Please make money.

Alia put on her headphones. "Six hundred and forty tons, twenty-two meters high, twelve and a half meters in diameter. It was transported by water. It was quite a struggle."

The outer shell of this thing was modified from the seat ring of an 800,000-kilowatt hydro-turbine generator set, all thanks to the guidance of engineers.

At first, Alia asked someone to make a similar shell, just in a similar shape.

As a result, the real industrial engineers of the Ai Group took a look at the concept drawings drawn by the artist and said, "Isn't this equipment for a hydropower station?"

Alia asked if the hydropower station equipment looked like this? When we compared the two sides, it really was. At least the grandeur was immediately apparent.

I have to say this is really delicious, Alia likes it.

Later I asked, and it happened that they had some engineering spare parts, so at most they could add some small decorations on the outside, and the main focus was on texture.

Alia did some calculations and found that the shipping cost of this thing was cheaper than the detailed special effects, so she slapped her thigh and just had it shipped over.

The way she does things is probably also the same idea of ​​directors who like to sell copies and make big moves.

Making special effects is more expensive than directly blowing up cars or dropping sports cars from planes, so why don’t they just shoot them for real?

So some things are counter-intuitive, even though most special effects are cheaper than live action, some are not.

For example, in Resident Evil 1, it cost tens of thousands of dollars to make the special effects of zombie dogs, but it only cost a few hundred dollars to make a rubber zombie dog model.

The actors can also kick hard a few times to make the filming sound more powerful.

In fact, special effects should be used in scenes that cannot be filmed in real time. Of course, if it is too expensive, then we can compromise.

In the movie Resident Evil 1, the captain was cut into many pieces by lasers in the laser corridor. The scene was a definite childhood trauma.

However, special effects were too expensive and seemed impossible to produce, so in the end the props team made a life-size model based on the captain actor's appearance for the filming.

It also includes complete human tissue, which is cut and then pieced together. When shooting, the support is removed and the tissue falls apart. The texture is simply amazing.

Alia’s idea is the same, she will do whatever is practical, she has money but she pursues quality more.

Pacific Rim 1 is about quality, while Pacific Rim 2 is just stinking shit. The audience can see the difference at a glance.

So she took some time to prepare these things, and also made samples of powered exoskeletons.

Not to mention the space station's cabin, transport vehicles and the like.

For Aishi Heavy Industries, that thing is just a matter of changing the paint...

However, Su Nan could no longer listen to Ailia's introduction. He wished he could stick to it and sleep with it.

Is this a movie? Huh? Is this a movie? ?

"Let me drown here!"

"Oh come on, don't drown, get to work."

"I have to reshoot a lot of the plot scenes on the ground line! I have to reshoot them!"

"Then let's reshoot it. You're the director and you're telling me this?"

"it is good--"

The first part of Wandering on the Blue Planet has three main story lines.

One is the ground line, one is the underground city line, and one is the space station line.

When we were short of money, the space station storyline was almost cut, but fortunately, Alia was the scapegoat.

As a result, now that the new props have been brought back, Su Nan feels that the old "shoddy" props are an eyesore.

No! I want texture! I want a texture that is more real than the real thing!

Su Nan hugged this six-story-high "filming prop" and kissed it for a long time, then reluctantly went to look at the smaller one.

Then he knew why Alia asked him to wear headphones...

"What's this?!"

"A planetary engine, a model of a distant view, modified from a turbojet engine. Of course, this thing is mainly used as a real-life reference."

A planetary engine model as tall as a person was spewing flames, shaking, trembling violently, and splashing dust.

The art team looked at it up close and realized what was missing from the concept art they had drawn previously. They all trembled as if holy light was shining on their faces.

The engine used in the movie is a heavy nuclear fusion engine, the kind that burns stones, and the texture is very different from this one.

It’s not like Alia doesn’t have heavy nuclear fusion technology…

That is to say, these days, there is always the possibility that a village chief or something will pass by and share with you something about the nuclear industry.

But it's really inappropriate for her to take it out now.

As a time traveler, the most amazing thing Alia has produced so far is actually the design drawing of a powered exoskeleton.

This is already a bit like a supermodel, but Alia can't remember more in her current state.

Don't ask, the answer is Xiao Zhangyu, what's the point of having a vacation world, it would be much better to just make a movie and have fun.

But even so, Master Ai San was impressed by the power exoskeleton design that Alia took out.

He asked Alia where this thing came from, and Alia said she bought it on the black market abroad.

There is a genius called Des Moines, who sells his skills cheaply and even sells himself to bury his father.

Master Ai San wants to rescue the person, just like Sister Jing wants to rescue Miss Nong Lan, they are both talented!

Arya said it was a pity that Mege was gone - dead↑↓ - died at sea, a despicable case of intentional injury at sea.

Master Ai San denounced the bastard who deliberately hurt people and felt heartbroken.

The other party, for his own selfish desires, killed a rare genius in the mechanical industry!

Ailia said, yes, yes, yes, I hope you can face your life in the future - cross out, this is not the usage - I hope you will pay attention to safety in the future.

What if one day I go out, eat hotpot and sing songs, and suddenly get robbed by Ai Muzhi?

In fact, what Alia took out was the design drawing of a mechanical prosthetic limb of a "friend" she once had. It was an open source prosthetic limb.

The Ai Group will use it to further develop powered exoskeletons and to make barrier-free products in the future.

In fact, it is already being done, but not in the mechanical and chemical industry department, but in the gaming department.

The gaming department is developing a new game controller, and Alia asks them to spare no expense to simultaneously develop an accessible version.

Even system accessibility and aging-friendliness after AOS should be put on the agenda at the early stages of development.

But these are all behind-the-scenes stories. Master Ai San worked hard for two weeks, and finally gave the sample to Alia to make a movie.

Su Nan didn't understand this principle. He just hugged the 22-meter-long iron shell and stuck to it, not knowing that the truck behind it was full of good stuff.

Although this cannot be blamed on others, it is just like a normal person has twelve-year-old good wine hidden in his wine cellar, but the weird uncle has a twelve-year-old little Lolita hidden in his wine cellar. The idea is not right.

Who would make a movie to this extent?

So in order to achieve the purpose of product placement in the movie, they are churning out new products, right?

After a lot of chaos, the crew restarted in the afternoon. Su Nan, who had replaced his shotgun with a Miga particle rifle, was in high spirits.

He picked up a loudspeaker and cleared his throat: "Turn on the machine--"

"Hiss..." Brother Hao next to him took off his headphones and said, "Director, we are changing equipment. Can you please stop shouting?"

New headsets come with a complete indoor communication system.

It is so precise that the camera at the end of the studio can be moved five centimeters to the left during filming!

The era of loudspeakers is over, now is the era of precise micro-management.

Su Nan once asked Alia if it would be a waste to develop a product just for them.

Alia says can’t I use it to sell peripheral products to fans of the film?

Su Nan felt that no fans would pay for it - it would be enough to support the box office by watching a sci-fi movie, and they also wanted to develop peripheral products?

Alia said that things may change over time, and when the time comes you'd better take the goods and sell them instead of having money but nowhere to buy things.

If Alia doesn't make 100 million yuan from fans, it will be a shame for the future box office...

Su Nan thought that Alia was just comforting him and was deeply moved. He could only repay her kindness by working harder on the filming.

Otherwise? Do you really believe that the peripherals can sell for hundreds of millions?

"Oh, sorry, sorry, I just got the new equipment and I'm not too used to it."

Su Nan scratched his head, and quickly led everyone to adapt to the equipment and started filming.

As a useless financial sponsor, Alia took a small notebook and marked all the wishes one by one to fulfill them.

Su Nan didn't care about her as long as she didn't roast durian with a headlight in the studio.

What? Walking around affects your performance? Blocking the camera?

That is a test for you!

We can't take pictures if there is even a little bit of external interference. Are you made of glass or porcelain? So precious!

What? The one blocking the camera wasn't the eldest daughter - beat her out! Beat her out with a stick - who is so ignorant!

The sensible Alia strolled to other studios, where Group B was filming a scene with a powered exoskeleton.

The coordinating team had a peaceful mentality, as peaceful as if they had attained enlightenment, and they no longer had the anger they had before when they were pulling out handfuls of people's hair.

The reason is simple. Alia brought new coordination software and improved their workflow.

From modifying the script, to improving the storyboard, to the status preparation, testing, modification and confirmation of each department, everything is included.

The predecessor of this thing was the masterpiece of the guy in the design department of the Electronic Sales Department when Alia asked Sister Jing to develop new home appliances.

The other party is now the boss of the design institute, nicknamed Shisanlang, and his main feature is speed.

The coordination software he spent a lot of effort to develop has now been ported to AOS and is likely to become the prototype of the future AOS ecosystem.

Microsoft and Apple are working on workflow, and now Alia is doing the same. There is no technical threshold, and the main feature is the support of data volume.

The crew was very touched that Miss developed a software specifically for us!

The Electronic Sales Department was also very touched. The eldest lady specially found a crew to test the new software for us!

An Lele was even more moved. The two of them were running towards each other. It was so sweet.

Only the programmers are not moved. This (TM) group bug fixing is killing me...

However, Alia gave them triple the overtime pay, and the programmers thought it was actually okay.

It's not about any bonus, really. It's mainly for contributing to the future science fiction film industry, with a selfless theme.

Alia said that everyone had worked hard, and that the travel allowance was also included. So the programmer remained calm in the face of the script supervisor's roar, as if basking in the spring breeze.

Got a problem? A serious problem? Let me see the source code - Yeah, backspace! Delete the space! It works perfectly!

Of course, if there are physical documents, it is better to print them out, so the next product of the electronic business department will be a printer.

The main selling point is that it can automatically eliminate handwriting traces.

Someone asked Alia if this design was specifically for sale to the crew?

Alia said no, this design is specially sold to parents with children at home...

Of course, the program group’s work is not entirely about fixing bugs. They are also responsible for helping to debug the UI, which is that sci-fi screen interface.

The screens for the crew were also specially supplied by Alia. They were not taken from the LCD factory, but were specially modified by someone she asked to do so. They are magnetically attached and can be disassembled and assembled individually.

Su Nan promised that in the future, if it comes to movies and science fiction, and uses screens and UI, there is no other choice but to look for Ai Group! Perfect!

Thanks to his good words, Team B later filmed the in-vehicle UI of the transport vehicle. One group was stuck on the automatic upgrade of the Windows system and waited for more than an hour with a blue screen.

Su Nan then promised again that if AOS could be developed, it would be perfect!

The director of Group B finally chased these two troublemakers out with a broom. It was annoying just to watch them - get out of here!

Alia strolled around and discovered a very subtle thing, that is, no one in the crew realized the power of the powered exoskeleton.

That's really interesting hey...

Although the powered exoskeleton was much lighter when they were filming it, they still didn't believe that it could really move.

During filming, we used a tripod to hang the camera up. After finishing a set of shots, we quickly brought a stool over for the actor to sit on.

The stool had to be raised with a wooden block - because the actors couldn't sit down because their movements were restricted by the exoskeleton.

Alia was laughing so hard, they didn't even plug in the batteries, they really thought it was a prop!

The actors also praised this thing for being so lifelike, saying it was worthy of being a science fiction film and the props were so sci-fi.