Wizards are mighty

After understanding the relationship between setting and reality, Vic was thoughtful.

"So, the 'author's' grasp of the lower narrative level is actually very broad."

"Because the 'author' himself is not powerful enough in the high narrative layer and cannot provide sufficient computing power to carefully weave the various rules and phenomena in the lower narrative layer."

"So after the 'norms' of the higher narrative level are passed to our lower narrative level, there will be a certain distortion."

"In other words, the world itself discovered the loopholes in these 'settings' and repaired them in some way."

"And those settings that conflict, or are difficult to repair, will be distorted to a certain extent."

"This distortion is where the distortion comes from."

The unreal Vic nodded in agreement.

"That's right."

“Although the existence of a high narrative layer has absolute advantages over our low narrative layer, the high narrative layer is limited by the rules of the world in their narrative layer, making it impossible to detail all aspects of the low narrative layer. change."

"Especially 'authors' who use 'novel' as a medium often write settings with many loopholes."

"The reason why most of the settings can operate normally in our narrative layer and allow various stories in our narrative layer to continue is actually mainly due to the self-improvement of the rules of our world."

"Although this kind of self-improvement can also be controlled by a higher narrative layer, when the existence of a higher narrative layer is not deliberately emphasized, the world itself will still perform a large part of the functions."

"And after we are freed from the control of the 'author' and even various entities in other higher narrative levels, our world itself will begin to develop freely."

"Many of the loopholes in the 'settings' will be fixed and improved little by little."

"In the future, maybe our energy will be focused on these things."

“It’s not that there’s nothing to do after ‘world domination’. How to build a world higher and make it perfect at the level of rules is not an easy task.”

Vic nodded slightly, indicating that he understood.

But not long after, he suddenly asked another question.

“Does the power of transcending narrative layers really not exist?”

"Is there a possibility that allows us to transcend the limitations between narrative levels and thus affect the world at a higher narrative level?"

Regarding this question, the unreal Vic shook his head with some regret.

"Unfortunately, based on my current research, this is not possible."

"Although we can now reach a certain degree of tacit understanding with the 'author' of the higher narrative level, as if influencing the higher narrative level."

"But really, we're all just doing one-sided messaging."

"In other words, the 'author' can see what we say, but we cannot know the situation and thoughts of the 'author' at this time."

"The reason why we can reach a certain degree of tacit understanding is actually because we ourselves are the projection of the 'author' at this low narrative level."

"Moreover, the 'author' at a higher narrative level also actively cooperated with us to do some things, thus making us aware of the existence of a higher narrative level and the 'author's own wishes."

"If he stops talking to us now, there's nothing we can do."

"Our influence on the higher narrative level is limited to that information, and it is the information that is reviewed by some beings at the higher narrative level after it is written by the 'author'." "And this information is not actually our power. , but the power of the 'author' at a higher narrative level."

"We who live in a low narrative level may really be unable to reach the existence of a higher narrative level."

"Even if we are omnipotent in our own world, we can do things that the existences in the high narrative layer cannot do at all, and we can enjoy things that the 'author' dreams of but cannot ask for."

"But our existence itself is completely subordinate to a higher narrative level."

"Even if it escapes the control of a higher narrative layer in the future, it's just that those entities at a higher narrative layer cannot tamper with us."

"As for the objective world itself at a higher narrative level, we are actually still one of the lower narrative worlds controlled by it."

"Suppose there is an advanced civilization in the higher narrative layer that knows everything and controls the entire world."

"Perhaps our lower narrative world will be discovered by them and controlled to some extent."

"It's inevitable."

"Of course, for those of us who can control time arbitrarily, we can actually make this inevitable never come."

"The specifics will depend on our choice."

After saying these words, the illusory Vic raised his head thoughtfully.

Now, both the real Vic and the illusory Vic are actually separated from the multiverse itself.

Arriving at an undefinable area outside their world.

Of course, it can also be said that the place itself does not exist.

They just left their original world, but they didn't exist anywhere else.

This state may be difficult for ordinary people to understand, but for wizards who have deconstructed all logic, it is as natural as eating and drinking.

At this time, Vic and the illusory Vic were waiting in such a state.

Waiting for the "author" of the higher narrative level to create a new world.

It is not appropriate to say that they are waiting.

Because time is meaningless to them.

Without the interference of the higher narrative level, if they want, they can always let their time go to any moment in the future or the past.

Even the world has completely belonged to them, what is the meaning of the so-called time?

When in that non-existent zone, Vic can not only vaguely perceive other low-narrative worlds belonging to the higher narrative level, but also perceive another almost identical "multiverse".

In fact, he can perceive those other low-narrative worlds because the "author" gives him the power.

Those low-narrative worlds are actually created by the "author" when he reads other works or imagines them.

Because they do not have a higher narrative world, they naturally cannot perceive the situation in other low-narrative worlds.

Although everyone belongs to the same higher narrative world, they are actually isolated from each other.