You said you would make a bad movie, but you are going to make JOJO?

When Jolyne Kujo placed her last hope on BD sales.

Praying that "Phantom Blood" would be one of the many works that were well-received but not popular.

Others in the filming crew of "Phantom Blood" also revealed this concern.

Although the premiere of "Phantom Blood" was successful, it was indeed very inspiring.

But if they were not able to give back to Green Dolphin Studio a satisfactory answer that they thought was satisfactory, how could they justify the preferential treatment they received?

Especially those industry veterans who were accidentally poached by Jolyne Kujo.

Facing Jolyne Kujo who gave them opportunities and hope, "a man dies for his friend" has never been an adjective.

Pucci was able to shoot "Phantom Blood" so easily the first time he picked up the full-dive device for shooting.

In addition to the extraordinary talent of the chosen actor.

There are also the old predecessors who were once active at the bottom of each crew and are almost familiar with the process of script shooting. They work overtime to help.

After all, if there is no overtime pay, anyone will just try their best to slack off.

But if the overtime pay is enough, then the company is my home!

That's right, to put it bluntly, even for this generous reward, they don't want Jolyne Kujo to really lose money and go bankrupt.

But in this situation now.

Whether it is the advance screening rights sold at a low price.

Or the wider it spreads, the popularity has been greatly improved during this period.

Naturally, it means that more people have watched the plot of "Phantom Blood".

In this way, can their subsequent BD discs really be sold?

You have to know that in terms of funds.

After Jolyne Kujo chose to increase the funds, they spent money on "Phantom Blood".

Compared with other works of the same period, that is the gap between the original "JOJO" and "Fate/stay night [UBW]".

Can they really sell enough BDs to earn back the capital?

"Of course, if they sell them out, they can earn back the capital!"

Puch said without any worries or doubts: "Rather, my idea is completely consistent with President Kujo!"

Kujo Jolyne, who is not here: I am not! I don't!!

"Choosing to release in advance seems to be a bad move, but in fact, it is a rare move for us, who are still newcomers and new studios!"

What is the overall situation?

That's it!

You have to know that even if Puchi himself did not have the knowledge of his previous life as a support.

He would not dare to say this and do this.

After all, in Puchi's previous life, online communication can indeed increase the income of animation, and video websites do have a driving effect on the sales of animation BDs and peripheral products. This is a fact before it is widely publicized.

Who would have thought that this kind of communication behavior can actually bring benefits to the producers?

"You know, for people who like our works, no matter what, they will choose to buy our BDs because of the gifts that come with the specials, or because true fans want to buy three copies, one for preaching, one for appreciation, and one for collection... These and other similar reasons."

"And for people who don't like our works, naturally, no matter what, they will not choose to buy."

"So for us who are not well-known now, the early screening clause is relatively loose, and it can also allow our works to be spread out, so that more new audiences can gradually become fans of our works. The playback channel is the best choice!"

Although this sounds like the process is deduced after knowing the result.

But in fact, Pucci is indeed like this. When he was explaining these words.

Or when Kujo Jolyne decided to broadcast in advance, so that they were ready to broadcast the episodes.

He had already conducted a survey and comparison of the sales of works in this world in advance, and found traces that this law of his previous life can still be established in this world.

Otherwise, why would Pucci contact [ ] and ask friends in the group to help promote this live broadcast?

Isn't it that he has completely understood Kujo Jolyne's intention.

Is he prepared to assist wholeheartedly, or even speed up this step to make the fame of "Phantom Blood" spread faster? !

——"Damn it, why is "Phantom Blood" a weekly drama that is broadcast in advance?!"

——"In this way, I have to wait for a week to see the next episode?!"

——"If I don't watch the latest episode of "Phantom Blood", I will die!"

——"If I don't watch the latest episode of "Phantom Blood", I will die!"+1

——"......"

After repeating several layers of stacking, even if someone took out a primitive life-state emoticon to forcibly interrupt this repetition.

It was also under the tenacity of the audience that this crooked building was repeated again.

Until......

——"I heard that the crews that choose to broadcast in advance are generally because they have no money......"

——"Looking at the many classic scenes in "Phantom Blood" that are almost the same as the full-on stealth movies, it does not seem to be false that there is no money or budget."

——"Indeed. Otherwise, I can't think of why a production of this scale of "Phantom Blood" would be put on advance screening?"

——"... Damn, isn't it just about money? Take my money quickly and show me the following plot!"

——"Shut Up And Take My Money!"

——"......"

......

Similarly, it is precisely because of watching these comments and messages in the comment section of "Phantom Blood".

Pucci is so confident about whether "Phantom Blood" will make a profit.

In the previous life, David Agency was able to sell more than 20,000 copies of the work with such a stingy production budget.

In this world, there is no spoiler in the original comics, and the production budget is not comparable to that of David Agency. It is not too much to double the sales volume, right?

"So, it's so lucky that Jolyne Kujo chose me as the supervisor!!"

Chapter 28 There's something wrong with this yellow-haired guy

"Is anyone there?"

"I just happened to have a new job."

In the chat group with only UP hosts, such a conversation was taking place.

"Those who need it can contact me privately. By the way, the reward given by the sponsor this time is very good."

Hata Kousaku, who also joined this group chat and was active on the video website as an UP host, saw this message as soon as possible.

Thinking of the concert of Yuka Kusanagi that will start next month.

Hata Kousaku, who lacked funds for this activity, chose to send a private message to the other party without hesitation.

"Excuse me, is there any good job?"

Hata Kousaku asked doubtfully: "I remember that there should be no popular animations to be broadcast recently, right?"

In this era where good wine is afraid of being hidden in the alley.

It's not just the producers who have to consider how to make their own works successfully broadcast in front of the audience despite the obstruction of many peers in the industry.

The audience also needs to consider how to find the work they want to watch among the many works of varying levels.

Although the simplest method is for the audience to watch all the works themselves.

Naturally, they will know which works are truly in line with their tastes.

But this method does not mention the time cost issue.

If you accidentally catch a bad movie, then the good mood of chasing the show happily may be disgusting for several days, and you may not even want to continue chasing the show.

And even if you see a bad movie, it is difficult for the audience to guarantee that the badness of the work in the early stage is to pave the way for a certain foreshadowing?

And will the follow-up of this work usher in a big reversal in the later stage and become a god in one fell swoop?

These are all very likely to happen in the works that have not yet been broadcast.

In this case, locking in the works starring a certain actor, the works produced by a certain studio, and the works directed by a certain supervisor have become the choice of most people to chase the show.

Of course, in addition to this, there is also a method to select some works with better reputation to watch through the evaluation of a certain work on the Internet.

The latter is the job of these drama chat UP masters.

Whether they simply want to promote their favorite works.

Or they are paid to discredit a certain work, or exaggerate the publicity to attract traffic.

All of these are within their business scope.

"It's Kosaku. You asked the right person. I wonder if you have watched the recently released "Phantom Blood"?"

The other party replied quickly.

Perhaps because they are old acquaintances, there is basically no secret code plot like in movies and TV dramas, but they directly said: "Although this is a work that was released in advance, it seems to be very popular, so someone commissioned me to make a few videos specifically picking faults."

"How about it, are you interested? The reward this time is 100,000 yen!"

The other party's tempting words.

Even through the mobile phone screen, it made Kosaku Hata's heart beat hard without any hindrance.

This is 100,000 yen.

The concert tickets will probably be earned back in one go.

And strictly speaking, this job is not a difficult thing.

After all, in an industry with serious homogeneity, it may be difficult to find the advantages of a work, but if you find the disadvantages of a work... it is really too easy!

Especially this is a work that was chosen to be screened in advance.

No matter how you look at it, it must be because the other party hired water armies like them, so it will show that it has suddenly become popular!

So, Hata Kousaku, who was very interested in this job, quickly replied in the chat group: "Is there any vacancy for this job? Count me in!"

"Okay, then count you in."

Just like that, Hata Kousaku, who received the advance deposit.

He started his work of watching the show.

"Sure enough, this is another old-fashioned love drama."

Because he watched it with a critical mind.

So in the early part of the first episode of "Phantom Blood", the distinctive character introduction and shaping are given.

Hata Kosaku, who has watched the show for many years, is particularly good at grasping the key points. He can see at a glance that JOJO sacrificed himself to save Elina.

Don't look at JOJO saying that this is not for Elina's gratitude, but to become a true gentleman, so he chose to save Elina when he saw injustice.

But in the actual situation...

Even if JOJO really thinks so, the screenwriter will write the plot in the direction of their love, which can be said to be a basic routine.

"Then the yellow-haired man corresponding to the protagonist is the second male?"

"With the help of his father's relationship, he became the adopted son of the Joestar family, and then the dandy yellow-haired man became brothers with the kind-hearted protagonist, and fell in love with the same woman together... Well, I can already imagine how the plot will develop later."

There is no way, who said that this routine is basically a permanent template in love dramas?

If it were other works, he would only complain at most.

But who told him that he took the money this time?

He could only seize this black spot and smear it to death.

Just as Hata Kosaku thought so and finalized the manuscript to be released next.

DIO came to the Joestar house and jumped off the carriage in a posture that looked strange, but it would feel strange if you look at it again.

Then, he suddenly kicked the dog who was playing happily not far away and ready to welcome JOJO back to the ground with a knee strike!