My system is not decent

Chapter 1161 The Biggest Suspense
Things in the world are often unexpected. People in the world think that Ge Kiln originated in the Northern Song Dynasty and is one of the five famous kilns in the Northern Song Dynasty. But is this really the case?

Unfortunately, there are no historical documents in the Song Dynasty to record Ge Kiln, or Ge Glazed Porcelain.

Only in the Yuan Dynasty, Kong Qi's "Jing Zhai Zhi Zheng Zhi Ji Yi Bian" began to appear "Ge Ge Kiln" and "Ge Ge Kiln", but the description of Ge Kiln's characteristics is not specific.

In the Hongwu period of the Ming Dynasty, Cao Zhao described Ge kiln wares in "Ge Gu Yao Lun" as "green in color, with different shades, and purple mouth with iron feet", "newly fired at the end of the Yuan Dynasty, the soil veins were rough and dry, and the color was not good. ".

There is no description of the relationship between Geyao and Diyao here, but there are some records.

It was not until the [-]th year of Jiajing's "Jiangsu and Zhejiang Tongzhi" that there was a more specific description.

It is pointed out that its place of production is in Liutian Town under Liuhua Mountain, which is the central kiln of Longquan, Dayao.

It is the first time in "Jiangsu Tongzhi" that Zhang Shengyi and Zhang Sheng two brothers own a kiln.

Ge kiln produces open-piece porcelain, while younger brother kiln produces Longquan celadon without pieces.

This part of the information that Chen Wenzhe got before was also very clear to him that this part is the historical fact.

It is also from this part of the facts that it can be fully proved that Ge Kiln was produced in Longquan Kiln at the beginning.

After that, the artistic features became more and more unique, and became independent.

Or the kiln mouth of Ge Kiln is not independent, but the Ge Kiln wares produced by it are independent because of its unique characteristics, forming Ge Kiln Porcelain.

But the younger brother kiln, whose quality is almost the same as that of the elder brother kiln, is not so famous, why?
Isn't it because it doesn't have too many features?

Even if the celadon from the brother kiln is of better quality, it is sometimes considered a Longquan kiln, right?
At least when it first started production, Di Kiln definitely couldn't get rid of the influence of Longquan Kiln celadon.

It was also after Jiajing in the Ming Dynasty that the stories of Ge Kiln and Brother Kiln gradually took shape and became complete.

It has been a century since "Jing Zhai Zhi Zheng Zhi Ji Yi Bian" to "Jiangsu Tong Zhi" was completed.

Therefore, this story was gradually made up and does not match the real historical facts.

For many years, archaeologists have carried out large-scale dragnet surveys on the Longquan kiln system.

In 1979, the Jiangsu-Zhejiang Institute of Archaeology, the Institute of Archeology of the Huaxia Academy of Social Sciences, the Palace Museum, the Maritime Museum, the Huaxia History Museum, and the Jinling Museum jointly conducted large-scale excavations.

However, during this process, no temples, monuments, tombs and historical relics of Ren Wen were found, nor was there a kiln site that produced Ge glazed porcelain alone.

The only ancient book that proves the existence of Zhang's brothers, and the Ming Dynasty's work that is completely consistent with the production of celadon in Longquan area, is Lu Rong's "Shuyuan Miscellaneous Notes".

He visited ancient times in Longquan and talked a lot about Longquan celadon, but he didn't mention Ge kiln at all.

The situation should be like this. The glazed Ge glaze porcelain is a product of some kilns in Longquan celadon, and it is very distinctive.

The production workshop is not an independent porcelain kiln system. Later generations mistakenly divided them into two kiln systems: Ge Kiln and Brother Kiln.

When Chen Wenzhe wanted to write a thesis, he also made an argument around this subject.

Compared with others, he has too much inside information, but many of them cannot be used as evidence.

It's just that, knowing the answer, it's much easier to prove his argument around the correct answer.

At the very least, with Chen Wenzhe's extensive knowledge and the help of Suihou Zhizhu, it is not difficult to find some ancient books to prove his point of view.

At the very least, as a graduation thesis for an art school, it is completely enough.

It's just that, after researching and studying, the more he understands, the more strange Chen Wenzhe found the works of the kiln department of Ge Kiln.

Especially the handed down Ge Kiln, the term seems to be different from what ordinary people understand.

This starts with the Ge porcelain produced after the Ming and Qing Dynasties, because the Ge kiln produced in the Ming and Qing Dynasties is more complicated.

This is because in Jingzhen at that time, there were Ge kilns who specialized in imitating Ge glazed porcelain.

In these two historical periods, the Ge kiln imitations produced should be distinguished from Song and Yuan Ge glazed porcelain.

Of course, the reason why it can be independent and form the inherent impression of the world must be because Ge kiln wares have their distinctive characteristics.

Because of the different soil used for the porcelain body, this kiln mouth is mostly purple-black, iron-black, and also yellowish-brown.

The glaze is a devitrified opaque glaze, and the glaze surface has a layer of crisp light. The glaze color is mostly fried beige and grayish green, and the glaze surface is combined with large and small patterns.

After dyeing, the large-grained slices are dark brown, and the small-grained slices are yellow-brown, also known as 'golden wire iron wire', 'ink-patterned plum blossom', 'leaf veins', 'civil and military slices', etc.

This is one of the main characteristics of Ge kiln handed down from generation to generation. The shapes of the vessels include various bottles, furnaces, statues, washers, bowls, basins, dishes, etc.

Antique shapes are more common, the bottom feet are not very regular, and the glaze surface is often shrunk and brown eyes.

However, the "History of Huaxia Ceramics" is described in this way, and there are differences in the thickness of the fetus.

In terms of time, there should be a difference between early and late. In terms of production, there are also works that may not be from a porcelain kiln, and the situation is quite complicated.

Most of the classic "Ge Kiln" wares that have been handed down to the world come from the old collections of the Qing Palace.

Because this batch of artifacts does not match the characteristics of the "Ge Kiln" recorded in ancient documents, and there is no archaeological evidence to support it, it has caused the greatest suspense in the history of ceramics.

In fact, up to now, many archaeological excavations have proved that the loss of Geyao's kiln mouth should be normal, because it did not exist independently.

Later, the skills spread, and other kilns learned from each other's strengths to make up for their weaknesses, and the pure Ge kiln would naturally disappear.

In fact, Ru kiln, Di kiln, even Longquan kiln, Jian kiln, etc., will disappear after a long time.

Or to put it more accurately, it has not disappeared, but has flourished.

After a kiln mouth is famous, it is a famous kiln, but all kiln mouths can produce the same high-quality goods, so which kiln mouth is the real famous kiln?

Therefore, the emergence of many famous kilns was only because the technology at that time had just appeared and had not yet been developed. Others could not burn it, so he became famous.

When everyone has learned it, it will start to disappear from the public. This is the reason why many famous kilns disappear.

Of course, some are due to the change of dynasty, resulting in the generation of craftsmanship.

Or back to the Ge Kiln, in order to distinguish it from the Dege Kiln recorded in the Ming and Qing literature, that is, Longquan Zhangsheng Yi Kiln, a handed down product called "Ge Kiln" in the Qing Palace, and later connoisseurs called it "Handed down Ge Kiln". ".

Therefore, the "handed down Ge kiln" mentioned in the collection circle is not the handed down Ge kiln porcelain handed down to the world, but a part of handed down porcelain with the characteristics of Ge kiln that was originally collected in the Qing Palace.

What caused this phenomenon is the mystery of the origin of Ge Kiln.

Of course, it is undeniable that Ge kiln wares from the Ming and Qing dynasties are all high-quality goods, otherwise, they would not have been singled out for discussion.

(End of this chapter)