How can I let go of the matter of saving my stepsister?

Then, after taking the first look, he fixed his gaze on the full-bodied heart of Mochizuki Nanae's mother Mochizuki Mieko in the photo, and looked up again at Mochizuki Nanae, who had no genetic genes at all. Sato Yu silently changed his evaluation to "Only five points".

However, this also makes it understandable that the complete form of Nanae Mochizuki...well, why is Nanae Mochizuki's mother a succubus in the painting world, bewitching so many big names in the painting world and making them lose their minds and still unable to forget them.

In comparison, Nanae Mochizuki is...

"Ugh."

Subconsciously, Sato You sighed again.

"Sato, your emotional intelligence is really low."

Comparing the hearts of the mother and daughter, and sighing, Sato Yu's action completely irritated Mochizuki Nanae. Her pretty face flushed, her almond eyes widened, and Mochizuki Nanae's eyes seemed to be spitting fire.

Even Sugino Miki, whose heart had always been on Sato Yu's side, couldn't stand this situation. She hugged the injured Mochizuki Nanae in her arms and hurt her even more with her full heart. She also showed an angry look and scolded Sato Yu.

"Down!"

Skirt~

Volume 132: Chapter Chapter . It Still Exists Here

"It's more like a settings collection than a storyboard."

The consolation from her best friend Miki Sugino did not make Nanae Mochizuki feel even a little better.

Being squeezed by the big ball, she felt hopeless. She pushed her friend away angrily and watched the storyboard of the first episode of "Fate/Zero" brought by Sato Yu while sulking.

Her expression changes from melancholy to joy, from gloomy to lively. She is indeed a "crazy girl". After carefully flipping through a few of the storyboards, a smile can be seen between her eyebrows.

Since the story is about reconstructing a world filled with magic, heroic spirits, and a world that intersects with real history but is not real, the first episode mainly explains the settings. In the storyboards that are so detailed that they can almost be used directly as original paintings, dense annotations can be seen everywhere.

It doesn't feel cumbersome or eye-straining at all. After reading it line by line, Nanae Mochizuki exclaimed that it is more like a settings collection than a storyboard.

Afterwards, he finished watching the entire episode in more than ten minutes, saw most of the Masters summon their Servants, saw Emiya Kiritsugu summon the female swordsman, and the character on the cover promotional picture. Mochizuki Nanae continued to flip the pages blankly.

but......

"Gone?"

Showing an irritable and bitter face that was even more painful than the one she was covered in by Sugino Miki's heart, Mochizuki Nanae pouted and looked at Sato Yu, and she was just short of writing the words "I'm going to make a fuss" on her face.

“These are the only ones I have drawn so far.”

"It just came to an abrupt end. The first episode was so long and packed with so much information. Finally, we see the heroes being summoned to the modern era. I was looking forward to the story, but it suddenly stopped. It's a bad experience. Isn't it going to make me unable to sleep, wondering how it will unfold later?"

"One Punch Man" was produced first because of a dispute, and "Fate/Zero" was only actually started in the past two days. As far as storyboards are concerned, Sato Yu really can't produce much.

In response, Mochizuki Nanae, feeling empty inside, glared at him, accusing him of dragging out the plot, arousing people's interest but not finishing it, and playing with people's hearts.

But this is completely speaking from the audience's perspective. With a smile, Sato Yu reminded her to put her stance in perspective.

"Wheeling people's appetite without rushing to fill it, so that the audience always remains curious and looks forward to the next episode, isn't this what the director and creator have to do?"

"Only despicable creators like you, Sato, would think about this kind of thing all day long. It's either fraud or suspense. The audience is really unlucky to have a supervisor like you."

Since he is an upright director, he would not go along with a tax evader with a bad taste like Sato Yu. Mochizuki Nanae criticized him, but she no longer mentioned the fact that the first episode laid too much groundwork, with more dialogues but no fighting, and the storyboards were simple, with basically no explosive scenes.

A fantastic world unfolds before people's eyes, legends are created in the past, and heroes engraved in the long river of history are summoned to the present, and a great war is about to begin...

The biggest explosive point is to let the audience know about such a world and look forward to it.

This requires the first episode's images to be refined and detailed enough so that the audience can patiently accept it bit by bit and immerse themselves in that new and strange world.

For this, a good production team is a must.

"As expected, it's still Kyoto Animation..."

The position has changed from audience to supervisor, and from viewer to producer. While being able to agree with Sato Yuuha, I also realize the crucial role that a good production team plays in "Fate/Zero", Nanae Mochizuki murmured.

Immediately, she realized something and looked up, only to meet Sato Yu's teasing gaze.

Didn't she say that she went to Kyoto Animation for help just for her own sake, and had no intention of helping him at all?

"I, I'm just expressing my feelings, just saying it, you won't take it seriously, right? I'm not so prestigious that Kyoto Animation would accept you as a supervisor. Even if I could, I wouldn't help a traitor like you. I... I'm not your mother, I won't spoil you in everything!"

With her face flushed, JK president is starting to act tsundere again.

Moreover, [It's not your mother] and so on, haha~ Unable to hold it back, Sato Yuu and Sugino Miki both burst into hearty laughter.

Along the way, she gave up her right to supervise the last episode of her debut work, and was deprived of her supervisory rights when she founded her own company. Now that he has made up his mind to become a rebel ninja, she still sticks to him and is ready to find help for him to start a new business...

In fact, if you think about it carefully, the 25-year-old JK president Nanae Mochizuki really looks like the biological mother of the 20-year-old genius boy Sato Yu.

Really gentle person, really great character.

The more Sato Yuu looked at Mochizuki Nanae's face turning red due to their laughter, the more grateful he felt.

But saying thank you was too weak to do the job. It might even cause further backlash from this tsundere girl. Suppressing the surging emotions in his heart, Sato You let her do what she wanted.

"Yes, yes, I know. I was just brought here by you to see the world. I only gave you the storyboards to entertain you. I promise I won't have any excessive desires."

In fact, this wish is still possible.

Going along with her would only make Mochizuki Nanae more unhappy, but she was too angry to clarify herself or speak out her thoughts. She pursed her lips and gave orders in a domineering manner.

"It's good enough that you know what your role is. Come on, we've only been looking at the storyboard for a short while and it's over. But there's still more than an hour before we get off the bus. Have you thought about the rest of the story? I want to hear it!"

If there is no storyboard, then we can just narrate the story and let Sato Yu temporarily act as the storyteller.

In short, she didn't sleep at all, look at her phone, or do other things to interact with Sato Yu and Sugino Miki. She was attracted by "Fate/Zero" and her heart and eyes were filled with only this story. She urged Sato Yu.

As it was the earliest bus, there were not many passengers on board, and there were not many other passengers around their seats. After standing up and looking around to make sure the story would not be leaked, Sato Yu whispered softly and gently about such a fantastic, magnificent and turbulent war story.

From Rider, the interaction between King Alexander of Conquerors and Queen Waver, from Illya and Kiritsugu's playfulness, the conversation between the summoned Knight King Altria and the Holy Grail Container Irisviel, to the unfolding of the first battle between the warehouses.

The Lancer's calculations, Altria's injury, the King of Conquerors' high-profile entrance, the King of Heroes' arrival, the Berserker's appearance and disruption, the pouring out of the King's Treasury and the Berserker's unexpected response...

It was at this time that the two girls discovered that Sato Yu was actually quite eloquent. No, perhaps it was because the story of "Fate/Zero" was so exciting. Even though Sato Yu, this dull person, only used a few rhetoric devices to narrate it, it was still so gripping and heart-stirring.

Sato Yu continued to narrate the plot, and his story was so exciting that the two girls' eyes lit up. Mochizuki Nanae even interrupted at first to ask about the relevant settings, and Sugino Miki also handed her water from time to time to moisten Sato Yu's throat.

But after half an hour, no one interrupted or offered water as they were completely immersed in the story. The two girls pressed their bodies tightly against the table and tilted their heads towards Sato Yu in order to hear it more clearly.

"That's great, that's great!"

An hour and a half passed in a flash, and it was not until the arrival signal sounded that they woke up from their dream and finally got off the train reluctantly. When they got on the bus again, the two of them started to urge each other at the same time.

“Hurry up, what exactly happened after Kiritsugu’s wife Irisviel and Kiritsugu’s assistant Maiya met in the forest? Tell me quickly, tell me quickly…”

Women also like to watch women fighting. Irisviel and Maiya are both Kiritsugu's women, and they both love Kiritsugu deeply. What kind of "hell" scene will it be when they meet this time?

Fight, fight! Urging, Mochizuki Nanae and Sugino Miki's eyes were full of anticipation.

After all, he was a distinguished guest who came from afar, so Kyoto Animation sent its own special car to pick him up. The driver was a production manager from their head office. Thinking that the other party would not leak the plot online, and that the story had already been told very late and the other party might not understand it very well, Sato Yu continued to tell the story.

"This wine is with your blood. Holding the wine glass high, King Alexander of Conquerors cheerfully invited the assassins who broke into the banquet to enjoy the wine together, but he only got ridicule from the assassins. A silver light flashed by, and the wine glass was knocked to the ground, and the bright red wine inside spilled on the ground, just like..."

"Just like the blood of assassins!"

An abrupt female voice interrupted Sato Yu's narration. He looked up at the front seat and saw that the person who continued Sato Yu's words was Ms. Fujita Renko, the production manager of Kyoto Animation, who had been driving silently.

"Sorry, sorry! I was so excited that I couldn't hold back my words. Phew~ We're finally here. You guys... one person telling a story and two people listening to it might not have noticed that the car was driving dangerously. I almost drove into a pillar several times.

Fortunately, I am familiar with this road because I run on it every day. Otherwise, I might have caused an accident because I was too focused on the story.

What a great story, Mr. Sato is a rare talent. "

The worst thing to do when driving is to be distracted. As for the story told by Sato Yu, Fujita Renko herself wanted to ignore it and not care about it.

But it is so interesting and so gripping that even if you listen to it from the middle, you only have a vague understanding of many of the settings. But just by listening to a fragment that you don't quite understand, Fujita Renko couldn't help but immerse herself in it.

In fact, she even turned her attention away from the road in front of her while driving, escaping into the fantasy world to observe the magnificent Holy Grail War. She was so nervous about the battle between Kiritsugu and the magician Kayneth that her scalp was numb, and she was excited about the subsequent meeting of the three kings and the discussion of the kingly way at the banquet...

"Fortunately, I was born in the metropolitan area and have honed my driving skills through long hours of racing and collecting manuscripts. If Meguro and Ishikawa, who have always been driving slowly in Kyoto, were to come, they would have definitely fallen into the ditch and would have had a hard time climbing out."

Ms. Fujita Renko, who came to receive them, was eloquent and humorous. She joked as she got out of the car and led the three people to the main office, which made Sato Yu, who was talking happily, and Mochizuki Nanae and Sugino Miki, who were listening happily, all blush.

However, the recognition was real. Glancing at the handsome face of the young man Sato Yu, Fujita Renko's eyes were full of admiration.

Then, pointing her finger at the building, she introduced it loudly to the three people.

"We're here. This is KyoAni's first studio. Mr. Kigami, Mr. Ishihara and the others are all here. They've been waiting for a long time."

"Well, it's been a while since I last saw you uncles and aunts, so we have to have a good chat this time."

Nanae Mochizuki still has deep feelings for Kyoto Animation, the place where she was introduced to animation. She looked up at the three-story building, which was still the same as when she left more than ten years ago, and talked about the old people, her words full of emotion.

"Today is also a day for reporters to interview. No pass is needed, which is convenient..."

Hearing the urgency in Mochizuki Nanae's words, Fujita Renko tried to lead her further, but her voice paused. The three women all looked at Sato Yu, who was still standing there, looking up at the three-story building as if he was fascinated, and had not moved or spoken a word.

"What's wrong? Are you overwhelmed by Kyoto Animation's long history?"

After nudging Sato Yu, who was standing there in a daze, with his elbow, Mochizuki Nanae made a teasing remark.

"Well, a little, some emotion."

Historical heritage, cultural atmosphere exuding from the inside out, a holy land of animation?

It's just an ordinary three-story building. You can't see anything from the outside, at least Sato Yu can't see it.

But he still felt emotional, emotional about his past memories and the great disasters that he had experienced in his previous life.

It is not destroyed in the fire, nor is it reborn in the fire.

KyoAni, it still exists here.

Volume 133: Chapter Chapter . Danger!

That is something that has not happened yet, it is something from the previous life.

A few years ago when he inexplicably traveled through time and became Sato Yu, a fire broke out in Kyoto Animation, and the fire started in the building in front of him.

As for the specific details, because it has been so long, Sato Yu has forgotten a lot, but he still clearly remembers that the fire was extremely serious and the entire three-story building was burned down. Among them, Kyoto Animation staff suffered heavy casualties. It is said that more than 30 people died and more than 20 people were seriously injured.

Since Kyoto Animation's main painting work was done in this first studio, the fire burned down most of Kyoto Animation's manpower.

In the following two years, this once prosperous animation company no longer produced any works until the second season of "Miss Kobayashi's Dragon Maid" was broadcast, which was when it was reborn from the ashes and once again conveyed its voice to the industry.

That is a gratifying thing, but it is best and most gratifying to always be able to stand in the animation industry with the most prosperous posture and the most luxurious lineup without going through hardships and hardships, and to continuously produce excellent animations.

In the past, Sato Yuu was only concerned with saving his sister's life and making his own animation, and didn't care much about these details, but now...

Now that we've come so close, we should at least give them a reminder and try to save Kyoto Animation and help them avoid such a heartbreaking disaster.

Although the time in this world has come to 2023, which is long past the time of the Kyoto Animation fire in 2019, Kyoto Animation may not suffer from that disaster because of the different worlds and world lines, but Sato Yu is still prepared to give a few reminders.

In short, there is no best. If there is, he would feel much more at ease if something could be changed because of his advance reminder.

"I have explained to you many times that our company has not used any of the material in your novel. The doubts you raised are completely groundless. There is not even any coincidence. It is ridiculous..."

"Xingcai, why are you yelling as soon as you get back?"

Because reporters would also be here for interviews today, the gate access was completely open and anyone could come in and out freely. They didn't even have to swipe their access cards or inform the front desk. The person who was responsible for receiving the three of them from Kyoto Animation, Fujita Koiko, led them directly into the company.

As soon as she entered the main hall, she heard the receptionist loudly explaining something to the other end of the phone. It would be embarrassing to be seen by outsiders, so she frowned and hurried forward to ask, while signaling with her eyes to the receptionist named Xingna to hang up the phone.

"Huh~ It's still that person whose submission was rejected who's pestering us, insisting that the animation produced by our company plagiarized his novel. He won't listen to anything I say, it's so annoying."

"Stop complaining and call Supervisor Kigami and tell them that Pandia's President Mochizuki, Mr. Sato, and Ms. Sugino are here."

"Okay, right away."

"Please wait a moment, Supervisor Mugami and the others will be down soon."

After a few words of instructions, Ms. Xingna at the front desk called to report, and Sato Yu and the other two were arranged by Fujita Renko to sit in the main hall for a while.

"Ms. Fujita, is this the only wooden staircase you have for going up and down the stairs in your club?"

While waiting, I took a look around the furnishings of Kyoto Animation's headquarters. As an animation company with the highest break-even rate and the lowest break-even line in the industry, its interior decoration is quite exquisite. The hall is decorated with various wood carvings and flowers, making it feel relaxed and lively. In the center is an exquisitely shaped spiral wooden staircase connecting the upper and lower floors.

Seeing only this wooden ladder, Sato You couldn't help but ask.

"In addition to the wooden ladder, there is a staircase on the inside, but the door is usually locked. If you want to go up and down, you should use the wooden ladder."

"This is a little dangerous."

Looking at the wooden ladder, some memories about the Kyoto Animation fire came to his mind, and Sato Yu remembered that in his previous life, the arsonist seemed to have poured gasoline under the wooden ladder, and then set the entire three-story building on fire.

In order to prevent earthquakes, most houses in Japan are built with light wood as the basic material, which is extremely easy to ignite. Nowadays, wooden ladders are still used for going up and down...

"A three-story building uses wooden stairs for aesthetics. If a fire breaks out, not only will the up and down passages be cut off instantly, but the fire will also spread to the second and third floors in a very short time, making it very difficult to escape in a crisis."

I remember in my previous life, when the firefighters put out the fire and entered the room, most of the victims were found on the top third floor. They were all burned to charcoal and died miserably.