My Hong Kong Island Filmmaker
Chapter 741 Shocking talent is a must-have scene, leaving a name in film history from now on
Chapter 741 A scene of shocking talents, which has been famous in movie history since then
PS: Ask for a recommendation ticket, ask for a monthly ticket.
suddenly!
The camera zoomed in, and the person on the opposite side was about to draw a gun.
Swish!
Boom!Boom!
On the screen, the five people twisted their bodies and drew their guns in unison, silently, aiming, and shooting!
It is not sloppy at all, and even exceeds the audience's psychology. It is extremely concise, bright, restrained and violent!
Wu Xiaozu pressed the boss's head, and several people shot one after another.
There is absolutely no bells and whistles in the intense action scenes of today's Hong Kong movies.
All characters have momentum.
But—only gunshots were heard, but no one was seen.Stillness and momentum are intertwined here, stop with stillness!
Static and dynamic change each other and apply for each other!
boom!
Headshot!
Without waiting for the audience to react, the five of them each had their own division of labor, and immediately became highly vigilant with a tacit understanding. The five quickly turned around to look for the remaining killers.
In the still shot, Wu Xiaozu and Su Liyao turned around and turned backwards, their guns were frozen, and their postures remained unchanged.
It gave the audience a chilling feeling that seemed to be in danger, as if a single hair could affect the whole body!
The stainless steel mirror above the elevator reflects the swift movements of others.At this time, the camera changes, from the overhead shot to the upward shot, and Wu Xiaozu and Su Liyao are shot from behind with their guns pointed at their backs, and the mirror above reflects a figure approaching.
bang bang bang~
Pushing back the killer, the movements are still neat, and the camera is still still.At this time, several pillars began to divide the whole picture into regions.
With a gun in his hand, Luo Dong walked ahead vigilantly, going deep into the hall where the situation was unknown, without any concealment.
He stands between the two pillars A and B, and the whole camera scans the hall, which is empty but looks very chilling.
Su Liyao held the important task of guarding the line of sight from the top to the bottom of the elevator entrance. He held his gun and remained motionless. His back was completely handed over to the other four people. At this time, the trust of the five people had been established.
Fei Cheng protects Kaohsiung and hides beside the third pillar C, while Wu Xiaozu leads Gu Tianle close to the second pillar B, relying on each other from left to right.
A few people are like playing the king of pesticides. Luo Dong single-leads the road, Su Liyao defends the jungler, Wu Xiaozu and Gu Tianle push the lane in the bottom lane, and Feicheng defends the tower in the middle lane.
Everyone stands still.
Quietness has become the theme here.
The audience can feel the tension of freezing and the depression of being alone in the movie.
The use of long shots allows the focus to continue to be expressed on characters and positions.The layering of the characters' positions came out all at once.This is also the signature of Wu's style.
The sense of layering is the method Wu Xiaozu has always liked to adopt. This style was created in "The Birth of a Prefix", which has been praised by many filmmakers.
At this time, several people seem to be a slightly deformed ☆, controlling the whole situation, filling all the space in the front, back, left, right, top, bottom, and well-designed positions with solidified postures, making people unwilling to give up the shot for a second.
The killer appears at the escalator——
Boom!
Su Liyao, who was guarding the escalator, did not change his posture, and fired with a gun, and the bullets bounced off.
The long shot captures the positions of the five people protecting the boss, they are really leaning on each other and relying on each other.
Everyone held their breath and remained vigilant, their postures frozen.
All I could see was Su Liyao pulling the trigger, and the gunfire flashed on the screen.
With the "reverberation" gunshot sound effect, the atmosphere of the picture is reflected at once, and it further enhances the dangerous atmosphere around.
At this time, I began to design partial long shots for capturing the expression of each character, advancing from the distance, and increasing the sense of oppression and tension in the shot.
Of course, it's also for the duration.
At this moment……
The camera slowly pulls back——
Only then did the audience discover that the two killers were hiding behind the pillars A and B respectively.
This continuously changing camera position clearly explained the sense of space of the entire scene, the position, relationship, level and crisis of the characters, and directly made the audience couldn't help but lean forward.
The changes in this group of camera positions and the simplicity of the shots, even a pure layman who doesn't know how to do it, can feel the tension rushing to his face.
Especially the zoomed-in perspective lens is simply terrifying to those who know how to do it.
Wang Jing almost knelt down to watch~
Tsui Hark also opened his mouth wide, his face full of horror~
At first I thought the previous two gunfires were already very good, but now I feel something special~ It’s called a movie~
Wu Xiaozu reinterprets the violent aesthetics of movies again!
The shots of the overall perspective space are cut from both sides, so that the audience can better feel the space design and the state of the characters on the scene.
The static picture is like a picture of a stern warrior waiting for a fight to the death.
This almost static and silent performance burst out with incomparable pressure and tension.
The camera continues to explain the static performance of the two warring parties, which has paved the way for the tense, cold, and crisis atmosphere to the extreme.
At this time, a cleaner pushed a cart into the painting.
The static picture is instantly moved, and the mirror pushed by the other party reflects everyone's position.
Everyone act now!
boom!
Bang bang bang!
Boom!
The cleaner who took out the gun was shot, and the killer was shot~
The whole scene lasted for nearly 4 minutes and 40 seconds, and 91 shots were laid out and rendered. After the final explosion, the audience instantly felt like a spring being compressed by force, and the adrenal hormones continued to accumulate.
The strong contrast and impact brought by this kind of movement, the appropriate slowness, the ingenious and interesting layout, and the detailed close-ups until the end, make people tremble!
With the retreat of the gun battle, many audience members let go of their tense nerves. At this time, everyone felt a refreshing feeling.
Wang Jing sat back on the chair with his buttocks, his expression excited, as if he had returned from a victorious exercise!
"This scene is pretty cool." Xiang Shisan couldn't help sighing.
"It's more than cool!!! This scene is simply divine mise-en-scène! The screen is full of hormones erupting! There is no line in the whole scene, only bullets flying around and gunfire flickering, but it makes people tense and adrenaline explodes In terms of camera scheduling, Wu Xiaozu really...really..." Wang Jing roared excitedly at Xiang Shisan: "Master!"
Unlike Wang Jing, a filmmaker, Xiang Shisan is at most a film businessman.He smiled slightly, not too surprised.
The director's talent is such a thing~ If it can't be reflected in the box office and money, it is actually of little use.
Isn't Wang Jiawei talented?
Without the ability to fill the screen with a complete story, can it still make people unable to understand? ?Even someone with a little less talent can't do it.
In this scene, the movie critics were shocked. After the audience was hearty, it was a 'hidden' scene.
It is also a scene that connects the first half of the movie with the second half.
For the first time, Wang Zuchen, who played the role of sister-in-law, had a long shot close-up.
In fact, this is a man's drama in itself, Lao Wang is purely playing soy sauce here~ It's just that the role is essential, otherwise I can't talk about it later.
……
In the movie, a ball of paper slowly rolls to a pair of leather shoes, stops for 2 seconds
The soundtrack at this time is very light.
Slowly pulling up the camera, Fei Cheng raised his head and raised his eyebrows to look at Gu Zai, hesitating for a moment.
Still stretched out his sinful fat feet and kicked the paper ball back.
Because the time is tight and the tasks are heavy, and this is a game 'study', it is natural to save the dialogue.
Gu Tianle brought the ball of paper to Su Liyao, who brought it back again.
Wu Xiaozu rolled his eyes and looked at this boring excellence——
Really fragrant!
Designing this scene is actually a subtle turning point in the relationship between the five people.After going through life and death, the five people also changed from the three camps of mutual indifference and perfunctory when they first met to a team.
For this reason, in the design of the whole scene, all five people were cleverly placed in the same picture.
This design also explains the changes in the relationship between characters very well.
There is no dialogue at all in this scene of kicking paper balls, neither slow nor fast, only music and the actors' body movements and expressions.
Where are these five murderous gunmen?They were clearly just a few boring men.
In this scene, several people are really playing.
Immediately afterwards, another gunman assassinated, but this time, they caught the killer by the tail and chased him to his lair.
In this scene, Wu Xiaozu chose a few people to fire alternately to cover the opponent's progress, layered position selection.
Through the space transformation of the characters, the layers are stacked closer together, constantly causing visual space compression.
Several people eradicated the killer and uncovered the man behind the scenes--Fat Bo.
It was still the restaurant where the boss was hunted down at the beginning, and the scene where the old guy played by Fatty calmly died while eating pasta was also very exciting.
The old guy can't act, he is really calm!
That kind of bossy aura really made many viewers feel mesmerized!
Although this old man doesn't have many roles, he definitely has a lot of lines.
The main reason is that there is really no dialogue in the whole play.
At the end, there was a sudden change. Gu Tianle was found out by his superiors for stealing his sister-in-law.Wu Xiaozu was asked to deal with him for the society.
This side wants to kill, and the role played by Luo Dong has to protect the younger brother. The delicate relationship between several people seems to be entering the rhythm of "fighting".
In the restaurant where the mouse was killed, several people sat around the table.
Bang bang bang!
Bang bang bang bang!
There was a burst of gunshots, the supervisor outside the door left, and several people also walked away.
Of course, the audience's God's perspective naturally understands what's going on.In terms of specific details, Wu Xiaozu did not express.
Leave it blank.
As the screen goes black, the movie is ending, and lines of subtitles appear...
"it is good!!"
"It's so beautiful!"
"Woooooo~"
There was thunderous applause and applause one after another.Even the audience who had just been devastated by "Days of Being Wild" couldn't help crying!
The peers set off well! !
Several theater halls were full of applause.
Even people like Wang Jing and Tsui Hark couldn't help standing up and applauding. Although the core of this drama is small, it is really exciting, wave after wave, with a tight rhythm and hearty rhythm.
Of course, if you really choose carefully, there must be many unreasonable things in the story, but the flaws do not hide the advantages.
The whole film directly conquered the audience and film critics with its unique style.
This is not counted as an update, but to make up for yesterday. There was a little problem yesterday~.I am very grateful to the two lords for their rewards, as well as Ambush for their persistence in rewarding every day!Thanks!
(End of this chapter)
PS: Ask for a recommendation ticket, ask for a monthly ticket.
suddenly!
The camera zoomed in, and the person on the opposite side was about to draw a gun.
Swish!
Boom!Boom!
On the screen, the five people twisted their bodies and drew their guns in unison, silently, aiming, and shooting!
It is not sloppy at all, and even exceeds the audience's psychology. It is extremely concise, bright, restrained and violent!
Wu Xiaozu pressed the boss's head, and several people shot one after another.
There is absolutely no bells and whistles in the intense action scenes of today's Hong Kong movies.
All characters have momentum.
But—only gunshots were heard, but no one was seen.Stillness and momentum are intertwined here, stop with stillness!
Static and dynamic change each other and apply for each other!
boom!
Headshot!
Without waiting for the audience to react, the five of them each had their own division of labor, and immediately became highly vigilant with a tacit understanding. The five quickly turned around to look for the remaining killers.
In the still shot, Wu Xiaozu and Su Liyao turned around and turned backwards, their guns were frozen, and their postures remained unchanged.
It gave the audience a chilling feeling that seemed to be in danger, as if a single hair could affect the whole body!
The stainless steel mirror above the elevator reflects the swift movements of others.At this time, the camera changes, from the overhead shot to the upward shot, and Wu Xiaozu and Su Liyao are shot from behind with their guns pointed at their backs, and the mirror above reflects a figure approaching.
bang bang bang~
Pushing back the killer, the movements are still neat, and the camera is still still.At this time, several pillars began to divide the whole picture into regions.
With a gun in his hand, Luo Dong walked ahead vigilantly, going deep into the hall where the situation was unknown, without any concealment.
He stands between the two pillars A and B, and the whole camera scans the hall, which is empty but looks very chilling.
Su Liyao held the important task of guarding the line of sight from the top to the bottom of the elevator entrance. He held his gun and remained motionless. His back was completely handed over to the other four people. At this time, the trust of the five people had been established.
Fei Cheng protects Kaohsiung and hides beside the third pillar C, while Wu Xiaozu leads Gu Tianle close to the second pillar B, relying on each other from left to right.
A few people are like playing the king of pesticides. Luo Dong single-leads the road, Su Liyao defends the jungler, Wu Xiaozu and Gu Tianle push the lane in the bottom lane, and Feicheng defends the tower in the middle lane.
Everyone stands still.
Quietness has become the theme here.
The audience can feel the tension of freezing and the depression of being alone in the movie.
The use of long shots allows the focus to continue to be expressed on characters and positions.The layering of the characters' positions came out all at once.This is also the signature of Wu's style.
The sense of layering is the method Wu Xiaozu has always liked to adopt. This style was created in "The Birth of a Prefix", which has been praised by many filmmakers.
At this time, several people seem to be a slightly deformed ☆, controlling the whole situation, filling all the space in the front, back, left, right, top, bottom, and well-designed positions with solidified postures, making people unwilling to give up the shot for a second.
The killer appears at the escalator——
Boom!
Su Liyao, who was guarding the escalator, did not change his posture, and fired with a gun, and the bullets bounced off.
The long shot captures the positions of the five people protecting the boss, they are really leaning on each other and relying on each other.
Everyone held their breath and remained vigilant, their postures frozen.
All I could see was Su Liyao pulling the trigger, and the gunfire flashed on the screen.
With the "reverberation" gunshot sound effect, the atmosphere of the picture is reflected at once, and it further enhances the dangerous atmosphere around.
At this time, I began to design partial long shots for capturing the expression of each character, advancing from the distance, and increasing the sense of oppression and tension in the shot.
Of course, it's also for the duration.
At this moment……
The camera slowly pulls back——
Only then did the audience discover that the two killers were hiding behind the pillars A and B respectively.
This continuously changing camera position clearly explained the sense of space of the entire scene, the position, relationship, level and crisis of the characters, and directly made the audience couldn't help but lean forward.
The changes in this group of camera positions and the simplicity of the shots, even a pure layman who doesn't know how to do it, can feel the tension rushing to his face.
Especially the zoomed-in perspective lens is simply terrifying to those who know how to do it.
Wang Jing almost knelt down to watch~
Tsui Hark also opened his mouth wide, his face full of horror~
At first I thought the previous two gunfires were already very good, but now I feel something special~ It’s called a movie~
Wu Xiaozu reinterprets the violent aesthetics of movies again!
The shots of the overall perspective space are cut from both sides, so that the audience can better feel the space design and the state of the characters on the scene.
The static picture is like a picture of a stern warrior waiting for a fight to the death.
This almost static and silent performance burst out with incomparable pressure and tension.
The camera continues to explain the static performance of the two warring parties, which has paved the way for the tense, cold, and crisis atmosphere to the extreme.
At this time, a cleaner pushed a cart into the painting.
The static picture is instantly moved, and the mirror pushed by the other party reflects everyone's position.
Everyone act now!
boom!
Bang bang bang!
Boom!
The cleaner who took out the gun was shot, and the killer was shot~
The whole scene lasted for nearly 4 minutes and 40 seconds, and 91 shots were laid out and rendered. After the final explosion, the audience instantly felt like a spring being compressed by force, and the adrenal hormones continued to accumulate.
The strong contrast and impact brought by this kind of movement, the appropriate slowness, the ingenious and interesting layout, and the detailed close-ups until the end, make people tremble!
With the retreat of the gun battle, many audience members let go of their tense nerves. At this time, everyone felt a refreshing feeling.
Wang Jing sat back on the chair with his buttocks, his expression excited, as if he had returned from a victorious exercise!
"This scene is pretty cool." Xiang Shisan couldn't help sighing.
"It's more than cool!!! This scene is simply divine mise-en-scène! The screen is full of hormones erupting! There is no line in the whole scene, only bullets flying around and gunfire flickering, but it makes people tense and adrenaline explodes In terms of camera scheduling, Wu Xiaozu really...really..." Wang Jing roared excitedly at Xiang Shisan: "Master!"
Unlike Wang Jing, a filmmaker, Xiang Shisan is at most a film businessman.He smiled slightly, not too surprised.
The director's talent is such a thing~ If it can't be reflected in the box office and money, it is actually of little use.
Isn't Wang Jiawei talented?
Without the ability to fill the screen with a complete story, can it still make people unable to understand? ?Even someone with a little less talent can't do it.
In this scene, the movie critics were shocked. After the audience was hearty, it was a 'hidden' scene.
It is also a scene that connects the first half of the movie with the second half.
For the first time, Wang Zuchen, who played the role of sister-in-law, had a long shot close-up.
In fact, this is a man's drama in itself, Lao Wang is purely playing soy sauce here~ It's just that the role is essential, otherwise I can't talk about it later.
……
In the movie, a ball of paper slowly rolls to a pair of leather shoes, stops for 2 seconds
The soundtrack at this time is very light.
Slowly pulling up the camera, Fei Cheng raised his head and raised his eyebrows to look at Gu Zai, hesitating for a moment.
Still stretched out his sinful fat feet and kicked the paper ball back.
Because the time is tight and the tasks are heavy, and this is a game 'study', it is natural to save the dialogue.
Gu Tianle brought the ball of paper to Su Liyao, who brought it back again.
Wu Xiaozu rolled his eyes and looked at this boring excellence——
Really fragrant!
Designing this scene is actually a subtle turning point in the relationship between the five people.After going through life and death, the five people also changed from the three camps of mutual indifference and perfunctory when they first met to a team.
For this reason, in the design of the whole scene, all five people were cleverly placed in the same picture.
This design also explains the changes in the relationship between characters very well.
There is no dialogue at all in this scene of kicking paper balls, neither slow nor fast, only music and the actors' body movements and expressions.
Where are these five murderous gunmen?They were clearly just a few boring men.
In this scene, several people are really playing.
Immediately afterwards, another gunman assassinated, but this time, they caught the killer by the tail and chased him to his lair.
In this scene, Wu Xiaozu chose a few people to fire alternately to cover the opponent's progress, layered position selection.
Through the space transformation of the characters, the layers are stacked closer together, constantly causing visual space compression.
Several people eradicated the killer and uncovered the man behind the scenes--Fat Bo.
It was still the restaurant where the boss was hunted down at the beginning, and the scene where the old guy played by Fatty calmly died while eating pasta was also very exciting.
The old guy can't act, he is really calm!
That kind of bossy aura really made many viewers feel mesmerized!
Although this old man doesn't have many roles, he definitely has a lot of lines.
The main reason is that there is really no dialogue in the whole play.
At the end, there was a sudden change. Gu Tianle was found out by his superiors for stealing his sister-in-law.Wu Xiaozu was asked to deal with him for the society.
This side wants to kill, and the role played by Luo Dong has to protect the younger brother. The delicate relationship between several people seems to be entering the rhythm of "fighting".
In the restaurant where the mouse was killed, several people sat around the table.
Bang bang bang!
Bang bang bang bang!
There was a burst of gunshots, the supervisor outside the door left, and several people also walked away.
Of course, the audience's God's perspective naturally understands what's going on.In terms of specific details, Wu Xiaozu did not express.
Leave it blank.
As the screen goes black, the movie is ending, and lines of subtitles appear...
"it is good!!"
"It's so beautiful!"
"Woooooo~"
There was thunderous applause and applause one after another.Even the audience who had just been devastated by "Days of Being Wild" couldn't help crying!
The peers set off well! !
Several theater halls were full of applause.
Even people like Wang Jing and Tsui Hark couldn't help standing up and applauding. Although the core of this drama is small, it is really exciting, wave after wave, with a tight rhythm and hearty rhythm.
Of course, if you really choose carefully, there must be many unreasonable things in the story, but the flaws do not hide the advantages.
The whole film directly conquered the audience and film critics with its unique style.
This is not counted as an update, but to make up for yesterday. There was a little problem yesterday~.I am very grateful to the two lords for their rewards, as well as Ambush for their persistence in rewarding every day!Thanks!
(End of this chapter)
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