My Hong Kong Island Filmmaker

Chapter 740 A scene of shocking talents, which has been famous in movie history since then

PS: Ask for a recommendation ticket, ask for a monthly ticket

The movie continues.

The sun was shining brightly, and the light seemed very warm.

kala-

The well-dressed and elegant Wu Xiaozu stretched out his hand to open the anti-theft railing, and the light lit up the room, and the mottled light hit the ground, and the leather shoes stepped on the ground, creaking.

The screen kept showing a low camera, shooting his legs and leather shoes. At this time, another pair of leather shoes came into the picture.

"Brother Ghost, people are inside."

Panning the camera from bottom to top, Wu Mengda, who was dressed in a light-colored sweater and looked honest, said softly.Uncle Da's acting skills are underestimated. In fact, it is really not easy to be able to match the stars of last week and still have his own demeanor without making the audience hate him.

The camera was shot upwards, Wu Xiaozu was expressionless.

"Are you Brother Mouse?"

Pan the camera and cut.

On the round table, Huang Guangliang, with a wretched and vicious expression, crossed his legs and said nothing contemptuously. He glanced at Wu Mengda and asked, "Which one is this?"

The other party did not answer.

Wu Xiaozu pulled a chair lightly, sat down next to each other, nodded slightly, "Ah Gui."

"Ghost."

"What's the matter with me?" The mouse crossed its legs and looked at the other party casually, with a very perfunctory attitude.

Wu Xiaozu looked at the other party quietly, gently pulled the chair, looked straight at him, and paused, "Stop messing around with Ah Lai."

"An explanation?" The mouse sneered.

"Don't do it anymore." Wu Xiaozu repeated in a flat tone.

"Take it~"

The mouse played by Huang Guangliang turned his head with a sneer, and the camera rose, and he pointed to Wu Mengda who was standing quietly next to him, "Damn you, um~ this——"

suddenly!

Quiet and steady, Wu Xiaozu, who didn't see the slightest impetuousness on his face, suddenly jumped up, held down the opponent, and calmly slashed the opponent's neck.

The whole picture is very clean.

It is so clean that the light is bright, the sound of flowers and birds is still mixed in the background, and the whole rhythm is clearly a lazy and gentle atmosphere.

But - this kind of sudden violent action in a calm situation made the audience have goosebumps all over their bodies.

Lian Guangyu, who has a lot on his mind, listens to the thunder in a silent place-this sentence was indeed said by Lu Xun.

The mouse in the background clutched its throat and opened its eyes and twitched, but the aperture was aimed at the 'Gillette' blade that Wu Xiaozu was gently handling on the table, a close-up of 2 seconds.

Wu Xiaozu walked away calmly and indifferently.

In fact, if you pay attention to the composition, you can find the positions of the three people, and Wu Mengda, who plays the younger brother, blocks the light.

Slightly look up and point the camera at Uncle Da.

The other party silently looked at Huang Guangliang, who was clutching his neck, his eyes widened, and his whole body was twitching and struggling.

"My boss."

Pointing to Wu Xiaozu, who was leaving without expression, he also turned around and left, calmly answering the mouse's arrogant question a few minutes ago.

In just a few minutes, Wu Mengda showed the loyalty, calmness, and aloofness of a subordinate to the fullest.

Outside the door, the sun was still shining brightly, and people were coming and going on the streets.

With his back to the camera, Wu Mengda closed the anti-theft door, took out the key and locked the door.

There was a sound montage, the sound of tables and chairs falling and tableware breaking.

When the camera was cut, the rats in the restaurant really staggered out, knocking down the tables, chairs, benches and tableware.

Then the fixed camera was aimed at the anti-theft rolling door outside the door, and people were struggling with the bang bang, and the pedestrians passing by passed by one by one.

There are not many lines in this plot, but everyone thinks it is so exciting.

"Azu's acting skills are really good! In just a few minutes of play, I really brought this character to life. This character is better than that in "Carmen in Mong Kok"!" Lu Yanhua looked at the screen with shining eyes in the audience , I have the urge to "blow up" my ancestors.

"The eyes and the movements are too good."

It has to be said that Director Wu's acting skills are indeed above the pass line, after all, he has been acquainted with actresses three hundred times, and he can't act like a bitch and can be lewd.He himself is a director who is very good at training actors and knows how to perform.It's really not a problem to act by yourself.

It's just that I don't like to stand out in the drama that I "care about".

It is already very difficult to prepare a drama, and he needs to check every item.The best thing about filmmaking is that every filming is actually a challenge to yourself.Unless you just want to get by and make money.At this time, let him prepare another role, and his energy is really not enough.

As an actor, you must first understand and agree with the role you are playing, and it must be logically compatible, so that you can create qualified characters.

But this time "Gunfire" is just an exercise, and he made a mistake so he put more attention on the performance.

At the same time, in terms of character creation, he actually has life reference and logical identification.

He has seen people in the society like Ah Gui.

In fact, when he was filming this scene, he also made the picture freeze many times and slowed down the rhythm. This technique created a strong impact between static and dynamic transitions, and coupled with the dialogue was compressed to the limit, making everything ambiguous. Expressed by the actions of the actors, each scene feels like it has a deeper meaning.

Therefore, whenever the story "moves", the dynamic feeling is doubled, which is quite dazzling.And the dynamic BGM in the movie often forms a strong impact with the static picture,
This makes the audience feel like they are on a roller coaster while watching the movie, with the feeling of erratic disappearing and appearing.

The sense of rhythm of this movie has a state of epee without front and great ingenuity.During filming, Wu Xiaozu actually did not particularly emphasize this state at all——

He is purely for the length of the film! ￣□￣｜｜!
It took a total of 10 days to shoot. Without this kind of freeze-frame and elongated shots, the whole movie would not be able to meet the length of the release.

Even so, the whole movie is only 80 minutes.

It was purely lazy, but at this time the audience enjoyed watching it very much, and the film critics were all stunned by this subversive technique.

How can this be Akira Kurosawa on Hong Kong Island? It is not an exaggeration to say that Akira Kurosawa is still alive!

uh~
Sorry, Akira Kurosawa is not dead at this time, just like Zhiling Kurosawa hasn't appeared yet~
Halfway through the movie, the audience stared at the screen obsessively, without peeing.

The whole movie interprets what is meant by one wave of ups and downs and another wave of ups and downs. All events are driven by characters, and events feed back the characters.

In the camera, five people lined up to protect Kaohsiung, who plays the boss, to leave the restaurant of the department store.

The elevator divides the screen, and six people walk in a row and slowly descend in the elevator. At this time, the soundtrack is a bit weird and suspenseful.

Panoramic flat angle, camera from left to right.The sounds of fountains and elevators are also included in the paradoxical music. It is precisely because of the appearance of these sounds that the entire shopping mall seems empty and very quiet.

Stillness and movement can not only affect the camera, but also affect the sound design.

The camera slowly moves to the middle ground, the focus of the camera follows Kaohsiung, and five people stand in front of and behind him to protect him. With the forced movement of the escalator, although the picture moves, it looks very depressing.

In the picture, the lights of the shopping mall are slowly turned off, changing from the warm tones just now to much colder, and the far-reaching long shot makes the audience feel that something is about to happen.

In the long-range shot, a person dressed as a security guard in the elevator opposite is slowly going up the escalator, and five people are guarding Kaohsiung and descending one word at a time, looking up at the camera, looking very neat.

The rhythm of the music begins to turn here, from eerie slowness to rapidity.

PS: And——

(End of this chapter)