Tsumi Kake Tensei Ryoushu no Kaikaku

That's a common story, I think, and Sola looks at the fictional romantic pattern that plays out on stage.

This play about Mathier coming to see a lot these days is called The Maiden of Letters.

It seems to be a relatively new performance that the gig started last year.

I was heartily relieved that it was not a play about the Flame Squad, but it was a story that was about to yawn.

The contents are common, with replies where I sent letters to other territories to play, and as I deepen my love while interacting with the other woman on the letter, the slippage that comes from the fact that the pedestrian who entrusted the letter did not receive one letter instead becomes progressively greater and different.

Later in life, knowing that it was a mistake from not receiving a single letter, the protagonist travels to meet the woman, thinking that the other woman should already be married.

During the journey, Metier stared at the play as she ate next to Sola, who looked at the protagonist, like Mr. Mary, who proceeded with several letters.

I wonder if the person in the letter is married anyway, whenever there is a portrayal of the main character shaking his heart at the woman he meets on the road, Mathier looks like he's going to get a toothpick.

It seemed funnier to be observing Mathier than watching the play itself, but just because it's rude, Sola had no choice but to wait until the play was over.

The accompaniment of an instrument that is occasionally sandwiched boosts the mood of the audience, but Sora's heart doesn't move.

At the very least, Sola would have been a little more intrigued if a large band had played, but this is only theatre. There were also only about three types of instruments used for accompaniment.

The curtain descends when the protagonist performs a reunion of destiny with the maiden of the letter and receives a large circle.

Sola applauded both Mathiers for the actor's good fight. I don't have any emotions for the script, but only the biggest theater in Wangdu and the actor's acting was great. I ran out of words.

So much so that I thought I'd bring Salon and Rose in this time.

With the noisy footsteps of the first floor guests leaving the theater on their backs, Sola heads to the waiting room prepared by Mathier and the manager. After the curtain, the front of the theater became crowded for a while, so he prepared a quiet waiting room.

The door opens when we are welcoming him in the waiting room with the manager and with the actors who played a leading role on the earlier stage.

I also thought the crowd outside had subsided, but then I should knock before I open the door.

Fire Squad moves subtly between Sola, Metier and the door.

But it was a boy about ten years old who opened the door and came in unworthy of vigilance.

The boy, who looked at the flames squad and circled his eyes, muttered a word, "It's real," and closed the door.

"... that's adorable. You must be the kid who played Viscount Kleinsert on the Flames ten days ago, right?

Mattier turns to the water, caring for the manager who was worried about how to fix it.

The manager glanced at Sola for a moment.

"Uh, yeah, it's something I haven't had yet, and I'm sorry. How was the play ten days ago?

"Right. There was something about people who cared too much about the audience to know who the dialogue was directed at. I thought you should be careful because gaze is an important part of playing."

"Master Mathier takes a good look. Your input from the audience is invaluable, so if you have any further notices, please do not hesitate."

To Mathier's point, the manager smiles and returns the words.

When the boy's intrusion was abandoned, he was told that the door had been knocked and the crowd in front of the theater had been eliminated.

Thanking the rulers for dropping me off, Sola boards the carriage with Mathier.

It's a little later than planned, but if we head to the Marquis de Giestra residence now, we'll be there in time enough for dinner.

It was quiet in the carriage.

The talk about the content of the play was made clear earlier while I was in the waiting room with the managers, and there is no other common topic.

More importantly, Sola doesn't feel comfortable because she is not as interested in Mathier and this time the play sight was also half-forced by the pressure of Marquis Giestra and Prince Wang.

Still, I had an idea to entertain Sora as well.

But Mathier looked out of the carriage all the time, and the conversation just grinned and peeled.

I'm not going to force Sora to talk, either, more than Mathier is willing to go along with the story.

It was already in the carriage of the masked couple, but the silence persisted until the Marquis de Giestra residence because there were only two Sola and Mathier.

The servants were not the only ones who climbed through the gates of the Marquis of Giestra and welcomed the carriages of the Solas who boarded inside the premises.

Apparently, a servant ran to call when the carriage crept through the gate, and the Marquis of Giestra stands at the entrance to the mansion.

Sora, who was going to leave soon after sending Mathier over, had no choice but to greet the Marquis of Giestra.

"Thank you for today"

"Mm-hmm. I hear Metier bothered you when you went out."

It's not a topic my father would bring up, Sola, who wanted to put in a penetration, but realizes the intention in the words of the ensuing Marquis of Giestra.

"I wanted to apologize. Would you like to join us for dinner?"

I have no choice but to say no to Count Sola when he offers to apologize to the Marquis, who has bothered to take his feet in front of the front door.

Though Sola wonders if Mathier's crude phase was a Marquis de Ziestra ploy from the outset, he even looks surprised at Mathier, who he confirmed with a slight lateral eye.

Sora looks back at the flame squad of the escort, starting with Gorge.

"Tell Cole I don't need dinner."

Copy that.

One of the flamethrowers undertook to go home one foot to Sola's mansion.

"Mathier, did you enjoy seeing the play with Count Sola?

"Yes, Father"

Mathier returns words without expression.

Marquis Giestra looks back at Sola after he says, "Well."

"Don't hesitate to tell me if my meal is not right for my mouth. Let us make what Count Sola desires."

"Now, what Miss Mathier prefers, please"

Though I thought I'd ask for some miso soup and give it back my interest, Sola takes me to the dining room of the Marquis de Giestra residence as she is guided.

I don't suppose that Sola would say no, but there were silver dishes available in the dining room for a number of people.

He seems to be willing to welcome the invitations, even if they are forceful, and Marquis Giestra recommends the seats to Sola.

"Don't hesitate, then"

Occupying a seat where silver dishes are not placed, as the word suggests, Sola peeps into the reaction of the Marquis of Giestra.

The reaction was extremely thin. The servants prepare a new silver dish with a calm face and arrange it in front of Sola.

Marquis Giestra took out his lovable glasses, sitting opposite Sola, this one also in a seat where no silver dishes were provided.

"Count Sola, why don't you sit next to Metier?

"Conversations are made by looking at your face. Even more so if you're apologetic, shouldn't you be sitting in front, not next door?

"Hmm. Is there such a way of thinking? I was thinking of giving Mathier a chance to make amends by putting him in the same seat as the carriage, but the apology came first."

Marquis Giestra is convinced of Sola's statement and calls Mathier next door.

Coming late, the Marquise of Zystra looked around at the order of seats in the dining room and sat next to the Marquis of Zystra.

Dinner is brought to the front of the Solas, who remain facing each other on a one-on-three basis.

Sora peeks at Mathier as she talks about the play she saw with Mathier.

I was concerned that Mathier was showing a bare gesture of caring outside the window as well as when he was in the carriage.

I have already guessed that my friendship with Sola was summed up in disregard of the will of Mathier himself. It's a story compiled by Prince Wang in defiance of the will of Sora, the Count. There would have been no better way for Mathier to take this fringe than if the Marquis of Giestra had been on board.

But I also think that Sora would like to see the sky above in the name of apologizing for her own loss during the meal with the person she talks to.

Fortunately, however, Mathier's seat is next to the Marquis de Giestra, and if Sola keeps her attention, neither the Marquis de Giestra realizes that Mathier is painted with shame.

To turn the awareness of the Marquis de Giestra to himself as much as possible, Sola prolongs the conversation as she chooses the words.

But you haven't noticed Sora's efforts like that, and Metier doesn't have the appearance to change her attitude.

On the contrary, I let my eyes shine and twitch like I found something outside the window.

There's no way Marquis Giestra wouldn't even notice if he had that attitude next door.

"- Master Mathier."

Shortly before the Marquis Giestra turned his attention to Methier and complained, a made-up of the scuffle appeared at the entrance to the dining room, which was also out to pick up and drop off the carriage, calling the name of Methier.

"I have a letter for your daughter."

Mathier turns to his maid of honor as he was played.

Marquis Giestra frowned at Mathier as he tried to stand up.

"Mathier, we're eating."

"Father, we've already eaten."

Seeing, Mathier's plate had already been cleaned up.

When, and grunting Marquis Giestra, the servants look cool.

Sora, sitting face-to-face, had witnessed but said nothing about Metier secretly cleaning up a plate with just two or three pinches of food on it.

The discomfort I've had all day in Sola changes with certainty.

Mathier is trying to blank this conversation.

Sora grins inside.

There will be no hand in not riding Mathier's measures.

"Marquis Giestra, if you think of the play I saw with Miss Mathier today, it would be most natural to want to reply to the letter as soon as possible. Miss Mathier, you don't have to worry about me. Respond quickly to the person in the letter."

It doesn't matter to Sola, like who she's dealing with.

Because if Mathier keeps stacking up his lethargy, he can take it to an atmosphere where he turns down the fringe from Sola.

It was a one-shot reversal, and I thought Mathier had a full smile of flowers blooming in Sola's words.

The smile illuminated from the side on the summer sunset as it plunged through the window was like a red Dahlia, with beauty until gorgeous.

"Thank you, Master Sola. Thanks for the day, it was fun. Now please don't invite me from Sola."

When he told him so, Mathier raised Sora and Marquis Zistra to his room with the maid of honor to leave them in the dining room.

Even if it were a social decree, I would have to ask him out in front of Marquis Giestra to tell me that I wanted to go out with him again.

Moreover, the way Sola was called had changed to like, not earl. There is no small difference, but it is interpreted by the Marquis of Giestra that the distance between Sola and Mathier has narrowed if it has been changed at the same time as the word we want to go out with, even though it is a social dictionary.

I didn't understand the meaning of Mathier's actions.

Marquis Giestra turns to Sola with this luck.

"Thank you for caring about Mathier. Mathier seems to be on board, so I'll make up my mind about the next outing."

Sora, who would take the form of a ladder removed by Mathier, had to snort as she contained the confusion into her chest.