National Tide 1980.

Chapter 247 Resources

Ning Weimin was definitely the first to discover the essence of foreigners, that is, people with large wallets that flow around.

How could he have made his fortune so early if he hadn't relied on foreign exchange certificates and working for foreigners?

So how can he, who has really tasted the sweetness of "introducing foreign capital", be reconciled to watching the money from "crooked nuts" wander around the land of the Republic, and where will it go back and forth in the end?

This is simply a shame for a businessman!

As the saying goes, scholars can be killed but not humiliated!

In this era when our country is most short of foreign exchange, he will still worry about lack of money.

Then you have to try to keep these foreign currencies and put them in your own pockets, so that you can be worthy of the country and yourself.

As for how to develop tourism products that "pink faces" can't put it down, it's not difficult for Ning Weimin.

Even if he is modest, he can say that he is [-]% sure.

This is not his bragging, not blind self-confidence, who made him a postage stamp in his previous life?

Don't forget, when postcards developed to the end of the 90s, they began to become gifts.

Even gradually became a unique category of cultural gifts.

There are countless yearbooks, collection books, and yearbooks of all kinds.

To make these things, of course, it is necessary to cooperate with gift manufacturers.

So after being in this industry for a long time, Ning Weimin can be regarded as a half-expert when dealing with these people every day.

As the saying goes, "If you read [-] Tang poems by heart, you can recite them even if you don't know how to compose them."

Since he has seen too many mass cultural and creative products of all kinds, he must have vision.

Even the business website of his own company is a stamp card cultural gift company.

While doing postal currency card business, I also help long-term cooperative manufacturers to undertake some gift making business by the way.

Therefore, if it really works, it is not difficult for him to use the resources around him and his own advantages to participate in the tourism commodity market in a way that best suits his own interests and is most practical.

For example, he first gave his idea to the teachers and students of the two art academies who participated in the sculpture art exhibition.

Because it is obvious that these people are the leading sculpture talents in our country.

After 30 years, they may all be masters who undertake tens of millions of jobs and make sculptures for urban construction, hotels, and museums.

How can the things made by them be comparable to the things made by ordinary craftsmen in terms of artistic level and ingenuity?

Wouldn't it be a pity not to make more use of such a good resource?

Therefore, as early as when the first sculpture art exhibition was successfully held, Ning Weimin laid the groundwork for his plan in advance.

Taking advantage of the opportunity of giving out bonuses, he followed suit and invited teachers and students of the two art academies openly.

"Since everyone is satisfied with this sculpture art exhibition, I hereby guarantee that the sculpture art exhibition will be held this year, and it may become an exhibition that can be participated by the national academy of fine arts. At the same time, in order to further promote and support sculpture The development of art. Our Zhaigong Exhibition Hall is also willing to become a medium for teachers and students to help them introduce their works to the society."

What does this mean?

To put it bluntly, what Ning Weimin meant was for the teachers and students of the sculpture departments of the two colleges to make some creative and decorative sculptures and send them to the Zhai Palace Exhibition Hall for consignment.

Whether it is the subject matter, materials, or reserve price, teachers and students can decide by themselves.

He guaranteed that the Zhai Palace Exhibition Hall would only sell high and not low.

Once the work is sold, the museum will only charge [-]% of the consignment fee, and the rest will belong to the creator himself.

Needless to say, the teachers and students of the two Academy of Fine Arts were naturally surprised and moved by this.

Their suggestion to Ning Weimin was all positive.

Everyone thinks that their works have one more display channel, and one more possibility of realization.

No doubts at all.

Where would you think that the things they sent here didn't even cost.

In essence, it was used for nothing by Ning Weimin as a facade, and even as a decoration for the exhibition hall.

It's completely voluntary labor, and it's not a little bit of a loss.

However, this is only the beginning.

Because when Ning Weimin got the funds in his hands, he became more confident.

Next, he simply found the teachers of the two colleges, as well as the ten students who had won awards in the first art exhibition, and directly proposed a topic to customize the work.

Ning Weimin's request was simple. He wanted a batch of wood carvings and stone carvings that were both practical and aesthetically pleasing, and could also be imitated.

For example, flower pots, vases, flower baskets, fruit baskets, fruit trays, tea trays, ashtrays, piggy banks, pen holders, stationery boxes, tissue boxes, snack boxes, peel trays, all of these can be...

There are also no restrictions on the subject matter, and teachers and students are allowed to play.

As for the remuneration, the teacher is 50 yuan for a piece of work, and the student is 35 yuan.

Anyone with a discerning eye should have noticed that Ning Weimin's fart is not so bad.

This is a design that clearly intends to spend a small amount of money to buy out other people's designs.

And the most grandson thing is that he spent the money of Pierre Carton.

The co-authorship costs and risks are all borne by the company, and the resulting benefits are all his own.

But the problem is, this kid is smart because he has a high-sounding reason.

It can be said that it is necessary to create an image for the company, and it is necessary to invest in cultural and artistic exchanges.

In this way, no one could grasp his sore feet and tell what was wrong with him.

What's more, for the teachers and students of the Academy of Fine Arts, Ning Weimin's request also made him look like a good person.

They really thought that Ning Weimin was trying his best to take care of them.

Because this is a definite income, almost half a month's salary.

What's more, Ning Weimin paid the money first and asked for things later.

This is also an expression of full respect and trust in their creative standards and abilities.

Coupled with the harsh environment, the teachers and students were depressed.

Even if money is not involved, they all have strong creative needs.

Don't you all go to the sculpture art exhibition held by others this year?

Well, no matter how you look at this matter, the teachers and students invited must try their best to do it well.

So, things in this world are still so unique.

Ning Weimin, a person who is permeated with exploitation and crimes in his bones, completely puts morality on both sides and puts the word "benefit" in the middle.

But the more insidious he is, the more popular he is, the more he is welcomed and appreciated by people.

Even those students who did not have this opportunity, even regarded accepting exploitation as a recognition of their ability.

Instead, he was unconvinced and dissatisfied.

Some people spontaneously took Ning Weimin's topic as the direction and started active creation.

This is to hold back your breath to make a good work, to compete with those award winners.

It made Ning Weimin a little bit unbearable.

He said in his heart, alas, if it wasn't for me, I would have urged me to strangle me to death.

(End of this chapter)