How can I let go of the matter of saving my stepsister?

This had happened a few times in the past, because the neighbor aunt had always felt sorry for Qiong and the brother and sister, and had helped them a lot since they moved in. In return for their kindness, Sato You would always agree enthusiastically.

But today...

"Go ahead, the neighbor auntie has something urgent to ask you, just do it."

"Then Mochizuki will supervise you..."

"I'm not in a hurry to leave. I finally mustered up the courage... After all, I'm on my way here, so I have to try my best to convince you. I really want to see your superb painting skills... I'll wait for you at home."

"Okay, the pub is not far away, I'll be back soon. There are some old comics saved in the cabinet, you can read them to kill time."

The unexpected request for help came at the wrong time, but also seemed to be just the right time. The awkward and cold atmosphere between the two was mostly broken by this sudden incident. After a few words, Sato Yu put on his shoes, changed his clothes and went out, leaving Mochizuki Nanae alone in the room.

"Ouch, am I disturbing you?"

"No no."

"From the sound of her voice, it's a young girl. That's great. Sato, you've reached this age now. You look good, and the girl in your family must be pretty too. Have you already..."

The soundproofing was poor, and one could still hear some of the gossip of the aunties outside. She was teased and speculated about, but she could be alone without worrying about being seen by anyone. The blush on Mochizuki Nanae's cheeks spread, and she looked extremely beautiful for a moment.

She stood up and explored the bookcase to dispel the distracting thoughts that shouldn't have appeared in her heart after hearing those words. She pushed open the glass window, and old comics such as Doraemon, Dragon Ball, and Ulysses Sakurai came into her sight.

They are all marks of an era. Could these be left behind by Sato Yu's father?

Mochizuki Nanae thought about it, but did not take it off.

These comics were her enlightenment to painting in her childhood, but she had already read them and remembered the general plot in her mind, so she could not read them with full concentration, so she had to find something else to read.

Pressing her hand on the spine of the book and flipping through it from left to right and from top to bottom, Mochizuki Nanae suddenly paused and her eyes became stern.

At the bottom of the bookcase, besides the comics, a blue sketchbook attracted all her attention.

Volume 80: Chapter , Chapter . A little reversal and shock for the innocent supervisor!

There is a thick stack of sticky notes of various colors in the sketchpad, and it is obvious that it has been used recently.

Interested, Mochizuki Nanae opened it and the first picture she saw was a full-body picture of a short-haired beauty who was dressed casually in a vest and jeans, with short hair, a bit of heroic spirit, and many cute movements of flipping her hair. Next to it were close-ups of her face and several side pictures with different movements.

After producing animation for many years, Mochizuki Nanae suddenly realized that this was a character design picture.

What's in this sketchbook is... rough. She flipped through the drawings from beginning to end and soon confirmed that it was just as she thought. This was indeed the animation storyboard, the new animation that Sato Yu wanted to produce and supervise!

"So much? Character design drawings, architectural designs, character relationship analysis, and storyboards. Has a whole episode been completed?"

Flipping through the pages quickly, Mochizuki Nanae spoke in surprise.

During the production of "Mei Fei Mei" because the original drawings had to be done by one person, it was completely impossible for Sato Yu to spare the time to do the character design, story design, and storyboard for the new animation. That is to say, in the more than half a month after the completion, he had already made so much preparation for the production of the new animation.

Even if I draw faster, I can still create so many things while accompanying my sister during the day and running around to negotiate with animation companies.

This one episode storyboard plus twenty pages of comics...

Huh~, Sato Yu has never taken a break for himself.

"This guy really tries his best to make his sister happy."

The spicy taste of Taiyaki was still in her mouth, but her breath was sour. Mochizuki Nanae muttered and complained, but the look in her eyes suddenly softened a little.

After working together for a few months, she has gotten to know Sato Yu very well. She can seem to imagine this silly guy running around for his sister and working hard. Although he is not working hard for her, he always makes people feel that he is handsome.

"He said you can watch it at will."

Apart from comics, storyboards can be considered Sato Yu's personal and private property. It is not a good idea to look through them, but she was really itchy and curious, so she did something wrong. Mochizuki Nanae muttered and found an excuse for herself.

Afterwards, she returned to the kotatsu, stretched her legs and found a comfortable position. Mochizuki Nanae spread out the drawing and read it carefully.

As for the character drawings, they have been colored with colored pencils, but they are not completely finished. Many of the annotations that should be included in the character drawings are not complete. Mochizuki Nanae cannot distinguish the main and supporting characters at once and can only feel them herself.

"The female characters are all very pretty. The sisters are all beauties, and the purple-haired senior is also very charming. But for the males, except for this blond otaku, aren't the others too rough?"

Flipping through the book carefully, Nanae Mochizuki, who has many years of experience in character design, rested her chin on her hand and commented in a low voice.

Sato Yu's painting skills are unquestionable. As for the original character designs, the several female characters are designed to be quite beautiful, and their personalities can be seen from their appearance, which can be regarded as a very successful character design.

But for some reason, the male characters are not so detailed, except for the muscular male supporting role. Obviously, the first and second male roles are handsome, but they are somewhat rough and realistic. They are handsome, but just...

How should I put it? In short, it’s just not 2D enough!

Yes, it’s not two-dimensional enough, which makes people feel a little strange.

After the character setting, the story outline is missing. After skipping some buildings and equipment settings that show some kung fu, Mochizuki Nanae officially started to look at the storyboards for the first episode.

"Come to think of it, this story doesn't seem to have a name or introduction yet. Doesn't it mean that people have to read the storyboards before they can know what the story is about?"

Pretending to complain, Mochizuki Nanae found a suitable reason for her "voyeurism".

Just like the final episode of Drawing a Sister Is Not a Sister, Sato Yu was able to draw a storyboard with a high degree of completion, detailed expressions of the characters, and a clear storyline without adding too many instructions. This greatly reduced the difficulty for Mochizuki Nanae to watch the show and made her more immersed in it.

The story begins with a blue sea and beautiful images of people swimming around, giving people a refreshing feeling. The camera then stretches and turns to the van to really start the story. It is a relatively conventional and clichéd opening.

Then there is a scene where the male protagonist is leaning on the car window and looking out of the window sadly. The name should not be set well. The uncle next to him sighs that ten years have passed. It is obvious that a person's name should be added in the middle, but it is currently replaced by **.

But for some reason, the crucial name was not included, but "twenty years old" was specially marked in red font.

Haha~ Mochizuki Nanae laughed out loud.

He is so obsessed that it seems like this guy is still upset about the fact that everyone has banned him from drinking several times because he is not even 20 years old.

No matter how persistent, reliable, and mature Sato is because of his sickly sister, he is still a child after all.

Thinking about it this way, even Sato Yu's previous offense against her over the selection of supervisors seemed cute.

She was just a 19-year-old girl, no matter how good she was at painting, what did she know? As a mature and beautiful elder sister, she should be more generous and tolerant of her.

Without realizing that she was pua herself, Mochizuki Nanae continued to read.

The uncle was driving the car while stroking the male protagonist's head with his hand. At this time, there were red words on the side of the male protagonist's cheek - blushing, shy.

"?"

The male protagonist, who exuded a melancholy temperament in the previous shot, blushed when the uncle touched his head. Was he shy?

What is this development? What is the consideration? You are blushing like a bubble teapot!

Not realizing that this was intentional on Sato Yu's part, and intuitively feeling that the protagonist's character was a little strange, Mochizuki Nanae frowned and quickly flipped through the next few pictures.

Next, the hero went to college and stayed at a relative's house. He took a brief tour of the interior and then stood on the beach to look at the scenery. At this time, a strong wind blew. When he opened his eyes again after the wind passed, he saw the young and beautiful heroine in a white bikini.

The two looked at each other, then moved away, completing their first meeting.

"What a great development! Is this another love story?"

Thinking of the previous comics which were also about the young love story of the male and female protagonists, and the fact that the setting was very similar to that in this animation storyboard, Nanae Mochizuki shook her head and complained in amusement.

"I am so slow, but I still like to draw these. It's really..."

"idiot."

With a ruddy face, the JK supervisor cursed in a very girlish voice.

However, the fact that he draws two romance works in a row shows that Satou really has a great admiration for love.

That’s right. After all, he is an energetic 19-year-old boy. All he thinks about and recites in his heart are these sweet and sour hymns of youth.

It's a good thing to have thoughts.

Looking at the lines that reveal the male protagonist's anticipation for his future college life and new encounters, Mochizuki Nanae smiled knowingly, thinking that Sato Yu might be the same.

Feeling relieved, even though the story was still not that interesting, she was still full of anticipation and turned the pages again.

"Eh?"

“Ehhhhhhhh!?”

Just like when she found out there was no sequel to the comics before, Nanae Mochizuki screamed in surprise, but this time it was not because she could not see the sequel, the storyboards had only been flipped a few times, what really made her scream was...

Thinking that her eyes were blurry, Mochizuki Nanae dully flipped back to the previous frame, which was clean and refreshing, full of youth. Then she flipped to the next frame, which was a scene of hell, with wine and women.

"What's this?"

Facing the philosophical naked male voice scene clearly exposed in the field of vision, watching the abstract Kaihu of the youth romance anime, just like the male protagonist in the storyboard, his face was full of steam, his head tilted, and Mochizuki Nanae completely broke down.

Volume 81: Chapter Chapter . Not just interesting

The previous one and the next one.

The previous one and the next one.

After flipping through the album several times, Mochizuki Nanae closed it, took a deep breath, and then opened it again.

Naked man, still naked man!

A slap hit her face, and Mochizuki Nanae had a question mark over her head.

Is this really the same animation storyboard?

Sato Yu must be joking. He just drew this picture on a whim. He will definitely not draw the same picture again in the future.

Well, definitely not!

Seeing the mark "Insert OP at this moment" at the end of the page, Mochizuki Nanae turned to the next page, and sure enough, after the OP, she returned to the moment when the male protagonist opened the door of the diving shop.

Then, it was all about wine and meat again!

Oh, NO! Mochizuki Nanae's posture at this time is exactly the same as the male protagonist in the storyboard, kneeling on the ground with a look of pain on her face.

"What on earth is this doing?"

The reversal came too drastic and too unexpected. Mochizuki Nanae really couldn't understand what Sato Yu was doing at this moment. She adjusted her sitting position again. Helplessly, she could only drink the oolong tea that Sato Yu had poured for her before to ease her mood.

But in the end, nothing could ease my mood.

Does Sato Yuu really think he is humorous for inserting such cliché scenes and jokes into a romance anime?

While complaining in my heart, I was looking forward to what kind of funny twists and turns would happen later... I was looking forward to the plot getting back on track as soon as possible, and Mochizuki Nanae continued to flip forward.

Shocked by the scene, the male protagonist rushed forward to the uncle at the counter and asked:

"How could it be so strange!"

"Well, people often say that this apron (pink) doesn't look good on me."

"That's not it!"

"You don't mean clothes?"

"I mean the clothes!"

Yelling and yelling, the male protagonist pointed at the yellow-haired senior who had taken off his clothes in broad daylight, leaving only a pair of boxer briefs on his body, and then -

“It’s exposed!!!”×2

Like the male protagonist in the storyboard, Nanae Mochizuki in reality also screamed in fear.

At the moment when the gaze shifted over, the yellow-haired senior sighed and took off his boxer briefs, and a mosaic black ball suddenly appeared in the screen.

"Vulgar! Despicable! Disgusting!"

One after another, the innocent JK supervisor with a red face cursed angrily.

Apart from painting, Sato Yu's ability to write stories is indeed poor. The plots he wrote are even more vulgar, with confusing logic and are obscene and disgusting. Angrily, Mochizuki Nanae made a judgment on Sato Yu's screenwriting ability in her heart.

Logically speaking, there was no need to read on at this point. If she continued reading, her eyes would only be polluted by the obscene jokes that filled the entire article, just like the black ball mosaic that had just made her eyes go dark.

But, with a red face and cursing in her heart, Mochizuki Nanae still turned to the next page, and there was even a hint of inexplicable...expectation in her eyes?

"Wow, this facial expression..."

Watching the male protagonist in the storyboard unable to bear it and pushing open the door of the store and running for his life, and then seeing the two seniors with weird and distorted expressions on their faces as if a giant was attacking and laughing wildly and saying "A good opportunity to recruit new people", Mochizuki Nanae raised the corners of her mouth again.

She was a little...she didn't want to laugh!

"puff!"

Seriously speaking, when the male protagonist ran out of the store, this part of the plot should have ended, and there should have been no sequel. It was time to shift the perspective, start a new encounter, unfold the plot encounter, and unlock many new characters.

But there have been so many reversals before, and Sato Yu obviously won't play by the rules. Just when the male protagonist ran a long way and was gasping for breath, thinking that he could temporarily get rid of the "pool of wine and forest of meat" that polluted his vision and spirit, a loud shout came from behind.

Then, when he turned around, he saw two giant seniors catching up with him and their two black balls that attracted him so much!

Yes, when they chased out, the two seniors were still naked, and they were chasing the male protagonist naked in broad daylight!

What followed was a chase, during which the male protagonist and his seniors talked about all kinds of outrageous topics that normal people would not discuss.