My system is not decent

Chapter 1147
Chen Wenzhe plans to play a big one, which is also an ending for the red-glazed porcelain.

At this time, every piece of red-glazed porcelain he produced should be a fine product.

However, when he came to the studio, Chen Wenzhe discovered that there were actually some large pots of embryos here.

Looking at the workbench, there are all kinds of color materials. This is the glaze left when he fired the bucket color.

"It's a pity to waste it. How about firing a Tianzi jar first? At worst, I can burn a red Tianzi jar in blue and white glaze, and see my current craftsmanship!"

Several times, he wanted to imitate some high-quality Tianzi pots, but he never did it.

I definitely didn't have much confidence before, but it's different now!

This time when the opportunity arises, let’s do it, just to warm up the hands, and finally start firing the most exquisite Chinese red.

Porcelain imitating the word "Tian", the Tianzi pot is still the most classic, because this kind of craftsmanship is mainly seen on Chenghua Dou color pots.

So now, after finishing the colored eggshell cups, it is only natural to copy some large colored buckets and write the inscription on them.

This kind of pot can be divided into two types: long round belly and short round belly.

White glaze is applied to the outsole, and a regular script "Tian" is written in the center with blue and white material, and there is no sidebar outside the inscription.

Its patterns include earth dragon, vanilla dragon, sea dragon, seahorse, walrus, twigs and so on.

The cover is divided into two types, one with a flat top without buttons, and the other with a raised umbrella-like cover with orb buttons on the top.

Chen Wenzhe doesn't make too many of these types, so the most important thing is to imitate the Tianzi pots.

The strokes of the word "Tian" are balanced, the starting and stopping of the strokes are natural and powerful, and the handwriting appears to be done in one go without stagnation.

A professional summed it up as: "Tianzi Wuban is indeed an official, and the word Shen Yunmeng has a light brown border. Although Kangxi's imitation is skillful, it is both long and short."

Chenghua Doucai Tianzi pot is very famous. There are imitations in Wanli of Ming Dynasty, Kangxi and Yongzheng of Qing Dynasty.

In Kangxi and Yongzheng, Jingzhen official kiln imitations included not only bucket color wares, but also blue and white products, but no Chenghua blue and white Tianzi pots have been seen so far.

This type of imitation is not as tall and powerful as the one on the Chenghua Doucai Tianzi jar except for the style and font, and its shape is also different, with a large belly or too flat, which looks clumsy.

Judging from the chronological order, it is normal for the word "Tian" to appear on the porcelain of the Ming Dynasty or the Qing Dynasty.

If the word "Heaven" appeared on the porcelain before the Ming Dynasty, it must be fake.

Therefore, Chen Wenzhe began to imitate from Chenghua in the Ming Dynasty to the later period, and he must imitate the exquisite Tianzi jars of the third Qing Dynasty.

When all the materials were finished, all the messy porcelain he wanted to imitate had also been finished.

At this time, Chen Wenzhe's mind once again shifted to the red-glazed porcelain.

Ruby red glaze is not easy to prepare, but ordinary copper red glaze is not difficult to prepare. They can even adjust Zhanggu, so they prepare a little more.

Besides, since he wanted to make a series of red glazes, he had to make them all.

He has done Xuande red before, and he has also done a lot of blue and white underglaze red.

He calculated it carefully, and it seemed that some modern red-glazed porcelains were not made.

So, next is the red-glazed porcelain of the Qing Dynasty and the Three Dynasties, especially the red-glazed porcelain of the Kangxi period, and several pieces must be imitated.

Before, I only made Xuandehong, but because of Xuandehong and other types of utensils, I made eggshell pottery cups and so on, and now I am back on the right track.

Because after Xuande, the red glaze once declined, and it was not restored until the Kangxi period of the Qing Dynasty, so what Chen Wenzhe is making now is the red glazed porcelain of Kangxi and after Kangxi.

The three dynasties of the Qing Dynasty are a hurdle that cannot be overcome. No matter what kind of porcelain is imitated, these three dynasties must be imitated. Who made their works in that period the best!

It is just a high-temperature copper-red glazed porcelain from the Kangxi period. There are three kinds of Langyao red glaze, cowpea red glaze and Ji red glaze.

Chen Wenzhe has made all these porcelains, and now it's easy, because the finished products have already been placed in the exhibition hall of the factory.

At this time, he only made a few pieces of sacrificial red, that is, Jihong glaze, which completed the red glazed porcelain of this period.

This time, Chen Wenzhe mainly made stationery items, which he rarely did systematically before, at most he made a pen holder and a brush washer.

This time when he had the opportunity, he planned to make a batch.

The Jihong glaze of Kangxi in the Qing Dynasty is a variety imitating the Xuande red glaze of the Ming Dynasty, but the color of the red glaze is mostly black and red, and some are relatively light and bright, and the color tone is very uniform.

At this time, the carcass of Jihong ware is hard and dense, and some glazes have small orange peel wrinkles, and some are in the shape of vertical flow due to the thick glaze layer, and the feet are often dark brown due to the vertical flow of glaze.

Common vessel shapes include mitral pots, plum vases, bowls, plates, bowls, and tall bowls.

Either signed official kiln money, or no money.

It is important to point out here that Kangxi Jihong glaze is not only used as sacrificial vessels, but also used as stationery utensils and daily-use porcelain.

Chen Wenzhe imitated this batch of royal stationery utensils. You must know that this kind of porcelain from the Kangxi period is very valuable.

Not to mention other things, just talking about pen holders, there are red glaze pen holders, as well as black glaze, multicolored, pastel and even bucket color pen holders.

According to statistics, there are quite a lot of ceramic stationery utensils in the Kangxi period of the Qing Dynasty.

After making it, Chen Wenzhe realized that the quantity is really large.

Mainly pen holders, pen cases, brush washers, printing boxes, water containers, arm rests, water bowls, inkstones, paperweights, etc.

The varieties cover common colored glazes such as blue and white, five colors, bucket colors, and pastel colors.

There are also blue glaze, sprinkle blue glaze, black gold glaze, bean green glaze, Jihong glaze, sky blue glaze, Ge glaze, blue and white glaze red, malachite green glaze, Lang kiln red glaze, etc. Chen Wenzhe has come into contact with, and even only made Passed one or two works.

But there are quite a few that he has not touched, such as gold color, fahua, white ground ink color, yellow, green and purple color, yellow ground color, green color color, purple ground color, black ground color, red and green color, Porcelain body lacquer inlaid with mother-of-pearl, etc.

Here, I must say Lang Yaohong again.

This series of red-glazed porcelain is actually an imitation of Xuande red glaze, but it is brighter than Xuande red glaze.

Compared with the series of red-glazed porcelain mentioned above, Lang Yaohong has a strong vitreous luster, which is gorgeous and eye-catching.

That's why it has become the most vivid color among the precious copper red glazes in my country.

Fortunately, modern technology is developing rapidly, otherwise, the probability of firing Langyaohong will be very low if only the traditional old technology is used.

The traditional Langyaohong has very strict requirements on the firing atmosphere and temperature, and it is very difficult to fire a successful product, so there is a saying that "if you want to be poor, burn Langhong".

It's not the same now, not even a few days ago.

Because with the continuous firing of various types and glaze colors of porcelain this time, especially when firing Jianzhan, his grasp of the firing atmosphere has really reached its peak.

So now, looking back and firing Langyaohong again, he no longer has the feeling of "if you want to be poor, burn Langhong", because his firing success rate is really high.

(End of this chapter)