordinary original artists, or even more than twice.

System-specific buff——[Fast Painting].

If the more than 20 years of painting experience was a blessing given to Sato Yu by the system, then the buff of [Fast Painting] was a cheat given to Sato Yu by the system.

It can be clearly seen from the fact that the sister-not-sister project is now in a state of collapse due to the exploding schedule, and is only concerned with mobility without any regard for quality.

Efficiency is the lifeline of an animation work.

It is indeed biased to judge the ability of an original artist by the number of paintings he draws per unit time, but it is indeed an extremely important criterion, especially in a terrible project like "Sister, Not Sister".

Sato Yuu draws well and quickly, and is now the ultimate painter tailor-made for this project.

If there is anyone who can save the animation "Mei Fei Mei", which is on the verge of being postponed and the production team is on the verge of disbanding.

That person must not be Nanae Mochizuki, but Sato Yu.

To the extent that sometimes Sato Yu would wonder, is the system cheating for Sato Kyon, her younger sister whose life is about to come to an end, or is it cheating for Mochizuki Nanae, whose body and mind are trapped in the quagmire of the "Sister-Not-Sister" project?

"Thank you for your hard work. You were so focused that I couldn't even get you to eat at noon."

The reason why I can draw quickly and well is that I put all my concentration on the drawing paper.

Once he got into the state of painting, he would devote his whole mind to it and not notice the passage of time. By the time Sato Yu came to his senses and came to his senses, it was already five o'clock in the afternoon.

Looking up, the original artist Hamanishi Ryunosuke on the left immediately handed him chocolate, and expressed his admiration for Sato Yu's concentration when painting, which could not be pulled back no matter how much he called upon it.

On the other side, the female original painter Hiromi Yushan finally raised her head from her painting desk and handed him an energy drink with a smile.

Sato Yu's concentration on painting throughout the day has helped him rebuild trust in Hiromi Yuyama's heart, the woman said playfully.

"Nice motivation, but the night's overtime hell has just begun?"

"Overtime hell?"

What on earth are you talking about?

He stretched lazily, put all the chocolates and energy drinks on the table, stood up with his briefcase and ran towards the door.

Working overtime? Qiong had prepared a delicious meal waiting for him at home, and now it was time to get off work!

"Sato Yuu!"

She said nice things and took the original painting that belonged to her. She thought that this man with an unprecedented firmness in his eyes would work hard, but when she came out to make a cup of coffee, she saw that he was getting ready to go off work on time.

Furious, Mochizuki Nanae screamed at the cheerful back of the man who was walking at a devilish pace to get off work, scaring everyone in the studio to silence.

The huge studio was suddenly so quiet that you could hear a pin drop. Everyone was praying in their hearts that Sato Yu would return to his workstation quickly and smoothly so as not to upset the supervisor. Only Sato Yu himself didn't care at all.

He waved his hand casually and continued walking, and only spoke up when he was about to close the studio door.

"I've already placed the two original cards on the table."

Skirt~

Volume 17: Chapter Chapter . The Wail of Nanae Mochizuki

"Are you kidding me?"

The sound of Sato Yu knocking on the studio door was not loud, but it woke Mochizuki Nanae up.

She covered her cheeks with her hands and whispered in a crying voice, which she found ironic.

Sato Yuu was joking, but she herself was truly ridiculous.

What on earth was she thinking? She really believed the guy who had already fled and betrayed her once, just a bunch of unwarranted bold words and a little verbal intimidation.

From 8:00 in the morning to 5:00 in the afternoon, I finished the two original drawings in just eight hours...

Even if there were nearly half a card of original drawings that had already been drawn and did not need any further changes, there were still one and a half cards of original drawings that needed to be completed.

This amount of work could be done in such a short period of time, not to mention that it is impossible for her, the most skilled supervisor in the production team, to do it, and I'm afraid no one in the entire industry could do it.

And if it is really possible, completing so many original drawings in such a short time, the poor and rough quality would be outrageous, probably even more crude than the simple drawings made by those irresponsible outsourcing studios.

This is an original animation painting. Does that bastard think this is a stick figure?

He didn't really draw a stick figure, did he?

The more she thought about it, the more ridiculous it seemed. Mochizuki Nanae wanted to laugh, but the heat in her eyes was burning her entire eye sockets. Instead of laughing, she wanted to cry more. She wanted to cry her heart out and vent all the grievances and sorrows she had suffered during this period of time.

Another ridiculous guy wasted a whole day on irrelevant things!

If the animation is not delivered to the TV station on time, the resulting liquidated damages will be enough to completely disband the entire production team. What she will face then is not just a stain on her resume as outsiders think, but the complete end of her dream of becoming an original artist and animation.

Thinking of the repeated urging of my family and the bet between me and my father...

She clenched her palms suddenly and forced back the tears in her eyes. She did not lose her temper and further undermine the already low morale within the production team. Mochizuki Nanae just sighed softly and walked towards Sato Yu's workstation in silence and coldness.

Time was tight and she couldn't afford to waste even a minute. She had to take back the original painting she had already drawn and prepare to work sleeplessly for the next few days to finish it.

As for Sato Yu, he would naturally not be allowed to step into the production team again.

When she picked up the original painting that Sato Yu had placed on her desk and took her first look at it, Mochizuki Nanae's thoughts came to a temporary standstill.

It was the original painting drawn according to her storyboard, the part of the original painting she had drawn, but it was not her original painting.

She does not emphasize the overall effect, but only focuses on one point, as if the character only has a pair of lively eyes that can speak to attract the viewer's attention. The original painting, which is completely different from her painting style, made her feel an uncontrollable sense of frustration from the bottom of her heart in just an instant.

Then, envy and joy arise, and one feels inferior but cannot feel jealous.

The girl in the painting was too pure and too beautiful, and too perfect as an original painting, so that she couldn't even have a dirty thought in her heart, and could only cherish the aspiration to draw original paintings of this level in the future.

Is this really the original painting drawn by Sato Yu?

The guy who seemed so handsome that he didn't look like an original artist could unexpectedly draw decent original paintings, but they were just decent and could only be expected in the future. With the level he showed, he shouldn't be able to achieve this level.

A burst of inspiration?

Or was this the only picture he drew all day?

It was just an accident. Suppressing the excitement in her heart for the painting, Mochizuki Nanae warned herself not to have too high expectations for that kind of guy.

But if the latter is of considerable quality, even if only one lens is painted, it is not unforgivable...

While warning herself, on the other hand, Mochizuki Nanae couldn't help feeling anticipation.

In the next photo, it is not just the eyebrows and eyes that are outstanding. The heroine Ryoka’s lips and teeth are parted, deliberately highlighting the thickness of her upper and lower lips, which naturally draws the eyes downward.

In the next picture, and the next one, the heroine Ryoka's head was tilted to the right, and her long hair was dancing.

The lively eyes, the alluring lips, the prominent features no longer attract attention individually after being displayed for a sufficient amount of time. Their presence is weakened by the slightly curved eyebrows and the pursed lips, and the whole picture is concluded and coordinated into a whole by the swaying hair.

My field of vision suddenly widened, and for a moment I could see Lianghua's face more clearly. I could appreciate the unexpected cuteness revealed by her tiny movement of tilting her head, and appreciate the agility that is unique to young girls in her.

hum-

Twenty-two original paintings and one camera lens. The more knowledgeable you are, the more you will be able to notice the exquisiteness of the painting and the ingenuity of the conception.

As an original painting of a fairly high standard, one can roughly simulate its moving scene just by looking at the picture. By quickly flipping through the pictures one by one, the scene of the animation heroine Nagami Ryoka shyly smiling and tilting her head has already appeared in the mind.

Her thoughts were easily immersed in the picture. Mochizuki Nanae only felt a buzzing in her ears and tinnitus. Only the clarity of the picture echoed in her heart, as if her whole body was cleansed by it.

Simply a work of art.

It's a work of art!

"Supervisory...supervision?"

I thought my colleague Sato Yu, who was serious about it, left work on time and left some provocative words that were obviously teasing me. The supervisor who rushed over to check the original drawings with anger quickly flipped through the animation draft and then stopped talking. He just stood there blankly with his head down, and his body was shaking slightly...

Could it be that Sato Yu's original drawing was so bad, or was it basically a blank sheet of paper, that Director Mochizuki was so angry that he was speechless and could hardly suppress his anger?

Afraid that her JK supervisor Nanae Mochizuki, who was extremely serious and particular about animation, would get angry, she picked up a hatchet and rushed into Sato Yu's house. After a slight hesitation, the original artist Hamanishi Ryunosuke gritted his teeth and called out.

"what?"

As if waking up from a dream, Nanae Mochizuki breathed rapidly, clutching the original drawing tightly - she was so immersed in the excessive beauty of the picture that she even held her breath just now.

Then, this made the big guys in the studio who were watching her movements closely feel even more worried.

My goodness, that bastard Sato Yu's original drawings are so bad that it made director Mochizuki so angry that he can't breathe!

"About Sato, well, he might be..."

Hamanishi Ryunosuke tried to find some words to excuse Sato Yu from the bottom of his heart, but he was so tongue-tied that he couldn't say anything nice after hesitating for a long time.

After all, that bastard Sato Yu is unforgivable for making everyone's beloved JK director so angry.

"Now! Sato Yuu hasn't gotten far yet, I'm going to chase him out and drag him into the alley and beat him up!"

Excuses, excuses, fuck your excuses!

In the end, he was just angry for Mochizuki Nanae and felt it was unfair for her. Hamanishi Ryunosuke stood up from his seat, his strong body like a high wall, and he was ready to chase after Sato Yu and tear her into pieces as soon as the supervisor gave the order.

"what?"

Naturally, she was unable to pay attention to the muscular thoughts in Hamanishi Ryunosuke's head. Instead, she was frightened by the terrifying aura of the strong man who suddenly stood up. With an exclamation of surprise, Mochizuki Nanae subconsciously spoke out her true feelings.

"Why do you want to beat him when he draws so well? I really want to pull him back and give him a big kiss..."

Kiss him hard!

The embarrassing words were stopped at the moment they were about to come out.

"What on earth am I...?"

Realizing what outrageous words she had said, she could not bear it any longer. Her cheeks flushed red, and heat rose to her ears. Mochizuki Nanae buried herself in the original painting in her hands.

"Woo~"

For a long while, when everyone was still in doubt, the extremely unbearable cry of Mochizuki Nanae was heard from the original painting.

The girl's cry, directed by JK.

Skirt~

Volume 18: Chapter Chapter . Lowly Woman