How can I let go of the matter of saving my stepsister?

Stunned, Sato You twitched the corner of his mouth.

Just before he finished praising the system for being so gentle, the system gave him a huge reward that completely overwhelmed him.

From "Azure Blue", "5 Centimeters per Second" to the current "One Punch Man", Sato Yu always feels that it is very difficult to increase her fame and she is worried every day about whether she can complete her future stage tasks.

As a result, the system suddenly told him that the previous increase in fame value only calculated the local value in Japan, and did not include overseas audiences in the statistics?

What's going on? How about playing?

Outside of Japan, animation is also popular in Europe and the United States, with a prosperous market and a wide audience. And in China, Sato Yu's hometown just across the water, there are audiences numbering in the hundreds of millions.

But now, two animations, two comics, and the fame that was supposed to be more, perhaps enough to double the current value, have been swallowed up just like that?

His eyes went dark and Sato Yu was almost fainted from anger.

Tong, you have such a cruel heart!

But he admitted his mistakes and corrected them, and the restrictions on the source of his fame points were opened up to him. In the end, he still had to thank the system for its assistance.

The required value is relatively low, and restrictions are imposed at 50,000, 500,000, and 5 million. When the value reaches a terrifying, desperate value of 50 million or 500 million, the restrictions are lifted, and the difficulty is appropriately reduced...

To some extent, as a test to obtain miracles, is it scientific to impose such restrictions?

In short, the advantages definitely outweigh the disadvantages, and Sato Yu is still satisfied with this reward.

Thinking about it this way, it seems that all the rewards provided to him by the system so far have been of great help to him and have made him satisfied.

Tong, you are so powerful, I praise you!

Once again, the fickle Sato Yu imagined the physical image of the system in his mind, and hugged "it" that was completely made in the image of Qiong and kissed it madly.

Wait, to express his love and desire to kiss, why would he fantasize and create the image of Qiong?

"Sure enough, I am a sister-con."

After thinking of an answer that made sense yet seemed unreasonable, Sato You smiled and felt in a very good mood as he opened the third reward package.

[Real copywriting: No need to think hard and remember, now you can choose any animation and get all the materials needed for production, including scripts, art, music, etc. 】

Plagiarism, carrying with him the memory of watching anime and writing fan fiction on Squidward Cat in his previous life, so far, except for "Mei Fei Mei", Sato Yu has despicably plagiarized the ideas of the creators of his previous life in the remaining works.

Copying a work that was very popular in the previous life and had an absolutely guaranteed plot quality to ensure that it would never encounter a major failure and to ensure that the fame value task could be completed. This was the "necessary evil" needed to save the sky.

In this regard, Sato Yu did copy, but at the same time, he did not copy thoroughly.

He is not a real superman with a corridor of life, and he cannot remember 130,000 magic books in his head.

During the copying process, Sato Yuu cannot reproduce the entire story. He often tries to grasp the explosive plot points as much as possible, and then fills in the omissions with his own ideas and writing style, producing an animation that is similar but by no means the original.

It's like "Azure Blue". In the second half of the story, many jokes and stories were thought up and incorporated by Sato Yu himself.

In "One Punch Man", apart from the story, even the name of the protagonist is hidden, and many small details are changed. It is not a complete plagiarism.

If we really want to talk about it, at present, only "5 Centimeters per Second" has been reproduced exactly because Sato Yu's memory is too deep, but there are actually only a few works that he remembers so clearly in his mind.

As for the "Fate/Zero" that is currently being prepared for production, Sato Yuu only remembers the world view settings and some particularly impressive scenes. When it is actually produced, a considerable part of it must be created by him alone. To some extent, the quality can no longer be guaranteed.

From this perspective, this reward is also extremely useful.

For example, make a masterpiece that Sato Yuu has seen before but has long forgotten most of the plot.

It is the most famous TV animation work. If it can be produced, it will definitely help it gain fame to a great extent. At the moment when overseas restrictions are being opened, it is not a daydream to gain 100 million fame points with just one animation.

Sato Yu once thought about it, but finally gave up because there were too many details that he could not recall clearly. But now, he finally got the possibility to reproduce it.

He still had a lot of memories left, and he could still grasp the story of "Fate/Zero", so he would not use the reward. Instead, he would wait for the production to be completed, and when his fame increased and he could attract more high-level original artists to participate in the animation production, he would immediately produce the world-renowned animation masterpiece.

As he was thinking, he became more and more excited. After planning his future, Sato You continued to open the fourth and final reward.

Speaking of which, the system has not yet provided any blessing to his painting ability.

However, with his ability to draw daily life scenes and fighting scenes, plus his experience and ability as a supervisor, plus a [Fast Drawing] buff, Sato Yu is already an all-rounder, and there is probably no other painting ability that can be given to him.

Could it be the ability to draw mechas?

There is no need to paint mechas in future plans. Even if he is given the last missing part of the "all-round painter" puzzle, it doesn't really have any significant significance. It's just better than nothing.

Such thoughts only lasted for a moment, and a golden light flashed by, and Sato You finally saw the content.

[Painting buff: Left and right shooting]

【Now, you can paint with both hands at the same time. 】

"what?"

Sato You exclaimed in surprise at this reward.

He could roughly understand the meaning through the text description, so without waiting, he immediately stood up, took out paper and pen from the bookshelf and spread them on the table, then held a pen in each hand and started painting.

Soon, he figured out the function and operating rules of this buff.

This is not the case with Yang Guo in the story of The Return of the Condor Heroes, who had to change hands to practice swordplay because his arm was broken. For painters, they usually paint with their dominant hand, and very few people can paint with both hands.

What's more, it is even more impossible for anyone to be able to use unique skills with both hands like Xiaolongnu, who holds the Jade Maiden Sword in her left hand and the Dog Beating Stick in her right hand, or the Dog Beating Stick in her right hand and the Jade Maiden Sword in her left hand.

And Sato Yu can now do such a thing.

It was as if a dual-thread module was suddenly loaded into his head, turning a single-core processor into a dual-core processor. Now Sato Yu can paint with both hands, and can paint at the same time, painting completely different contents at the same time!

"Why do I feel like I am becoming less and less of a human being?"

With a complicated expression, Sato You looked at the two original paintings he drew at the same time on the table, touched his chin, and muttered to himself.

After turning on the buff, he can draw two pictures at the same time without his thoughts being confused, as if there are two brains working at the same time. The final picture is of impeccable quality.

When the [Fast Painting] buff is turned on, the painting speed will be slower than one-handed painting after the two are superimposed, but because two pictures are produced at the same time, the final painting speed can reach 1.5 times that of one-handed painting.

In other words, if you make good use of this buff, your painting speed can be significantly improved, which is considered a very useful buff.

But, with a pen on each side, drawing two unrelated pictures, isn’t this scene a little too strange and weird?

This is totally beyond the capability of human beings. It is like a god or a superman. If other people saw this kind of painting, what would they think?

Sato Yu thought that when the time came, he would be handed over to Neon at the first opportunity, and then carried into the laboratory for slice cutting and research.

There is no way to use it in front of others. I can only use it secretly to finish my draft.

This is really...

"Weak ribs."

Up to this moment, Sato Yu still thinks so about this newly added painting buff.

--------

ps: My work and rest schedule has been really messy lately, and I’m really tired today, so I’ll just update one chapter (5,000 words), then take a nap to adjust my work and rest schedule, and I’ll try to post more chapters at the right time tomorrow!

ps2: I recommend a special effects book written by a friend. It will be on the shelves soon. You can go and have a look to show your support. It is very well written.

After his rebirth, Kazuki became a life form of light. After discovering that there was no Kingdom of Light in Orion, Kazuki chose to become Ultraman.

At the same time, Absolut Tartarus happened to be persecuting the human bodies of the Ultra Warriors everywhere.

So...

"Da Gu, I am moved by your courage to fight the monster regardless of your own safety. I give you my life..."

—Under the setting sun—

"What's with that expression on your face?"

"What's with your critical tone?"

"What's with your sympathetic attitude towards humans?"

Faced with Daigu who wants to protect humanity, the devilish Kirieloid becomes aggressive.

——Lakeside in the evening——

The exhausted Da Gu saw the giant of light who gave him life in his dream.

"Dagu, your body is exhausted from the battle. Come back to Orion with me."

"But the Earth..."

--late at night--

"Are you a human or a giant of light?"

"I am who I am, and I exist to defeat people like you!"

Facing Kyrieloid II's questioning, the Great Ancient Dynasty released the last of its energy through the Gate of Hell.

"Ultraman Starting from Kidnapping Daiko" Yanxi Transfer ① Group: 837783853

Volume 129: Chapter Chapter . Something bad is happening!

"Sato, are you really not going to come to the company?"

"Well, I've already decided to resign. I always feel awkward when I go back. People may not look at me differently, but I myself... I still can't get over this hurdle."

It has been two days since the "One Punch Man" animated cartoon was aired, and the popularity is still unabated.

As more and more people saw the work, more and more people on the Internet also knew the result of the settlement of grievances between Sato Yu and Umezawa Masashi, two seniors in the industry, and turned it into a joke.

At the same time, everyone is also aware of the next work that Sato Yu, the now highly-regarded talented director, is planning, and knows that he is about to leave Pandia.

At this moment of complete showdown, it would be inappropriate for a traitor like him to return to Pandia. Even if no one said anything, Sato Yu himself would feel ashamed.

In the eyes of outsiders, he is soaring with wings, but Pandia is seen by everyone as the cage that binds him.

While making animations out of concern for his sister, Sato Yu also began to care about his colleagues in the company.

If you always care too much, you will feel more and more tormented.

On the phone, facing Sugino Miki's invitation to him, Sato Yuusou still chose to refuse.

"That's... I get it, but, you're always welcome back."

Just like that, in a slightly depressing atmosphere, the two hung up the phone.

And then, before turning off the screen, Sato Yu glanced at the screen and found another message from Toya Kota.

[Kami Sato, have you watched the news? ]

This up-loader who was always observant always got the news much faster than him, and when he saw this message and this question, he was startled and knew that it could not be a good thing, so Sato You hurriedly asked.

[Not yet, what's wrong? ]

[That old man Masashi Umezawa is still making trouble! ]

Totani Kota replied very quickly and his words were quite impolite. Through the text, Sato Yu seemed to be able to imagine how he was typing with such force that it seemed as if he was about to crush the keyboard.

【He tweeted again? 】

[Yes, I was disrespectful to my elders and acted recklessly based on my seniority. Now that I have been slapped in the face, I still don’t learn my lesson and am still stubborn! ]

After the message was sent, Kota Totani attached a tweet link immediately afterwards.

With a calm face, Sato You clicked on it to take a look, and the more he looked, the more his brows furrowed.

The tweet was not long, and it took Sato Yu only two minutes to finish reading it.

He was dissatisfied with him and completely hated him because of his response and counterattack. However, he could not make a decent response in terms of painting skills because the fight scenes drawn by the 20-year-old Sato Yu in just one month had reached the highest level of his career. Umezawa Masashi started from his own qualifications and chose to fight him to the end.

After all, he has worked in the industry for nearly 30 years and can be said to be an old man who has almost witnessed the history of the development of Neon Animation. Even though he lost face, reputation, and public opinion position due to Sato Yu's strong counterattack, his influence in the industry is still outstanding.

Relying on this solid influence accumulated over a long period of time, Masashi Umezawa once again served as the new work supervisor of MADhouse Animation Company, and specialized in producing original fantasy battle series to challenge Sato Yu.

[When the pediatric work of the young boy Sato Yu is scheduled, the new work I supervise will be scheduled. 】

This is what Masashi Umezawa originally said, making it clear that he wanted to challenge him, and the atmosphere was full of tension.

At the same time, no matter how much Sato Yu cursed and how much he talked tough, after seeing his performance in "One Punch Man" and the fighting scenes he produced in a very short period of one month, Umezawa Masashi should be afraid of him.

They were afraid that he would really create a phenomenal work, and they were afraid that even if they made a tough threat to challenge him, they would be crushed from all sides by this 20-year-old boy and beaten until they were bruised and battered.

In addition to attracting the artist resources of MADhouse, it also attracted the main force of Bones, A-1 Pictures and more than a dozen veterans with outstanding painting skills from Trigger.

Hiroyuki Imaishi, Kazuya Sumamoto, Yoshinari Yoshinori, Hisao Ishizaki, Tsuyoshi Hori...

Looking around, there are more than 20 names in a row, all of them are big names in the industry. They are all well-known supervisors who have participated in the production of several films that support the Japanese animation empire. They are masters of painting and their reputations may not be prominent, but most people in the industry have heard of them. They are the sweeping monks in the painting world with absolutely extraordinary abilities.

This lineup... Sato Yu smacked his lips, and an appropriate term immediately emerged in his mind - the national team.

Half of the Japanese animation industry is concentrated on Masashi Umezawa.