Tsuihou Sareta Bannou Mahou Kenshi wa, Koujou Denka no Shishou Tonaru

The performance of the magic wand is determined by the material of its body and the ore at the core of the wand.

For example, one of the executives of the Knights of St. Sophia, the scepter of Arte the Wise, is based on a goat tree and fitted with a large diamond at the top of the scepter.

It is a difficult material to handle both goats and diamonds, but if the operator can use it, it performs highly, especially in the use of offensive black magic.

In fact Arte masterfully controlled the wand to gain fame as an attacking magic genius.

The one I chose for Empress Philia, with the help of Perse, was Sakura's wand.

Silver is used in the core of the scepter.

Both are high quality materials for beginners that are easily familiar to the operator.

Phyllia was holding the reddish-colored wand dearly.

After we bought the cane, we came back to the mansion.

The study on the ground floor of the mansion was used as a training room for sorcery, and we were in that room.

It's only past noon, and I was just about to start teaching Philia magic today.

"How about, what's your first wand for yourself?

I smiled and asked Philia.

"Yeah! Sounds good. But..."

"Are you dissatisfied with anything?

"It's the wand Solon has prepared for me. I'm not dissatisfied. But you wanted to try a magic sword like Solon."

That said, Phyllia glimpsed the treasure sword Tetracord being lowered to my waist.

Originally, if you don't have a cane, you can use it if it's faint magic, and some are even more substitutes for a cane.

One of them is a special sword called the Magic Sword or the Holy Sword.

But I shook my head to the side.

"By nature, using magic swords to use magic is a bad way to go. Only, this is just a replacement for the wand"

The magic sword is used to use magic by looking at the pattern and body of the sword on the scepter.

Palladium is used in the nucleus of the treasure sword Tetracord, making it a pseudo-wand.

It also performs quite well as a pure sword, and at the same time carries a special curse that the sword itself produces magic.

Thanks to this, I can fight many demons in my favor alone.

It can also unleash magic of considerable strength without chanting.

However, in the sense of magic training, magic swords are more difficult to use than regular canes. And if you rely on the magic of the sword itself, the magic arm will not rise.

"Magic swords are tools for combat. When Dr. Lucy taught me magic, I usually used canes."

When I used my magic sword, my master, Lucy, looked sinister.

"It's out of the way to use a magic sword, so follow what I say and focus on studying magic," Lucy said as a cliche.

But I'm not like a genius like Dr. Lucy.

I wasn't talented enough to work with magic normally.

So I chose to be a magic swordsman.

He spoke to me with the voice Philia played.

"Well, then, if I become a magic swordsman like Solon, and I become an adventurer with it, that means I can use a magic sword, right?

"That's right..."

Filia wants to be a magic swordsman like me, she says.

But I don't think that's necessarily the right answer.

Wouldn't Filia have a more suitable path?

White monks with strengths in church-style restorative witchcraft, like the Virgin Sophia, for example.

Or a black magician specializing in attack magic like the sage Arte.

Philia seems to have a high quality in magic, and I don't think she needs to be halfway through something like a magic swordsman.

But that's for Philia to decide.

Of course, I will give advice on the future direction of Philia.

More than that, we now need to give priority to teaching Philia basic sorcery.

When I first met Filia, I only taught her some really simple magic that could be used without a cane.

"Solon is going to teach me magic."

"Right."

"You finally feel like a master and apprentice!

Philia glowed her face with joy.

Making me look like that makes me happy, too.

Me and Philia looked at each other and laughed dullly.

Well, let's get to training.

"Shall we use simple floating magic first? Try putting up a cane."

"Yeah."

Philia grabbed the Sacramento tree wand with her right hand and threw it forward.

Posture is fine with that.

Later, if you say "float" as it is, very little Filia should be able to rise off the floor.

But Philia chanted, "Float," but nothing happened.

Phyllia shakes her neck.

"Probably didn't pass the magic through the wand well."

"What am I supposed to do?

"I'll help. May I borrow your hand for a moment?"

"Fine."

Philia smiled, offering her right hand with her wand in her grip.

I lay my hands over those white hands.

"Sounds kind of ticklish."

"Excuse me, please be patient for a moment"

"Yeah, I've been like this forever, haven't I?

Filia said so in a beautiful voice and dyed her cheeks a little red.

I felt the tingling sensation of Filia's little hand and was a little embarrassed.

Speaking of which, when I also learn difficult magic, I had Dr. Lucy lay her hands on me like this and used magic with me.

Even then, Dr. Lucy looked embarrassed, but now I'm in the teacher's shoes.

"Please chant at the same time as me."

"Yeah."

Phyllia rang and I went along with it.

"" Float ""

Fluffy, me and Philia floated.

Success.

Once the magic is successfully passed through the wand, the senses can be grasped and the same magic can be used next time without any problems.

"Now, keep slowly weakening the magic output..."

Suddenly we fell to the floor.

Philia stopped the magic too quickly.

Not a lot of height, and I could get my posture back on fine, but Phyllia wasn't.

I panicked and stopped filia.

"Are you all right, Dear Philia?

"Ugh, yeah. Sorry, Solon."

After that, Filia turned her face bright red.

Phyllia dressed to be hugged from the front by me and almost had each other's faces close enough for her lips and lips to touch.

I rushed away from Philia.

"Excuse me."

"You could have just kissed me like that, couldn't you?

"You shouldn't tell such a joke."

"The back of my hand and you already kissed me on the cheek, so my lips are next, right?

Phyllia looked at me in the eye.

During a duel with Gillan, deputy captain of the Imperial Palace Guard, I kissed the back of Philia's hand.

A duel for Philia, which meant it was a ritual of victory.

A kiss on the cheek, that's when Philia teased me and I had a "father and daughter" hangout with Philia.

They were both embarrassed, but, well, nothing more than a manifestation of dear love.

But kissing your lips is not something you can do with rituals or jokes.

Nor would it do so in relation to the master and the disciple.

"Now, let's use another magic to tame the wand"

"Oh, you're distracting me"

"No, that's not it..."

"If you don't answer properly, you can't, can you?

Philia stared straight at me, and I was confused.

I wonder how to answer that.

But soon I no longer had to worry.

Because Clarice opened the door to the room and came in.

Clarice, dressed as a maid of honor, looked in a hurry, and when she entered the room, she took her legs off and fell softly.

"Ugh, it hurts..."

"So, are you okay? Mr. Clarice?

"Hmm. If Mr. Solon hugs me, I feel like I'm going to heal..."

Sounds fine.

I overheard Clarice's joke and reached out to Clarice.

Clarice looked a little sorry, then smiled and took my hand.

"What's going on in such a hurry?

"A customer is here!

"Customers? In this mansion?

"Yes, and I'm sure he's an important customer"

Clarice gave the name of the visitor.

The guest's name is Summoner Notaras.

He's one of the thirteenth executives of the Knights of St. Sophia, my former companion.