My system is not decent

Chapter 1146

Innovation ah, really not everyone can do it.

When firing Jianzhan, there are so many beautiful colors, the most important thing is that the predecessors have never fired, which is even more commendable.

The pictures that Chen Wenzhe saw at this time were all from a showroom called Zhang Huifeng Studio.

There are all kinds of Yaobian Tianmu glaze works displayed here, the only feature they have in common is that they are dreamlike!

This master named Zhang Huifeng is really not simple.

Born in a family of ceramics, Zhang Huifeng has been fascinated by it and has a strong interest in Yaobian Tianmu glaze.

His son inherited his father's business, and his wife Shi Yanhua founded the Yuchunmu Porcelain Art Research Laboratory.

Afterwards, together with his retired father, he devoted himself to the in-depth research and development of Yaobian Tianmu glaze firing technology.

However, the occurrence of obsidian change is restricted by many factors such as billet, glaze, kiln temperature and so on.

The beautiful markings are fleeting during the firing process, and the success rate of the work is extremely low.

It can be said that every piece of work can be called an orphan.

Until now, no one has dared to say that Yaobian Tianmu Glaze has been successfully developed. It can only be said that the work has its basic characteristics.

At this moment, Chen Wenzhe became somewhat surprised.

He found that Master Zhang studied Yao Bianzhan earlier than Master Lu.

As early as 2002, Master Zhang not only overcome the shortcomings of the original firing technology of Yaobian Tianmu glaze, such as uneven glaze flow, serious bottom staining, and poor brightness, but also greatly improved the firing efficiency.

Later, on this basis, he extended his research tentacles to the research and development of Yaobian glazed porcelain series products.

He broadened the field of research and development, focused on exploring the flare, crystal shape, and glaze pattern formation principles of Yaobian glazed porcelain, and innovatively developed new Yaobian glazes such as gold stars, rust flowers, and glaze lines.

These are the fine porcelain that Chen Wenzhe saw before.

It can no longer be represented by pure black glazed porcelain, which is the real innovation.

This is also the reason why Chen Wenzhe feels that Master Zhang has already played Yao Bian Tianmu Zhan to a flower.

Originally, he thought that he had thoroughly researched Yaobian and could innovate on this basis.

Unexpectedly, the predecessors have already gone ahead, and all the paths he thought of have gone through, leaving him nowhere to go.

"There is no way, we can only study."

Chen Wenzhe was a little frustrated. He finally found a new area. Unexpectedly, someone had already developed it thoroughly.

Looking at each piece of exquisite porcelain, especially the unique glaze color of these porcelains, Chen Wenzhe was a little envious.

A fine product is inseparable from an ingenuity.

Every piece of porcelain here is strictly controlled in the main links of molding, trimming, glazing, drying, and firing, and dare not slack off.

The firing of Yaobian Tianmu glaze requires the support of knowledge in physics and chemistry.

These porcelains can be fired successfully, all of which have gone through several experiments.

First of all, scientifically prepared raw materials were formulated, and the innovative characteristics of serialization and differentiation of various homogeneous crystals of Yaobian Tianmu glaze were explored.

Only by mastering the changing law of crystal shape change, surface tension and enamel expansion, and then applying glazing according to the product, can it be more handy.

In recent years, Master Zhang has successively researched and developed red Yaobian Tianmu glaze, sunflower yellow glaze, gold thread glaze, Venus glaze, pearl blue glaze, tiger eye glaze, lychee glaze and other series of obsidian glaze porcelain;
During this process, innovative research and development was also made. On one porcelain blank, more than two kinds of glazes were applied to create a series of underglaze artistic porcelain.

He combined Shantang's unique bone china with Yaobian Tianmu glaze to develop a new type of bone china Yaobian glazed porcelain.

His works are a fusion of ancient and modern, with a natural charm, elegant and luxurious, and unique style.

Yaobian glaze has infinite possibilities, and there are still many contents at this time, which need to be further developed by later generations.

Therefore, not only Chen Wenzhe has many ideas that need to be researched and realized.

Those masters in their [-]s and [-]s have more ideas, and they are all trying to innovate.

It is these masters who are constantly showing us more Yaobian works.

Therefore, after learning the existing technology, Chen Wenzhe didn't want to grab the wool of these masters anymore.

If he has learned the top-level skills and then blocked the innovation path of these masters, he would be too unreasonable!
"I'll change the direction, I can't hang myself on a tree!"

This time Chen Wenzhe comprehended by analogy, one Jianzhan can play so many tricks, what about other porcelains?
For example, firing eggshell porcelain before Jianzhan, can we also make some articles?
Mountain darkly, vista.

As long as the type of porcelain is changed, can it be innovated again?

Liuxia Zhan is regarded as thin-bodied porcelain. Can the Jianzhan of Jian Kiln also be made into thin-bodied porcelain?
Who stipulates that the rabbit must be made of black glazed porcelain?Among other glaze colors, will there be colorful and delicate glaze colors?
Liuxiazhan is a role model, so it's no wonder Chen Wenzhe is thinking wildly!
Can all kinds of thin tires still have radioactive rabbit hairs and oil droplets?
Or simply have flares like rice leaves, eyeballs, and stars?
These can be experimented with, but the easiest one to make should be the eggshell cup, right?

He has wanted to do this for a long time, and he still uses the top craftsmanship, because the glaze used in the fighting color must be more.

Therefore, in the space of firing Jianzhan, Liuxiazhan, eggshell pottery, and thin-bodied porcelain, he is also firing Doucai.

Recently, he has gained a deeper understanding of glaze color, and he feels that firing bucket color has become much easier for him.

"Let's make a colorful eggshell cup first, but it needs to be a little more exotic, or else we can make porcelain with Tianzi style?"

In just a moment, Chen Wenzhe thought of the Doucai Tianzi eggshell cup, which is just after making the Doucai eggshell cup, leaving a Tianzi inscription.

In this process, in fact, some other porcelains can also be used for reference, such as Chenghua sweet white glaze cups with dragon and phoenix patterns darkly carved on thin bodies.

Not to mention the sweet white glaze, this kind of glaze color is not so easy to develop color, so you must study carefully if you want to fire egg white glaze, after all, it is also a big treasure category.

At this time, eggshell porcelain is being made, and it is a fighting color, and the technique of dark engraving must be used for reference.

If the dragon and phoenix patterns are painted with bucket colors, the effect will definitely be better.

It's just that when firing, it must be fired in the kiln many times, because many of the different colored glazes cannot be fired successfully at one time.

Not to mention anything else, it's just a blue and white glaze and copper red glaze, which generally cannot be fired together.

If you are not afraid of trouble, you can make it in one firing, and this is blue and white underglaze red.

While thinking wildly, the design is finalized.

His wild thoughts can soon be turned into design drawings of pieces of porcelain, and as long as he has time, he can realize it.

In this way, Chen Wenzhe is busy every day.

On this day, the firing of Jianzhan was completed, and a large number of eggshell cups were also fired.

All of a sudden, Chen Wenzhe found that so many small firewood kilns he had built were empty.

"If it's okay, let's fire the last piece of Chinese red porcelain?"

(End of this chapter)