Two as One Princesses
gossip siel and awakening * siel perspective
When I got to the point, there was something in my world that I felt bad about and something I wanted to be with all the time.
Now that I think about it, I don't like it and I like it, but I didn't even know those words at the time.
Those who dislike it are a man named Duke of Lispergia, and those who like it are blurry glowing beings who later named themselves Einsel.
Einsel, Einsel has been letting me hear the sound - the song - for a long time now before he became conscious. There were a lot of different kinds of sounds but I didn't feel like I didn't like any of them. Instead, when I was mindful, it was only natural that Ain was singing to me.
Then, when he lived in the barn, he also felt that he was wrapped in something warm from time to time.
Now I know this warm thing was Ayn's magic and the junction that was protecting me, but at the time, as a natural thing, I didn't realize its gratitude.
What I have now - I know that I can live as a knower of all kinds of emotions thanks to Ein's presence. Without Ain, even if he had survived, he must have been just like the doll.
Such Ayn did not sing when the man - the Duke of Lispergia - came, nor was he unbound.
So it didn't take him long to recognize that a man is a bad thing that keeps Ayn - kindness and warmth - away.
After the man came, he was cut with a knife calling it a meal, but the feeling is mahi or the pain can only be felt by the heat.
Speaking to Ein about this time, he was worried that his ability to feel dangerous had gone crazy because he had been in danger since he was born.
I can say I can tolerate it lately, but I can see the difference between pain and heat, and I don't think I need to worry about it.
Anyway, before I turned 5, I had a verse where Ein felt it was one of the phenomena, not people.
The man who came when he turned 5 taught me what to do now and my future harm by it, but I doubt he understood it at the time. Somehow, I know that I can't cure the wounds I can wear now.
At this time, the man seemed to think I was becoming a god, and he spoke softly and politely, and he also said that he would do everything in his power to make me happy - although I was eventually given my palm back.
I can tell you that it made more sense to me to tell me that the disturbing sound - the voice - that I heard in the incident that happened after that was also willing to the light that was protecting me than about such a man.
After the incident, usually before the next man arrived, I was supposed to hear Ain's song, but I never heard it, and the junction protecting me never returned.
I was just anxious about that, didn't know what to do, and realized how much Ayn was supporting me at the same time.
The guy who came took me to another room, told me to read the book, knifed my whole body off to the mood of eight hits, and the shock that I was bandaged, but Ain't gone, was bigger, and I didn't really care.
From then on, in a blurred consciousness, I think I was reading a book. First you have to remember the letters, and make sure you pick and read the ones with the pictures and letters on them.
I just wondered if I could somehow read it, and a man a little older than the Duke of Lispergia came with something.
I had something from my mouth for the first time but it was very painful. You can put food in your mouth, chew it, and swallow it, but it's hard to swallow.
Plenty of time, I ate bread and soup, but you spent too much time, and when he put something as black as a rush into my mouth, he held my mouth by his hand so I couldn't spit it out.
Swallow with gokuri and your body gets strangely hot when you lose as much. Inside your body, feeling like something is rampant. They're circling around somewhat in their bodies, and if that stalls at all, their bodies are going to break from it.
I was trying to do something about it, and the flow stretched out to the hair. That made it a little easier, so I didn't particularly care, but apparently my hair grew white at this time.
If I noticed, there was no one in the room, and I was left to read the book silently.
When I think about Ain, it gets hard somehow, but I never thought about anything else, so I had to read the book.
After reading all kinds of books, I somehow came to understand what "people" are.
Anyway, there were so many stories in this room about certain people. That's how I realized I might have been abandoned by Ayn.
I just got it, and I couldn't give it back. I can't help being caught loving you. But from then on, the world suddenly felt faded.
So when Ayn's voice heard a trembling voice that wouldn't be a song, he said, "You're back?" At the same time as I asked, I burst into tears.
I didn't get the reply. Though I thought I'd missed hearing it, I remembered Ain's song and went to see if the words were different.
But that's all I need if Ain's on my side. That's what I think, slowly reaching for Ayn. While I was relieved that I couldn't escape, I felt the light coming into me sooooooo when my fingers touched the light (Ayne).
The colors returned to my world.
◇
I can tell you that the days since then have been many times more fun than before.
Tell Ein the words, ask Ein to sing, and that unsure drug wasn't hard at all when Ein was with him either.
Ein was protecting me with witchcraft, or he handles witchcraft better than I do, and he easily accommodates the outbursts of magic caused by drugs.
That way, when Ain was able to speak properly, I finally got to hear Ain's name.
But I soon found out that "Einsel" wasn't my real name. 'Cause I showed you how to think, and it felt like Ayn wasn't used to saying it herself.
I don't know if I can tell you my real name or not, but as far as I'm concerned, it's just enough to have Ayn for me, so I'm not particularly concerned.
Above all, Einsel and I were happy to be able to call him Ein, and I've spoken to him many times.
Then I told Ein the thanks I had been meaning to do if he told me his name for a long time.
It's not enough to put it into words at all, because it should be much better than not telling it.
But it's hard to get a response from Ain, and I got anxious, and I accidentally call Ain's name. I noticed that, for some reason, Ayn said, 'I don't deserve to be thanked'.
I wondered who to thank without thanking Ein, but if I listened carefully, Ein seemed very concerned about the incident I was no longer innocent when I was 5.
It's a scream, and I think Ayn is going to break if I leave him alone, but I don't know the words of comfort, and I borrow a few lines from the story I read before to tell him how I feel.
Ain't got nothin 'to lose about that case. Even if I were protected then, the Duke of Lispergia wouldn't have given up my purity, and I don't know what means to take next, because he seems like someone who doesn't choose the means for the purpose.
For example, when my stomach was mutilated with a meal, I was able to mutilate it more deeply.
Ain't bad, after all, because if you're followed by a meal, you'll have two choices: live a day where you can't keep your purity and eat, or lose your purity, and if you choose the former, I'm dead.
But Ein doesn't seem convinced, so I did one favor to avoid thinking about Ein any worse. It's about getting me named.
Maybe my name existed, but at least I haven't been heard.
Turning to the conversation about whether Ein's name was also something he thought of himself, Ein took it on as' I get it 'as troubled.
That's how it was given the name "Siermail".
I didn't know what I thought I made this name, but it's well worth it just to say Ein put it on me.
"Siermail, Siermail," he said, repeating in his head, his cheeks were going to be happy and loose.
◇
The day I turned 10. The Duke of Lispergia came to examine my profession (Job).
Until just before that, I used to talk to Ain, and I think I was very grumpy.
But what I was given was a princess of dance as planned, so my drinks dropped.
I think it's good to be seen how he's getting tough. My chest was soothed.
If they dumped me after this, I thought I could get away with it, as Ein assumed, but they wouldn't dump me, and the Duke went somewhere.
We were left, or I looked at the paper left in my hand and thought, heh.
I was wondering if Ein also has a profession.
So when Ayn gave it a try, he found out that Ayn was a singing princess.
Both princess positions. Besides, we're together to the point where they say it's an affair.
I was kind of very happy that Ein and I were in the mood, though maybe it's about to be depressing if it's true.
A few days after we found out the occupation, we were shackled and rolled into a carriage.
Apparently it was sold, but the first time I tried the sky, it was very blue and bright, above all broad, and very, very surprising than the sold reality.
I wanted to tell Ayn this emotion if I could, but I know exactly what's going on.
Now, above all, we have to think about running away.
But in this unplanned situation, I had a suggestion from Ein if I was wondering how to escape.
Apparently, they repeat history.
I'm the only one who does know Ayn is a singing princess, so you wouldn't think she was up to anything if she was singing in the carriage.
I accepted Ein's suggestion because it attracts demons, although our lives may also be in danger, fighting demons was also originally planned.
◇
Ayn is singing in the carriage. Even though you use my body, you sing in a beautiful voice as if it wasn't me, so I accidentally get overheard. Is the power of the singing princess doing something? But before Ein was awarded a singing princess, Ein's song had amused me.
Outside the carriage, there is a conversation that makes me want to frown unexpectedly. It's kind of very frustrating to make people in such conversation listen to Ayn's songs.
It's been a while since the demons gathered as planned and the escorts defeated them, but the carriage is safely moving forward.
Ein's right, if you don't come a little stronger demon, you're not going to get away with it.
If the carriage rocked me again for a while, I don't know how many times, but the carriage stopped again.
I wondered if the demon had come, but things are kind of different than before.
When Ain looked outside, there was a giant first demon, and those around him were divided between those who were running away and those who had given up.
Though I know it looks strong, as far as this looks, it looks really strong.
I just wave this stick in my hand and people are crushed to death.
I watched it somewhat, but suddenly something strange came to my body.
After a very unpleasant sensation of something coming up from the back of my stomach, something refreshing goes out of my mouth.
Ein is closing his eyes, he's blind to nothing, and he's pulsing so hard that his heart's about to break.
That's when I realized my mistake.
While I read some stories about a former hero defeating a mighty enemy when he was being pushed into the headquarters store - probably because the heroic profession was special - Ayn, who protects me, thought he was like a hero in a book that resolutely confronts the enemy.
But now upset Ayn is more like a princess who is sick watching people die for the first time.
Ein is sweet, so even if someone who has nothing to do with him dies, maybe he feels something.
Still, Ayn, who tries to get up without making a weak noise, may be strong, but he doesn't have to. No, because this is the time, I have to thank Ein.
In the first place, Ain't got to be helpless when it comes to fighting.
"Ein, stay with me."
Speak up, then have your body returned. Because I think I can do anything if Ein is protecting me, even though I may not be dressed up to protect Ein, even though I was thinking about something great.
Out of the carriage, no one was already moving, and the giant was on the run to destroy the carriage.
Is it because I'm the only one who moves, the giant turns his big eyes to me?
It's going to be for my three if I just look at the size, and it's going to be a payback even if I normally stand up to it. Because if I've never fought, I've never even decented my exercise.
But Ayn is protecting me. It's an attack that could hurt a lot if it's just a scratch, but I think Ein's connections would make it bearable.
In the meantime, let's see how much you can do.
And, although I gained momentum and tried to hit the magic, even a blow all over me was to the point of burning it.
I don't know, it's uncomfortable. My profession is Mai Himei. Even in this battle, what you're doing isn't feeling the same way you usually do when you're dancing. I have a little audience, I'm just weaving magic.
If I was having trouble with what was going on, Ein asked me if I would run away.
Though I wondered if that was possible, when I heard Ain's voice, I realized who the discomfort was. I was dancing, and Ein wasn't singing.
Ein's singing princess has an effect on "as far as I can hear her," so that means that I'm the only one hearing Ein right now.
Above all, dancing without Ayn's song is kind of very inadequate.
Ein noticed about the singing princess too, and soon the singing starts ringing in my head.
A very intense song, rare for Ein. I don't know what you're talking about, as always, but I feel excited.
Then first, I just danced to the song. By today, I've just done what I've repeated thousands of times.
But I'm tighter today than I ever was when I was dancing to Ayn's song. Does this mean that the gears have meshed together?
When the song was over, it was all over.
I don't know what to say myself, but since Ain started singing, I don't think it's been a battle.
Maybe it wasn't just the supporting effect of the singing princess, but it also fulfilled the conditions under which the Mai princess could fight with all her might.
Ein says it's too much, but I don't think so. Because I've been listening to Ayn's songs and dancing for so long that I don't even remember.
I wanted to take a breather by knocking down the demons for the first time, but Ayn said there might be other demons coming with the smell of blood, so I need to work a little harder.
Even when it comes to working hard, it just burns and buries the giants, so if you use witchcraft, it'll be over soon.
I just tried to burn it and waited from Ain but it took me a while.
They want to be sure because there's magic gathering in the heart part of the giant. I don't know, but I'm not even at Ayn's feet when it comes to special detection, so I don't mind exploring it if you're curious.
Take the knife out of the wreckage of the carriage and some things you might need in the future to add a knife to the heart of the giant. Then a sphere emerged from inside that was difficult to hold with one hand. If you hold it in your hand, you realize it's just a chunk of magic.
Something tells me it's a demon stone. Though I completely forgot, it should have been something I could use when using magic and magic.
I was knowledgeable, but seeing the real thing kind of touches me.
I praised Ayn for remembering that he could take demon stones from demons, but how could he have returned some sort of complicated reaction?
I decided to handle the giant for now because it doesn't look like I can go in deep.
At a time like this, at the same time I realized that magic was convenient.
"Hey, Ayn. Maybe I should have taken out the demon stone with magic, without having to use a knife?
'Ah... so, but it is. I think the knife may be used in the future......
No, um... my assumption is that I have more trouble finding it, and I'm sorry '
I was just asking for confirmation, but as for Ein, he was an embarrassing failure.
As I would fix it, I was talking early enough, but the second half stalls and my voice turns down.
I know it's unusual for Ein to fail in such a preliminary place, but more than that, something in me started to react to the current weak Ein.
Before fighting the Titans, I feel I have to protect Ayn, who may have seen a weak Ayn, but is shy and heartless or smaller.
At the same time, I want to watch Ayn, who is shy.
I wonder what this emotion is, what it is!
I don't know about Ain's expression, but I'm sure if you had a body, you'd be turning your face bright red.
I don't know, I don't know.
Maybe this is what it feels like when you feel cute. I wonder if it's love and emotion.
I've come a long way.
Even though Ain't in trouble, I'm a bad boy for loving Ain't even cuter in need.
But I don't want to make Ein sad.
I don't really want to see you worried. To the extent that I don't feel like Ein, I just want to give him a little trouble.
A child who shouldn't, a child who shouldn't.
I shouldn't let Ayn know about this emotion.
So I immediately changed my story. I was a little happy that I felt like I had more important things to do, though bad for Ein.
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