How can I let go of the matter of saving my stepsister?

"Eh?"

Just as they were speaking their minds and expressing their feelings to each other, Mochizuki Nanae suddenly mentioned the three major awards. Sato Yu was confused as to why she brought this up and didn't know how to respond for a moment.

"They keep saying how important the three major awards are to animators, but what about me? Are they unimportant to me? Why don't they want my participation in such an amazing and important project!?"

This is the crux of the disagreement. They have been talking about the importance of the three major awards, but at the same time, they used another show to exclude Nanae Mochizuki from the main production lineup of "Puella Magi Madoka Magica". This really makes it difficult for Nanae Mochizuki not to think too much.

Especially after having been working on animations with Sato Yuu and having been suffocated by his genius aura for a long time, Nanae Mochizuki's inherent genius has been completely worn out. Now, facing Sato Yuu who has long been harboring an inferiority complex, Nanae Mochizuki is more likely to overthink.

Being one step ahead is a genius, being two steps ahead is a monster, and being several steps ahead is a god.

Facing Sato Yu's cheating card for a long time, even if she didn't say it out loud and even if she tried hard to suppress her inner feelings, Mochizuki Nanae had actually already felt ashamed of herself.

In fact, compared to other ordinary painters, Nanae Mochizuki, the most talented figure of the younger generation, was the most hurt when faced with Yu Kamisato, who relied on the entertainment assets of a world to suppress the cheating card players of this era.

Why didn't she participate in the animation with an excellent script and the hope of winning the three major awards? The seeds of suspicion had been planted long ago, and now the fire of inferiority was burning fiercely, as if to drag Mochizuki Nanae into the abyss.

At this time, you must reach out and drag her away.

Fortunately, Mochizuki Nanae still has some strength left, and Sato Yuu can speak his true feelings at this moment and extend a helping hand.

"Because Puella Magi Madoka Magica is one of my three major awards, I've always thought that there's no need for you, Mochizuki, to take advantage of this opportunity."

"No need?"

"Well, he served as a supervisor, produced works, accumulated experience step by step, and then reached the peak. In my mind, Mochizuki is a true genius, an extremely talented and hardworking animator who will one day be able to produce works that win the three major awards on his own."

Gazing for a long time and bathing in the light shed by Sato Yu, Mochizuki Nanae regards him as an animation god. However, in Sato Yu's eyes, she has never been a card fan. She is just a despicable thief of other people's achievements. She is just a cheater who is just replicating other people's experience of clearing levels and gaining many achievements that do not belong to her.

In his eyes, he was the latecomer who needed to keep catching up with Mochizuki Nanae.

He also believed and waited for the day when he would save Qiong and use up all the wisdom he had brought from his previous life. At that time, he, who was about to become an ordinary person, would be illuminated by the brilliance of Mochizuki Nanae and become her vanguard to take advantage of the "Three Great Awards" work of this true genius.

This is how he believed in Nanae Mochizuki, and he could even say that he believed in her more than Nanae Mochizuki herself.

Because, no matter how glorious she was, he was always watching, watching Nanae Mochizuki's almost self-abuse efforts, and feeling her painting skills improving again and again from the drawing cards she submitted.

"Not reconciled!"

Affirmation is beneficial, especially such serious and decisive words of affirmation, which are even more reassuring.

Suddenly, Mochizuki Nanae said this, and then started crying, and kept hitting Sato Yu's shoulders with her pink fists to vent her anger.

"Why is Sato so powerful and reliable? He can make me happy with just a few words. I won't accept it!"

Well, rather than venting anger, saying something like this is just like acting like a spoiled child.

In short, very cute!

Sato Yu did not fight back even when being beaten, he just smiled and spoke softly.

"There's still a lot of time, just take your time."

Mochizuki Nanae is challenging Sato Yuu, who has seized the entertainment assets of another world and is suppressing the entertainment industry of this world.

But there is no need to be impatient. Just take it slow and accumulate strength slowly. That day will come eventually.

"Then, you have to accompany me to make animations for the rest of my life, and you can only stop when I defeat you!"

Sato Yu smiled happily at Mochizuki Nanae's coquettish words, blew his bangs and said handsomely.

"Isn't this already agreed upon?"

Volume 170: Chapter Chapter . Give the Senior a Little Magical Girl Shock

"Nanae, what were you and Sato doing on the rooftop?"

There were tears in her eyes before she left, but when she came back, she was smiling with a cheerful look on her face. Her body was filled with pink bubbles, and her cheeks were half pink, giving her a "spring-like" look.

Naoko Yamada didn't believe that nothing happened between the two people on the rooftop.

She suddenly recalled the memorable romantic moments between her and her boyfriend when they were in love. Once her gossiping mind arose, she could not suppress it at all. After hesitating for a long time, Yamada Naoko pulled Mochizuki Nanae out of the room and whispered to her in the corridor in a voice that no one inside the room could hear.

"You didn't do anything?"

She shook her body, a little awkwardly, and said something that was not in her mind.

"It's nothing yet. Seeing you like this, confess the truth!"

"Well, anyway, Satou didn't let me participate in the drawing of Puella Magi Madoka Magica, not because he dislikes me."

"Uh...what else?"

"And...and, Sato praised me as a genius!"

"anything else?"

"Anything else? No more."

Very honestly, with a blink of her eyes, Mochizuki Nanae showed her frankness and innocence, which made Yamada Naoko very unhappy because she didn't hear anything she wanted to hear.

She slapped herself in the face, then bent her waist slightly and grasped the air with her hands to show the scratching in her heart, she said angrily:

"How could there be none? You don't mean that Sato Yuu just said these few words and then said nothing else, and did nothing else to coax you and make you happy, right?"

Her little Nanae Mochizuki, even if you are thin-skinned and even if you want to cover up what really happened, don't lie so absurdly.

With her eyes wide open, Yamada Naoko seemed to be saying this.

However, Mochizuki Nanae also widened her eyes and looked as if it was a matter of course.

"Isn't this enough?"

Such ethereal and light words, which allowed one to see the speaker's honest and pure heart at a glance, made Yamada Naoko's body tremble.

At this point, she was completely aware that Mochizuki Nanae was not lying, and so she was even more shocked at how easy it was to fool this girl.

However, if he didn't treat this girl as a girl in love, but instead treated her more as an anime character, a pure anime fanatic girl, he would be able to hear Kami, whom he admired and longed for, admit in person that he didn't dislike her, and he would also be able to hear her sincere praise.

seem......

"enough."

With a sigh, Yamada Naoko showed a look of complete admiration.

"?"

"I just feel that Nanae and Satou are so pure, and have such a pure love for animation... How many years have passed? I have forgotten this feeling.

As expected, being young is really good, in a different way, and not in the way that I thought when I was crazy before. "

"So, what are you talking about? I can't understand you from the beginning..."

Naoko Yamada looked at the rooftop coexistence of Sato Yu and Mochizuki Nanae from a filthy, sexual perspective between men and women, but the answer she got surprised her greatly.

The perspectives from which they viewed things were fundamentally and decisively different. Mochizuki Nanae naturally could not comprehend the meaning of her various "incomprehensible" words, and for a moment she raised doubts, and it was at this moment -

"Oh my god, this clown is dancing again!"

Inside the studio, an artist couldn't help but exclaim.

"Puella Magi Madoka Magica" is waiting for the national team of painters to come to produce it, and as for the production of "My Teen Romantic Comedy Is Wrong, As I Expected", since Nanae Mochizuki just got the script and has not had time to draw the storyboard for the first episode, work cannot start at all. Currently, Pandia's painters are in an absolutely wonderful casual working state.

You can still receive a fixed hourly wage just by being on the job, but there are no drawing cards to be made, so all people do at work is chat in groups, play online games on their computers, or surf the Internet.

Therefore, the artists can get the latest news about Pandia and Sato Yu's new works on the Internet at the first time, as well as the latest developments of many famous people.

And for some obvious reasons, although they don't like it, many people in the company still pay attention to Masashi Umezawa, the former national team painter and parachuted supervisor, who has always had deep conflicts with Sato Yucun, so much so that as soon as he tweeted, they exclaimed, "The clown is jumping again!"

[After two days, we still haven't achieved a breakthrough. It seems that we are not forced to board the ship like the people from Kyoto Animation. After all, we are not trapped in the fire and owe a life-saving grace.

By the way, the Kyoto Animation people have already returned to Kyoto, so I guess someone is not going to reveal his true colors. 】

It is the people of Kyoto Animation who are strong, not Sato Yu.

Even though the style of the "Fate/Zero" series is obviously different from that of Kyoto Animation's series, the poor people on the Internet who like to sing a different tune to show their uniqueness still hold this view and act as clowns everywhere.

Among them, Masashi Umezawa, who was unable to let go of his unnecessary self-esteem and thought that he was framed and forced to take the blame for everyone even when he was held accountable by the national team, believed that the failure of the national team's animation had nothing to do with him and was a staunch supporter of this view.

Perhaps after asking around, he found out that since Sato Yu publicly recruited SSRs, he has not been able to recruit even one national team painter. Thinking that Sato Yu's dream had finally come to nothing, Umezawa Masashi immediately tweeted to mock him and opened the champagne in advance.

It was indeed a rare amusement. After hearing the employee's shout, everyone immediately gathered around to look at the message displayed on the laptop in front of him, and then began to ridicule, discuss, or become truly worried.

After all, no matter how clownish Masashi Umezawa is, what he says is true.

In the past two days, I haven't received any news about any artist intending to join, but instead I saw news that several artist announced that they would serve as supervisors of new works.

Faced with this situation, no matter how much they believed in Sato Yu and the top-secret script that he had brought out and was said to sweep the three major awards and had not yet been revealed to them, everyone's hearts were still beating fast.

"It's so noisy, do you want to say something to them?"

Even if there are no cards to draw, they shouldn't be so casual. She frowned slightly and wanted to go up and ask them to stop making noise and go back to their workstations to work quietly, but it was not good to interfere. So Yamada Naoko asked the president Mochizuki Nanae about her intentions.

"Well, let me tell you..."

boom!

The loud sound of breaking the door made Mochizuki Nanae speechless. It was Sato Yu who pushed the door open with force, holding a landline wireless microphone in his hand, and his brows were filled with joy.

"coming!"

A call came in from a former national team painter asking about his new work!

"I want to see the script first."

Yukihei Kawase has produced several excellent mecha war series, participated in the production of the Gundam series of animations, and served as a single episode supervisor for "Gurren Lagann Toppa". He can be said to be one of the most skilled circus painters in the industry. He called to consult, and the requirement he put forward was this.

"Well, you need to sign a confidentiality agreement before you can watch it. When would it be convenient for you to come to the company?"

Leaving behind the company they had been cooperating with for a long time, and humbled themselves to produce animations under the guidance of a junior, the senior artists did so much and only wanted the three major awards.

Whether the animation has the potential to win the three major awards, what the level of the script is, and what the storyboard is like, the senior artists will eventually have to carefully understand it before deciding whether to join.

However, it is different from making animations in-house, where artists can get access to the script early and can see the entire episode storyboard before the drawing cards are distributed at the animation meeting.

Because they recruited artists from several different companies to produce the film, they were afraid that after reading the script, they would turn around and make a similar animation, or maliciously disclose the plot online and destroy the suspense of the animation. Therefore, Sato Yu needed people to sign a confidentiality agreement before providing a trial script.

"No problem. It's very close. I'll be at your company in half an hour. You can prepare something that will impress me."

"No problem at all."

He was obviously an open and straightforward person. He quickly agreed when he heard about the confidentiality agreement. This senior Kawase quickly confirmed a meeting time with Sato Yu.

However, that is inconsistent with his strong ability to take action. He is quite secretive in what he does, especially in his clothing. He wears a black windbreaker, an ink-stained baseball cap, and a mask. He wraps himself tightly with a bunch of stuff, and acts sneaky, fearing that others will know his identity. This senior Kawase came to the club in this way and met Sato Yu in this way.

It seems that this senior artist is still ashamed to let people know that he actually came to Sato Yu's company to consult about his new work.

Well, as old people, they always have to save their reputation. I can understand that. You have to understand that.

Pursing his lips to prevent himself from laughing out loud, he led the old senior to the meeting room.

Then, he took the confidentiality agreement handed to him by Sugino Miki, glanced at it, roughly confirmed the matters, and signed it readily. He then started to look at the storyboard prepared by Sato Yuu.

Although a confidentiality agreement was signed, and leaking the animation content would result in huge compensation and ruin for the actor, he still had to be on guard. So even though he had already completed the storyboards for seven episodes thanks to the system's replica hack, at this preview session, Sato Yuuya only showed the storyboards for the first three episodes.

But that's enough.

"This kind of storyboard is very much like Akiyuki Shinbo's style, especially the way the characters are placed in the center of the empty scene, and the way the long shots are handled. Oh, even the signature 45-degree turn is there. If I hadn't confirmed that he hadn't supervised the development of new works in recent years, I would have really thought this was his storyboard.

Sato, do you admire him? You really imitated him."

Not only does it look like him, it's simply a copy of his storyboard.

Sato You couldn't say such words and could only nod a little awkwardly. Now he looked humble like a young man facing an old senior.

Satisfied with this, Yukihei Kawase continued to watch the sequel.

After one episode, from the initial novelty of seeing the storyboards that were very similar to the style of Akiyuki Shinbo, Kawase Yukihei's expression gradually became impatient, and even showed a bit of contempt.

A story about a magical girl, with the innocent and kindhearted pink warrior as the heroine, the willful blue warrior as her best friend, the mature yellow warrior as the older sister, and the early villain who is almost a standard character in the team series, the black warrior who is whitewashed and joins the team in the middle, and it is estimated that there will be a green warrior or other colored warriors who will join the team midway in the future.

In short, the plot arrangement can be described as smooth, and the storyboards are imaginative and creative, but after watching two episodes, that's all.

Such a stereotyped project with a predictable plot may be considered a good or excellent work, but it will definitely not become a phenomenal work, let alone sweep the three major awards.

That's all?

Looking up at Sato Yu who still had a smile on his face, Kawase Yukihei raised his eyebrows and moved his lips, but in the end he didn't ask any questions.

"Fate/Zero", I particularly like this anime. I have been following every episode since the sixth episode, and have watched it over and over again. In the end, I even liked this anime so much that I felt disgusted with "DARLING in the FRANXX", which I was producing at the same time. Every time I picked up a pen, I would complain in my heart about what a crappy thing I was drawing.

With this anime lingering in his mind, Yukihei Kawase always can't help but question the "mediocrity" of the anime storyboards he watches nowadays.

Aren't the first few episodes of "Fate/Zero" criticized for being too slow and full of setting explanations? But the later plot is so ups and downs and exciting.

Now this anime is probably the same.