How can I let go of the matter of saving my stepsister?

But what if it really was? What if the two of them really had that kind of relationship for a long time, and they were just acting for her on weekdays, enjoying the wonderful fun of having an affair without being discovered...

"Needless to say..."

The more she thought about it, the more scared she became. The more frightened she became, Mochizuki Nanae quickly waved her hand to signal Sugino Miki not to tell the truth.

If you are already dating, don't tell her! Even if she continues to be a part of your special play, it doesn't matter. At least let her lie to herself a little more, and feel more at ease. She can make animations with Sato Yu for the rest of her life without any grudges!

It’s all Hiromi Hamanishi’s fault. Why would anyone gossip about such things for no reason?

His mind was completely confused. He was just thinking about becoming sworn brothers with Hamanishi Hiromi and building an alliance, but in the blink of an eye, Mochizuki Nanae changed her mind and he started complaining about Hamanishi Hiromi in his heart.

In the blink of an eye, when Mochizuki Nanae said that there was no need to tell the truth, Sugino Miki had already turned her face away slightly in embarrassment, with a blush on her face, and answered honestly that there was nothing.

"No, I thought Satou and Mochizuki were... so nice... Well, everyone is only thinking about making animations, which is really great."

"I've already applauded... No, no, that's great."

After being startled for a moment, Mochizuki Nanae couldn't help but breathe a sigh of relief after realizing it was a false alarm.

Phew, it seems that these two sisters are equally pure and upright. They made a gentleman-daughter agreement and said they would not run away secretly, and they really did not run away. This is really noble and spicy!

"Huh? No?"

Still feeling surprised and not giving up, Hiromi Hamanishi asked again.

"No, I'm not dating Sato, and I didn't say clapping... clapping."

"So you mean they kissed?"

A casual question turned out to reveal a "shocking secret", and Hiromi Hamanishi immediately caught the unusual part in Sugino Miki's reply. She immediately exposed the little lie that Sugino Miki had told, while the simple-minded Nanae Mochizuki was still making excuses for the lowly girl who ran away.

"How is this possible? Miki wouldn't be that mean... Wait, Miki, what's that expression on your face? Are you and Sato..."

"No, there really was no relationship."

"We never talk about kissing," Hiromi Hamanishi continued to add fuel to the fire.

"Miki, tell me the truth! Did you do it? We clearly agreed..."

"It was before that, when Sato fell asleep in the lounge while working on his manuscript... Nanae, please don't hit me. Oh, really, it was only that one time, and we only kissed once..."

"You didn't say anything, so it must have been more than once, it must have been several times, you, you..."

It turns out that the succubus face of Sato Yu, whom he cherished like a treasure and kissed countless times in his dreams, had already been eaten up and nibbled on repeatedly by the hateful lowly woman!

Her mentality was completely lost. After a round of questioning, she found that Sugino Miki had kissed her more than once, so she completely exploded. She punched the soft cotton-like body of the other person that she would never be able to possess in her life. Mochizuki Nanae chased after the fleeing Sugino Miki, leaving Hamanishi Hiromi alone with question marks in her mind.

"That's weird. Neither Mochizuki nor Sugino are here. Could it be that Sato Yu is still hooking up with another woman?"

I really don't believe that any man can resist the temptation of the beauty of Mochizuki Nanae and Sugino Miki. I can only consider that Sato Yu is an extremely good man, and he will not flirt with other women if he has someone he loves.

But on second thought, Hiromi Hamanishi shook her head.

Having been drawing in the company, she is well aware of Sato Yu's self-abuse intensity in drawing. She also knows that the private life of Sato Yu, a crazy painter who only cares about sleeping when he gets home, must be so monotonous that there is no room for other women.

Frowning, Hamanishi Hiromi continued to think.

"Well......"

Ashamed of themselves for Mochizuki Nanae and Sugino Miki, the women in the company consciously kept a certain distance from Sato Yuu, the man they were both attracted to. Apart from them, the only woman who had a lot of contact with Sato Yuu was...

"Sister-chan? How is that possible? Even if you are a sister-con, you can't really push a real sister."

Hiromi Hamanishi shook her head and sneered at the guess that flashed through her mind but was actually close to the truth, and then she directly denied the idea that Sato Yu actually had someone in his heart.

Then change your thinking, what else is possible that could prevent Sato Yu from taking advantage of Mochizuki Nanae and Sugino Miki who came to him eagerly?

Hiromi Hamanishi pondered over this question for a long time. Suddenly, she clapped her hands, her eyes bright, and she looked as if she had suddenly realized something.

"I got it!"

She exclaimed!

"Sato Yu, that guy is a Nantong!"

................

ps: 7 words have been updated today, and there is still progress to 12/!

Volume 192: Chapter Chapter . Competing in meanness?

"Will this press conference be held on the company's official account?"

"Well, we'll do it in a couple of days after the disc sales statistics are released and we get that key data."

It was six o'clock, and on the way home from get off work, Yamada Naoko and Sato You were chatting while walking down the stairs.

Another animation has been completed and has achieved such great results. Sato Yu, the creator of the myth, should show up once to expand his influence. This is a good opportunity for him to increase his own fame, and it is also what he should do to recruit more outstanding painters for the theatrical animation.

Generally speaking, the production requirements for animated films are much higher than those for TV animations. According to previous statistics, the money spent per minute is about five times that of TV animations, and the working hours are correspondingly longer.

It takes one to two years to carefully polish an animated film, and most of the time spent on successful theatrical animations that gain good reputation in the industry is this amount of time.

For an animated film like the one that will be produced next, which needs to support the plot with extremely fine and gorgeous images and bring the most shocking audio-visual experience to the audience, it is not excessive to spend three years to carefully polish it.

But Sato Yu doesn't have the time. The fame value mission has a time limit, and now he only has ten months left!

In other words, before April of next year, he must make his fame value reach 500 million, or even exceed 500 million!

And now, after "Fate/Zero", another "Puella Magi Madoka Magica" is produced. At the age of 22, he served as the director and produced two phenomenal works in succession, creating a myth in the industry. In addition, after the third stage, the fame value absorbed went beyond Japan and connected to the world. He was able to absorb fame value from audiences around the world. Now, Sato Yu's fame value has reached an extremely incredible level.

Two hundred and eighty-nine million, six hundred and ninety thousand.

With nearly 290 million fame points, should Yuu Sato be the most well-known animation director whose popularity is second only to Hayao Miyazaki? It should be like this.

At his age, this is undoubtedly an honor, but it is far from enough.

There is still a deficit of more than 200 million, which he must make up within ten months.

This is not a long time to produce an animated film. If we deduct the time lost between the completion of the animation, its screening, word-of-mouth fermentation and conversion into fame, the actual time available for animation production is less than nine months.

"Well... I have an unwelcome request. Regarding the movie, can you talk to Kyoto Animation and borrow some manpower temporarily?"

Desperate circumstances call for desperate measures. In order to complete an animated film in nine months that would shock the audience, immerse them in the beautiful images and help him gain a fame value of 200 million, Sato Yusi thought about it and finally decided to use the human wave tactic.

The head office will select a group of people, including those from the national team of senior painters, even those who are not good at daily life painting. Then, we will use their fame to bring in a group from the metropolitan area, and then bring in a dozen or twenty people from Kyoto Animation from the Kyoto area.

The first part is easy to handle, Sato Yu can do it himself, but as for pulling in the Kyo Ani people, it would be better if Yamada Naoko came forward.

"I've already asked about it. The production of the Violet Evergarden movie has been restarted. The production of the Fate/Stay Night animation you gave me has been put on the agenda. Mr. Kigami is also very busy and can't spare any manpower.

So, nine months, do we have to rush it like this?"

"The main purpose is to catch up with the selection of the three major awards."

Naoko Yamada has read the script of the animated film and liked it very much, but in terms of drawing, an animator like her who has strict pursuit of animation quality prefers to take her time and do a fine job.

[Not to mention two years, it should take at least one to one and a half years to polish it carefully before presenting it to the audience.]

This was what she said to refute Sato Yu at the project meeting, and she still holds the same view at this moment.

She was right, but Sato Yu had her own difficulties.

Secrets cannot be told. In the end, in order to stick to his insistence on completing the painting within nine months, Sato Yu chose to once again use the three major awards to endorse it.

All are held annually. The three major awards, the Kobe Animation Award, the Tokyo Animation Award, and the Japan Agency for Cultural Affairs Media Arts Festival, are all awarded in mid-to-late April each year (Note: the Kobe Animation Award is awarded in mid-October, and the other two are usually awarded in mid-to-late March, so changes have been made here).

In terms of selection content, as long as the animation is broadcast before the review period, it will be included in the review scope (in fact, it is not), while in terms of details, animation and animated films are on separate tracks.

That is to say, if two TV animations are produced in one year, no matter how outstanding the quality and reputation of the two animations are, no matter how popular they are with fans, and no matter how culturally profound they are, in the end only one of them can win the same award.

But if an animation and an animated film are produced like this, because the tracks are separate, they may win awards at the same time.

In other words, the three major awards plus the three major awards...

"Six major rewards?"

The steps down the stairs could not help but pause, and he pulled Sato Yu to the corner and stood there. He paced back and forth twice, raised his eyebrows, and said in surprise to Yamada Naoko.

"It's not good for young people to chase after fame and fortune like this."

"But, it's the six major awards."

"Puella Magi Madoka Magica should have no rivals. Although there has never been a TV animation that can win all three awards at the same time, I think it is possible this time. It is indeed possible. But as for the animated film..."

“It’s a good script, isn’t it?”

Ignore the previous warning. The fact that she could suddenly stop and pull him here to talk showed her intention. Interrupting Yamada Naoko's words, Sato Yu gave her more confidence.

"That's true, but I have to paint to keep myself going. Nine months is still..."

"That's why we need to rely on your connections to attract some of Kyoto Animation's core artists to come over and help, and then coordinate the post-production of the film other than painting, which Pandia currently does not have the skills to do."

"You should know that the more people there are in an animation, the better. Your fame alone can help you recruit many experienced artists. Add in the people from Pandia and Kyoto Animation, and you'll probably have more than a hundred artists working together on the animation. As for the location issue...

Tsk, Nanahui will do whatever you want, and she might even buy a studio for you to use, but how can we coordinate? Each artist has a different style, and the original paintings they produce will probably be quite different, so it's not feasible."

"I will be in charge of this aspect. I will be responsible for supervising all the art cards. I will go through all the original paintings. If I find any that I am not satisfied with, I will redraw and correct them. This way, the quality can be fully guaranteed."

One person can form an army.

The project duration, which should have taken two years, was shortened to nine months. Not only was he responsible for drawing the most critical part of the animated film, he was also responsible for supervising all the drawing cards, completely resolving the internal production problems caused by poor coordination due to too many people.

I'm afraid the only one who can say this is Sato Yu, and I'm afraid the only one who can do this is Sato Yu.

After taking a deep breath, Naoko Yamada fell silent.

"Can......"

“Puella Magi Madoka Magica is the most outstanding work. I may never be able to make a TV animation that can compare with it in my lifetime, and the animated film I am about to make is probably the only pinnacle work.

The three major animation awards and the three major animation film awards, now the opportunity is right in front of me, I must consider whether this will be my only chance in this life, I must bet everything and create glory in one go! "

But you are still so young...

Yamada Naoko wanted to say this, but in the end she couldn't.

If we talk about becoming famous at a young age, isn't she no exception?

She is even more talented and gifted than Nanae Mochizuki. She became an animation director at the age of 25, and reached the peak of her career as soon as she debuted. She produced "K-ON!", which created the era of moe and was hailed as the "source of a strong country". Later, the second season won the Kobe Animation Award, one of the three major awards, and the theatrical version also won several major awards.

Not only is its artistic influence so impressive, but its commercial performance is also remarkable, with sales of 58,000, second only to "The Melancholy of Haruhi Suzumiya", which had dominated the charts before "Fate/Zero".

The most anticipated newcomer and the animation director with the brightest future.

Before Sato Yu, those were the titles held by Yamada Naoko.

At that time, she also believed that she would create better animation in the future that would surpass the achievements of "K-ON!"

But in reality, inspiration often flashes by in a flash. In this world where her behavioral trajectory has been changed and she has not yet produced the animated film "A Silent Voice", after the flash of inspiration for "K-ON!", she has never caught a more dazzling inspiration again.

Otherwise, she wouldn't be staying in Tokyo, in Pandia...

"Heh... Indeed, you should cherish it. Nine months is nine months. Do your best to burn yourself out. I will do my best to lobby for you at Kyoto Animation!"

You have tried countless times, but in reality, opportunities only appear once or twice.

Finally, she was persuaded, and with the six major prizes in mind, Yamada Naoko made a promise to Sato Yu.

At this time, they also saw the beautifully dressed and shy woman in the hall who had been stealing glances at them. Aunt Yamada Naoko smiled like an aunt again, patted Sato Yu on the shoulder, and pushed him downstairs.

"Now, before you burn for animation, you should burn your youth first!"

"Eh?"

Surprised at Yamada Naoko's sudden action, and also at her inexplicable words and the deep meaning in her smiling eyes, Sato You touched her head in confusion as she watched Yamada Naoko leave her and quickly go downstairs.

Then he heard it.

"Sato, um, are you free tonight?"

Mochizuki Nanae, who knew how long she had been waiting in the hall, shyly and timidly, walked to Sato Yu's side and made a direct invitation to him.

Although they had agreed to wait until their sister recovered from her illness before talking about love, and although they had intended to wait, they were really distracted by the gossipy woman Hiromi Hamanishi yesterday. Although they had vigorously whipped the two hateful "useless female fat" of Sugino Miki who had escaped, when they returned home, Mochizuki Nanae became more and more angry the more she thought about it!

Why can't she have that kind of fat...

Bah, that’s not what I’m angry about!

She was annoyed by Sugino Miki, who had actually kissed Sato Yu before her, and during the interrogation, she could clearly detect the fact that they kissed more than once.

This was somewhat of a reminder to her. She could wait for Sato You to come to her senses, but she was afraid that Sato You could not wait for her.

He is so outstanding, so handsome and so eye-catching, but this time he was kissed on the cheek by Miki Sugino. Next time, he might be stolen by the despicable Miki Sugino or someone even more despicable than her!

Rather than that, she might as well be mean, so she can just go first…