How can I let go of the matter of saving my stepsister?

Feeling sorry for Sato Yuu and sympathizing with his situation, Mochizuki Nanae sighed softly.

"Yeah, that kick was really hard. I think my butt is bruised."

"Then I'll help you massage it... Just kidding, you should go find a doctor yourself."

She continued the conversation right after the topic was raised. Mochizuki Nanae spoke out of turn for a moment, but fortunately she quickly reacted and stopped talking.

Looking at Sato Yu's expression, it seems that he is still struggling with what happened today and how to supervise the production of animation in the future. He doesn't care about her slip of the tongue at all. Mochizuki Nanae drooped her eyebrows and pouted her lips, showing a bit of helplessness.

At present, Sato Yu had only told Mochizuki Nanae that he was going to run away, and he only learned about Sato Yu's injury when Mochizuki Nanae called him in the evening.

So now, she is the only one who is accompanying and taking care of the 20-year-old talented painter who has just reached adulthood and is lying limp on the bed, suffering a double blow to his body and mind, and allowing others to do whatever they want.

If it were Sugino Miki, she would definitely be happy to take off Sato Yu's pants and then fuck her hard... Well, she is not the kind of nympho who would rape a 20-year-old boy. Mochizuki Nanae is too thin-skinned to do such a thing.

But not being able to do it doesn't mean not wanting to. In the end, she couldn't help it. Mochizuki Nanae poked his butt in a possessed state. When Sato Yu turned around and glared at her in pain, she quickly changed the subject.

"By the way, can you show me the design draft for the new work you brought over?"

It's just some of the setting draft and some storyboards for the fighting scenes. Nanae Mochizuki can watch it if she wants.

Upon hearing this, Sato Yu immediately pointed out the location of the draft.

"Okay."

With a cheer, she jumped over with shining eyes to retrieve the draft, then sat on the edge of Sato Yu's bed, crossing her beautiful legs in black stockings, and Mochizuki Nanae watched with great interest.

As she watched, she marveled in amazement.

"A war between seven Masters and seven Servants for the universal wish-granting machine, the Holy Grail? I understand the wish-granting machine, but the Servants... oh, summoning the heroic spirits of each era who have accomplished great deeds to the present day, this setting is so cool, so novel!

Saber, Lancer, Archer...seven classes, magic, sorcery, Command Seals. This is just a rough draft, but is the setting already so strict?

Is Saber King Arthur, the hero who pulled the sword from the lake in England? Wait, a woman? King Arthur is a woman? She is petite, blonde, and beautiful, but her eyes are sharp and heroic, but when you think of her background, you will feel a strong contrast.

Hiss~ This character design is so good, the audience will like it at first sight. And then the cavalry Rider is the conqueror Alexander? A rough and tough guy......"

She was so engrossed in watching the film that perhaps Mochizuki Nanae herself did not realize that she was muttering and exclaiming constantly. In the ten minutes or so she spent watching the setting draft, she probably spoke as much as she would in a whole day.

There is no other reason, it's just that Type-Moon's worldview is too outstanding and the settings are too interesting. Although "Fate/Zero" only shows the tip of the iceberg of its mysterious realm, its novelty and appeal are enough to beat most of the works in this backward world of the entertainment industry.

You know, in the previous life, the Type-Moon IP was at its peak, with an absolute number of fans in an era when various derivative novels and derivative animations were released one after another. The game FGO built with its world view as the background frequently topped the Neon krypton gold list for several years, and it remained strong until Sato Yu came to this world. It can be said to be an absolute top IP.

It is a king bomb in itself, and in this world, it is the bomb among bombs.

Among the many derivative works based on the Type-Moon world view, "Fate/Zero" written by Gen Urobuchi is also one of the most outstanding ones.

The plot is logically tight and full of highlights. The choreography of several battles and the literary scenes such as the Three Kings' Banquet, Rider's exit, and Kiritsugu's train problem are all top-notch. Even after a long time, people can still remember them clearly, and feel excited or sigh with regret.

An absolutely top-notch work, a monument that must be admired when talking about fantasy battle animations!

Sato Yu sighed like this more than once while recalling the plots of the previous animation and re-arranging the story.

How could Mochizuki Nanae resist such a work?

"I really want to do..."

With her head buried in the draft, she sniffed hysterically, and when she raised her head her face was flushed. Mochizuki Nanae, the JK president murmured in a daze, and some words slipped out, which made people think of wild things.

Volume 117: Chapter Chapter . Counterattack!

I really want to do it!

Mochizuki Nanae's words frightened Sato Yu.

Fortunately, there were only two of them in the room, otherwise if someone who didn't know the inside story saw Mochizuki Nanae, who usually kept a stern face to appear dignified, with such a flushed face and muttering some suggestive words, they would definitely misunderstand and think that Sato Yu had drugged her.

Ha~ For Nanae Mochizuki, excellent animation may be the drug that she cannot resist.

"I want to do it so badly! Sato, let's do it! Let's do it together!!!"

She pressed the draft on the bed with a snap, turned her body, and leaned over to the lying Sato Yu with the extraordinary aura of "Let's Be School Idols Together". She held his hands with both hands and spoke earnestly. Her pretty face that made thousands of people's hearts beat was pressed in front of Sato Yu in an instant.

The heavy breathing hit his face, and for a moment, Sato Yu thought he was facing Sugino Miki and that he was going to be raped by her.

but......

I glanced down casually, and there were no majestic mountains there, only the vast grassland, which is also a 5A-level scenic spot.

Sato You laughed, and the happiness in his heart disappeared in an instant.

He dodged backwards and took out a hand to press Mochizuki Nanae's shoulder to push her away. Sato smiled and said:

"Mochizuki, calm down!"

"Ugh... Sorry, I'm just too excited."

I realized only later how inappropriate my words and actions were.

Her face flushed, and she held the design draft in her hands again, covering her face with it, and then whispered again -

"But I really want to do it."

But this is not possible.

Sighing in his heart, Sato Yu turned his face away slightly so as not to see Mochizuki Nanae's pitiful expression of loss and disappointment.

"The fighting scenes are too demanding, and Pandia can't deliver perfect animation effects."

"Yeah, such an interesting animation cannot be ruined."

Always facing the reality, after Sato Yu refused, Mochizuki Nanae also withdrew from her previous excitement, looked at the draft in her hand with melancholy and let out a long sigh.

"This is a really good work. If the people at MADhouse, if Umezawa-senpai, could carefully read the design draft you brought, listen to you carefully, test you, and take your talents seriously, then maybe they would really approve you to be the director."

The setting foundation of "Fate/Zero" is so good, and the dozen or so battle storyboards drawn by Sato Yu are also extremely brilliant, showing the style of a master.

Nanae Mochizuki really wants to produce such a work. She even says that if she herself were not the president of Pandia and had to take the lead in the next work after Sato Yu left, she really wants to leave with Sato Yu just to make this inevitable wonderful animation.

I didn't even see the specific story, but I was already so excited just by seeing the settings and some storyboards.

Having worked with Sato Yuu on animations since "Sister, Sister, Sister" until now, Nanae Mochizuki has been completely impressed by his extraordinary talent.

"Hey, who says it's not?"

Sato You was mentally prepared for the rejection, but being kicked out in such an embarrassing way, no matter how good-tempered Sato You was, he would feel a little resentful.

He agreed, depressed.

But things have come to this, and Sato Yu is not going to pursue the matter any further. If things don't work out with MADhouse, then he will just try his luck with other companies.

There are still a few animation companies that are capable of producing "Fate/Zero". He visited them one by one. It's not that...

Ding dong.

While chatting, his cell phone rang. He opened it and saw a message from his die-hard fan, the up-loader Kota Totani.

[Kami Sato, the industry big shot Masashi Umezawa suddenly sent a tweet. I felt that he was insulting and mocking you by name. Did a conflict occur? Or was there a misunderstanding?]

As an anime chat zone upmaster who spends most of the day surfing the Internet and follows many animation directors and painters' accounts on various platforms to collect information, Totani Kota is much more informed than Sato Yu.

Just a few minutes ago, fans reminded him that Masashi Umezawa had posted a tweet with sarcastic words directed at Sato Yu, so he immediately forwarded the message.

Unexpectedly, the matter has not come to an end yet. With a frown, Sato Yu clicked on the link attached to the message of Yuta Kouta and read the tweets of Masashi Umezawa.

[People should avoid being too ambitious. A young man who has just been in the industry for three years, is not even 20 years old, and is still wet behind the ears. He has some talent and thinks he has made some achievements, so he rushes to challenge his predecessors and thinks of replacing them?

Spit and look at yourself to see if you are worthy!

I just gave you a kick today, but it was too light in retrospect. Do you want to replace me? You need to hone your skills for a few more decades, and wait until our generation is old and dead before you can dream of it.

I am in a bad mood, so I just mentioned this incident casually, hoping that the younger generations will take it as a warning. 】

The whole article is full of ridicule and condescending tone, almost naming names, and even putting insulting physical beatings on the table...

"This old man is going too far!"

If it were before, considering that the other party was an old man in his sixties and a well-known painter in the industry, Mochizuki Nanae would politely call him "senior".

At this moment, seeing Sato Yu being bullied like this, Mochizuki Nanae could no longer suppress her anger and started to insult her.

But she was well brought up, and the only swear words she could utter were "old man".

After scolding, she frowned and looked at the expression on Sato Yu's face. The young man, who had been humiliated for no reason and had been full of anger for a long time, was now furious.

No matter how good-tempered he is or how much he respects the elderly, his patience has its limits.

He was ridiculed in public, and the facts were twisted to make him look like a bad newcomer who was ambitious and provocative to his seniors...

"It would be unreasonable not to fight back."

Looking coldly at the tweet on the phone screen, Sato You's words were also tinged with gloom.

Masashi Umezawa is a veteran original artist who has supervised several excellent animation works and has a great influence in the industry.

Now, this tweet will not only affect the audience's view of him, but also other people in the industry will give him a cold shoulder, and will prejudge that it is him, the junior, who is causing trouble, which will in turn affect his future job search in major animation companies.

I was thinking of trying my luck in other companies, but now it seems that most of the roads have been blocked.

We have to break the impasse.

After his anger subsided a little and he carefully considered the situation, Sato Yu's brows furrowed even more.

In order to prevent it from affecting his becoming a supervisor, preventing it from affecting his animation production, and completing the fame value mission to heal Qiong, he must fight back immediately and reverse public opinion and his reputation in the industry.

But in Japan's society where seniority is paramount, the gap between seniors and juniors is an unbridgeable chasm. If Masashi Umezawa had taken the initiative and had fought back with the same fierce words, even if he had stated the truth, public opinion probably would not have sided with him.

Because of their resumes and because their achievements are so different from each other, outsiders and bystanders will not believe in the weak and will not identify him as a "weak person."

"Ah."

Sato Yu sneered, his mind clear.

In the end, it really comes down to strength.

He logged onto Twitter and typed [Senior, wait and see] and was about to send it but suddenly stopped. As if he suddenly remembered something, he deleted the text. Sato Yu deliberately typed a sentence that showed his anger and dissatisfaction, which might be ridiculed in the short term - [Don't bully the young and poor].

"Sato, delete this sentence quickly. It's not good for you to say this now. You have to stay calm even if you are angry!"

After looking at the edited tweet, Sato Yu was about to click send, but Mochizuki Nanae quickly grabbed his hand to try to stop him.

Sato Yu, whose brows had completely relaxed, laughed easily.

"I am very calm. Very calm."

It wasn't just something he said in anger, but the calmer he got, the clearer Sato Yu knew he had to respond with something extremely explosive.

The best and most appropriate saying is "Don't look down on the young and poor." It is also the one that people can easily remember afterwards.

Crisis is also an opportunity.

He has strength and is absolutely confident in his strength.

So, facing the insult from Masashi Umezawa, he angrily fought back, and then even came up with "Fate/Zero", which is far superior to his new work as a supervisor, to confront him head-on. How will public opinion judge what is happening now, and how much of a help will it be to increase his fame!

It's a huge opportunity that's right on your doorstep.

He was angry before, but now, Sato Yu is overjoyed.

The plan quickly took shape in his mind. After posting the tweet, Sato Yu immediately turned around and said to Mochizuki Nanae:

"Mochizuki, I may need to borrow your power again for some time."

“You mean, we do it together? Great! Let’s make Fate/Zero together and give that old immortal a good slap in the face!”

Waving her fists, Mochizuki Nanae was extremely excited. She was happy that Sato Yu had changed his mind, and she was even more looking forward to slapping Umezawa Masashi in the face and getting back the face for Sato Yu.

I didn't expect that this JK supervisor is actually a warmonger at heart.

However, the gap in objective conditions cannot be made up by this kind of determination. Pandia does not have the conditions to produce "Fate/Zero" today.

"I'm really sorry that I can't agree to this. What I mean is that I hope you can allow me to borrow some Pandia resources to help me complete the post-production work of the animation and then make another short film."

"what do you mean?"

Immediately thinking of something, Mochizuki Nanae's eyes twitched, and she looked at Sato Yu with a more scrutinizing gaze, as if she was trying to find evidence that he was joking.

But unfortunately, Sato Yu was not joking, but had already made up his mind.

"Yes, to prove that I can make a battle animation, I want to do it again—"

"One person's original painting!"

Skirt~