How can I let go of the matter of saving my stepsister?

Can......

Director: Yu Sato.

Screenplay, Script, Storyboard: Sato Yuu

First original painting: Sato Yuu

One person's original drawing, one person's army, a pen, one person, a month, a dynamic cartoon, a four-minute proof, a response, and an era of young people.

Highly respected, persistent, and growing stronger with age, these words that were once used to praise Masashi Umezawa, a leader in the industry, seem to have become derogatory terms in front of Sato Yu, a young man who can be called a miracle and has created a miracle.

After all, the peak that one can only reach in his lifetime, Sato Yu was only 20 years old, but he had already climbed up to it and was overlooking the scenery from a higher place.

Age, the most crucial factor that once made Masashi Umezawa look down on Yu Sato, now seems so pale and powerless, yet so shining.

Sato Yu shattered the doubts, used his own strength to fight for the right to speak, and won back the dignity and respect he deserved. Isn't that the truth?

If one wanted to ridicule Masashi Umezawa, now would be the best time, but looking at the list of production staff that only had Sato Yu's name written on it, Kota Totani didn't say anything more.

The picture is more eloquent than any words.

However, there are also Easter eggs, animation companies, music companies, CG production companies, and then there is the list of voice actors.

The main character: Sato Yuu.

"Hahahaha!"

Kouta Totani laughed out loud. He had already felt something since the beginning of the animated comic. The voice actor of the protagonist's voice acting was a little awkward. It could only be said that it was barely adequate but definitely not good. It was dragging down the animated comic, but at the same time, it sounded inexplicably familiar to his ears.

Now that he has seen the list of voice actors, he can finally be sure, and the audience can finally know -

The protagonist turns out to be Sato Yuna.

"One Punch Man" is his fight against the underground people and the underground king.

At the same time, it is also his autobiography?

Ding-ling-ling-ling-ling, there is a scene after the end credits. Since Sato Yu had already reminded Totani Kota to explain, Totani Kota also conveyed it to the audience in time, so all the audience watching the scene did not miss this part of the scene.

The black curtain dissipated and the picture reappeared, and the sound coming from the alarm clock was a crisp sound.

Before the audience could figure out the meaning of the alarm clock scene, an iron fist came down with a bang, smashing a hole through the alarm clock and the floor.

It turned out that the alarm clock disturbed the protagonist's sweet dream.

Wait, dream?

Could it be that all that just happened was...

boom!

Still without giving people time to think, the sound of the explosion once again brought people back to their senses.

"The ground has been conquered by us! People on the ground, prepare to die! I am the king of the underground! People on the ground, wake up!"

"what!"

Hearing the sound, the protagonist's face shape returned to its oval shape, and with dead fish eyes and a dull look, he immediately ran to the balcony to look for the source of the sound.

But what he saw through the window was not the giant, mighty, domineering, and oppressive underground king who was so strong that it seemed to seep out of the screen. What he saw was just a ridiculous underground king who was about three to four meters tall, with no muscle lines on his body, and waving a lightsaber in his hand. He didn't look like a fighting posture, but instead looked like he was cheering.

Nani Nani? The Underworld King, Masashi Umezawa, is that it?

Is there something wrong?

You are not wrong, dreams are dreams, and reality is reality.

The audience reacted, but the protagonist failed to react to the gap between dreams and reality. He was full of fighting spirit and immediately put on his battle suit, put on his cloak, and jumped off the balcony in the most heroic manner, ready to fight him.

However, his face turned into a "heroic form", ready to fight with his real strength. He jumped down and kicked, not with a punch, but with just one kick, he crushed the Underground King to pieces.

"Sah, come on, let's fight!"

He was extremely excited and didn't feel anything was wrong. He was ready to have a big fight with the remaining underground soldiers who had followed Umezawa Masashi to attack him.

But in the end, all he saw was a white flag with "Sorry" written on it.

The underground people are not as powerful as in my dreams.

The contrast between dream and reality completely crushed the protagonist.

"Eh?"

The protagonist shouted in disappointment, and his face turned back into the dead fish-eye look of his non-serious mode.

Helplessly scratching his face, he revealed a look of understanding.

At this time, the picture changed again, from the two-dimensional world to the three-dimensional world, and then to tweets.

Masashi Umezawa's tweets and Yu Sato's tweets.

[Young man, spit and look at yourself]

[Don’t bully young people into poverty]

Although the tweet only lasted for a few seconds and flashed by without giving the audience any time to read it carefully, now, due to the self-media exaggeration of their conflict and because Totani Kota had previously launched dozens of ups to promote it in a high-profile manner, which audience member would not know the content?

Don't bully the youth to be poor.

The "ridiculous remarks" made by Sato Yu in the past, which were mocked by netizens, have now become the most "ridiculous remarks" mocking Umezawa Masashi and the underground king who was crushed by one foot.

Then, the protagonist, Yuuto Sato, actually made his debut in the animated comic.

He didn't shave his head, his hair was still thick, his eyes were very determined, and he looked very much like the protagonist of the animated cartoon in "serious mode". His appearance was so handsome that he fascinated thousands of girls, and even the men who were watching him were fascinated, making them say from the bottom of their hearts: Sato brother, handsome!

He is so handsome, but he tries to look silly, points at himself, and explains why the protagonist feels empty.

"I have become too strong."

Volume 125: Chapter Chapter . Are you sure this is a god?

"Kami Sato, well done, you did a great job!"

There is an animation in the dynamic comics, and after the animation there is a real person appearing. As the video is completely finished playing for the last second, Kota Totani can't contain his emotions anymore. He jumps up and punches the air, once again acting as a substitute for the audience and taking the lead in cheering.

[Really, Sato Yuma is a god, the god of animation! ]

Previously, before watching the animated comics, when Kota Totani bluntly stated that Sato Yu was the god of animation, he was mocked by the barrage and was criticized to pieces.

But now, with the right to speak with strength, a four-minute high-energy fight scene really impressed the audience. Thinking about the fact that this animated cartoon, animation, and post-production took only more than a month, the shock and admiration in my heart increased, and the barrage of comments floating across the screen were all -

【Kami Sato! 】

As for the plot of the animation and Sato Yu's final real-life appearance, which was a stroke of genius, although the audience were not witnesses of the conflict, they still felt an absolute sense of satisfaction from it, from their toes to their heads, and even to the point of numbness on the top of their heads.

First, a villain group called "Underground People" was created, and then through exaggerated animation expression and animation plot, the image of "Underground People" was extended to the villain of this incident, Masashi Umezawa, making the audience realize that the protagonist who has never been named is actually the incarnation of "Sato Yu".

Faced with injustice, contempt, doubt and insult, he rose up in resistance. He cut through all obstacles and killed people all the way, leaving the sky dark and the ground covered with corpses. Don't look down on the young and poor. He rushed to the top of the industry and launched a general attack on the [Underground King].

The animation froze at this moment, and the audience thought it represented the peak showdown between the new generation talented painter Sato Yu and the older generation industry leader Umezawa Masashi.

However, after a list of production members, the animation that was played again overturned all the audience's speculations.

The so-called peak showdown is just the protagonist, Sato Yu's dream, and an unattainable fantasy.

In reality, he faced the King of the Underground, who thought he was invincible with four lightsabers and wanted to conquer the earth. However, he didn't know that the weirdo was as funny as a fat otaku dancing. He just stepped on him and ended the battle without even using his fists.

Such an attitude is a sharp mockery and a fierce counterattack against Masashi Umezawa, and also a wild confidence in his own strength.

【mad! 】

[Too crazy! ]

But he can be crazy

[Is this what young people are like? So arrogant, so terrifying.]

After worshipping the newly deified Sato Kami, led by Totani Kota who had already knelt on the ground and kowtowed three times, the audience was still savoring Sato Yu's last words, "I have become too strong," and they all typed "crazy" on the public screen.

It has only been one year since his debut, and his name has only been known to the audience for one year, but he has already saved the collapsing building, turned the tide, and produced the last episode of the legendary "Mei Fei Mei", but he has already produced the extremely funny "Azure Blue", the tear-jerking "5 Centimeters per Second", and now the "One Punch Man" with its legendary fighting scenes.

Looking back, the audience was suddenly surprised to find that this young man's resume was so beautiful, so wonderful, and so amazing.

As a new artist and a new supervisor, he stepped on the head of the industry leader. Not only did he step on his head in the animation, but he also stepped on his head in person, disparaging him as an arrogant and conceited underground person. He even arrogantly declared, "I have become too strong," clearly showing the saying "No one in the industry can beat me" after the work.

This young man's arrogance, arrogance and willfulness are really shocking, but...

He is crazy, and he has the capital to be crazy!

He is invincible in the world and is synonymous with genius.

He created an action animation in just one month that is comparable to the wonderful action collection drawn by Masashi Umezawa throughout his life, and he really achieved godhood!

What a young man lacks is only quantity, but what he has in abundance is time.

The end of Masashi Umezawa is just the beginning of Yu Sato. These words echoed clearly in the hearts of all the viewers who watched the live broadcast tonight.

This young man has just begun to show his talent and has just begun to display his amazing talent. He has not yet made his real effort, and yet, old senior, you have already collapsed.

The age gap and the difference in qualifications are no longer the capital for Masashi Umezawa to look down on, belittle and insult Sato Yu. When he has equal or even greater strength, time becomes Sato Yu's greatest asset.

It allows people to see at a glance the gap in talent between them and the difference in their future achievements. At the same time, it also makes the audience's hearts truly resonate with Sato Yu.

Japan has been in society for a long time. Most of the audiences who watch animation are young people, or young adults in their twenties and thirties who have just entered the society.

The oppression from seniors and predecessors, the long-standing bullying and unfair treatment from schools and companies due to age differences have long made them feel resentful.

Now, Sato Yu's mocking expression just gave them a chance to vent their anger and became the spokesperson who made their wishes come true.

After tonight, they will be the die-hard fans of the animation director Sato Yuu, this young man!

This is the meaning and ultimate purpose of Sato Yu's deliberate addition of this paragraph of sarcasm.

Since the conflict with Masashi Umezawa is inevitable, and since he has decided to use the conflict between them to increase his fame, he must do everything he can to absorb as much as possible to maximize the amount of fire needed to cure his sister's terminal illness!

Today, this goal has been definitely achieved.

Looking at the screen full of [Sato Kami], [Crazy], [Handsome], and [Great] comments that had been scrolling for half a minute without stopping for a moment, Sato You, who was sitting in front of his laptop, raised his hand to click the X in the upper right corner and prepare to leave with a satisfied look on his face.

Ding dong.

[Kami Sato is so handsome, so cool, so touching, so moving that tears welled up in my eyes, he is truly my idol for life! ]

At this time, the up-host Kota Totani, who was still live streaming, sent him a message.

It seemed that he couldn't suppress the raised corners of his mouth anymore. He let go of the mouse and typed a reply on his phone.

[I also watched the live broadcast in its entirety. Thank you for your continued efforts in cheering me on. The audience was so excited, thanks to your efforts.]

【Thank you so much.】

I’m not used to typing long sentences on my phone, so Sato Yu took two paragraphs to send just one paragraph of thanks.

Ding ding ding ding dong, ding ding ding ding dong.

As an animation up-host, in order to receive messages as soon as possible, Kota Totani always adjusted the notification volume of his mobile phone to the maximum, and he also set Sato Yu's message to [Special Concern]. After Sato Yu sent the message, a loud noise was immediately heard in the live broadcast room.

【Care about ringtones? 】

[Fuck, it can’t be my sister]

[The host can do two things at once while broadcasting live! ]

[Everyone is praising Sato Kami, but you, the chief priest of the cult, are chatting privately with your sister, right? Heretic! Punished with the death penalty!]

The animated comic has been broadcast for more than half a minute, and the video has just been released. Most of the viewers who are still staying in the live broadcast room and scrolling through the screen are actually familiar fans who have been watching Kota Totani's live broadcast for a long time and frequently interacting with him.

It is common for familiar fans to joke with the host. After hearing these two rings, the tone of the barrage content changed. Although everyone knew that Totani Kota couldn't talk about his sister, they still wanted to make fun of him.

"Don't talk nonsense, don't talk nonsense, my brother has always remained pure and rushed all the way to become a great magician. Well, how could it be a sister? I was chatting with Sato Kami. I felt so good after watching the animation that I was licking and worshiping the Lord!"

[I prefer chasing after Sato Kami rather than talking about my sister. What Nantong? ]

[Sure enough, there is Sato Kami's contact information. I am so envious of being able to add my idol's contact information while chasing stars at public expense. 】

[Isn't it obvious that I have always had first-hand information about Sato Kami's animation production? PS: Although it's obvious, I'm still envious. 】

【What are you talking about? Let me talk. 】

【Put the chat interface on the public screen! 】

[Private information, please don’t do this. 】

[But I really want to interact with Kami Sato. Today I saw him in person for the first time, and I realized that the artist who drew my favorite manga "5 Centimeters per Second" turned out to be such a handsome Ikemyun! I'm completely fascinated by him, and I really want to lick his face more.]

[Yes, since we have the contact information, Kota, why not invite Sato Kami to connect with us? Since there are many people in the live broadcast room and everyone is here, let's do an interview program.]