My system is not decent

Chapter 1162 Ge Kiln Formed in Spread
The characteristics of Ge kiln handed down from generation to generation are still very obvious from the comparison and analysis of the body color, glaze color, craftsmanship, shape and other aspects of the utensils.

First of all, the body color characteristics of handed down Ge kiln porcelain are obvious.

Although the kiln site and firing date of Ge Kiln porcelain are still unresolved, it has always been one of the most controversial topics in the archaeological field.

However, a consensus has already been reached on what kind of porcelain bodies are handed down from generation to generation.

Ge Kiln porcelain handed down from generation to generation can be divided into two types: porcelain body and sand body.

There are two main types of fetal color. The first type has the typical characteristics of "purple mouth and iron feet". The fetal color is mostly purple black, iron black, dark gray and light gray.

The other kind does not have the "purple mouth" feature, and its exposed fetus is brownish brown, and the fetal color is mostly khaki.

Then there are the glaze color characteristics of handed down Ge kiln porcelain. The glaze colors of handed down Ge kiln porcelain are mainly gray cyan, light gray cyan, fried beige, light fried beige, etc.

Among them, the gray-blue and light-gray-cyan flakes are mostly dark black.

The fried beige and light fried beige slices mostly have the characteristics of "golden wire and iron wire" and "civil and military slices", and the glaze layer of fried beige is thicker.

Generally speaking, the glaze of Ge Kiln porcelain handed down from generation to generation is mostly devitrified and milky, and the glaze surface has a buttery luster, which belongs to a kind of matte glaze.

Then there are the technical characteristics of the handed down Ge kiln porcelain. The craftsmanship of the handed down Ge kiln porcelain is very exquisite.

There are many black tires on the nails bound to the feet, and the traces of the nails are very small.

The soles of the feet with exposed bead rings are mostly baked with cake pads, and the feet are trimmed very neatly without muddy water.

Others include the shape characteristics of handed down Ge kiln porcelain, this one is quite special, because the shapes of handed down Ge kiln porcelain are mostly small utensils.

Among them, all kinds of bowls, plates, basins, jars, pierced ear bottles, fish ear stoves, five-legged washers, and slag bucket-style statues are common shapes.

These shapes are quite ancient and meaningful.

The last is the firing characteristics, among which the unique feature of "gathering foam and collecting beads" is even more remarkable.

The glaze layer of handed down Ge kiln porcelain is very thick, and the thickest part can even be equal to the thickness of the carcass. The glaze contains air bubbles, like beads looming, so it is known as "gathering foam and accumulating beads".

To sum up, the most important characteristics are actually three kinds of "purple mouth and iron foot", "golden thread and iron thread", and "gathering foam and collecting beads".

The first two characteristics are related to the material and firing process.

And the last one "gathering foam and saving beads" is simpler, which is related to the thickness of the glaze layer.

Chen Wenzhe had studied this very thoroughly earlier, and it was formed because the glaze layer was too thick, which blocked the moisture inside the vessel body, prevented it from evaporating, and remained under the glaze layer.

This is not difficult for him to do.

Therefore, the first thing to do is the Ge Kiln bile bottle, followed by the Ge Kiln Fish Ear Stove.

There is nothing to say about the gallbladder, it is easy to make, and it depends on the effect of trial firing in the end.

As long as there is no problem with expansion and contraction, the firing is successful.

As for the body, glaze, glaze color, slices, etc., Chen Wenzhe is not worried about firing failure.

The reason why he fired the gallbladder was to do experiments.

What he really wants must be a device like the fish ear stove.

Although it is troublesome to make a difficult shape, it is even more beautiful after it is made!
For example, this kind of fish ear stove has a simple and elegant shape, a full body, and a typical "gold wire and iron wire" feature on the glaze.

Then there is the classic Ge Kiln Kwai Mouth Plate, which is simple and elegant in shape, with fine grains on the glaze surface and beautiful and smooth lines. This is also one of the representative masterpieces of Ge Kiln porcelain.

Finally, Chen Wenzhe made a blue-glazed sunflower wash from Ge Kiln.

Ge kiln celadon glaze sunflower wash, novel and unique in shape, exquisite and small glazed surface covered with cracks, with the characteristics of "golden wire and iron wire", and six nail burn marks on the outsole.

This utensil is very simple to make, but to do it well, every step must be very delicate.

This kind of simple brush washer type, as long as it is carefully made, it must be a rare gem of Ge Kiln.

After finishing, although it has not been fired yet, it looks OK.

"This is Fangge Kiln Ware? It's not considered antique porcelain!"

Looking at the Ge Kiln porcelain that he made freely, Chen Wenzhe smiled.

He slowly began to let himself go again, and only in this way can he truly walk out of his own path.

Imitation can only be imitation. At his current level, relying on imitation has made it difficult for him to continue to improve and improve.

Therefore, now when he makes porcelain, he usually lets go of his hands and discards defects. As long as there are advantages, the porcelain produced in this way will be very beautiful.

And beautiful things are generally successful works.

Of course, compared to antique porcelain, the selling price will definitely not be too high, but now Chen Wenzhe is not short of money!
Archaism is just a hobby, and eventually you need to improve your skills.

Just like the imitation Ge kilns he makes now, most of them are not considered as imitations, but as an alternative type of porcelain.

There have been imitations of Ge kiln porcelain since the Song Dynasty, among which the imitations of the Ming and Qing Dynasties and modern times are the most numerous.

The names of imitated Ge Kiln porcelain are "Fang Ge Kiln" and "Ge Glaze".

Not only official kilns are fired, but private kilns also have a certain number of firings, but the effect of imitation is far inferior to that of official kilns.

The imitation Ge kiln porcelain in Qing Dynasty is the most outstanding works in the prosperous period of Qing Dynasty.

Modern imitations of Ge kiln porcelain generally do not have a good imitation effect, the pieces are relatively stiff, the glaze color is not natural, and the proportions are not coordinated, which is far from the charm of the real product.

The so-called handed down Ge kiln is naturally indispensable for the study of imitation products.

And as long as you study this, you will know that the so-called handed down brother kilns all came from the Ming and Qing dynasties.

Especially in the Ming Dynasty, because here, you can prove a historical mystery of Ge Kiln.

Among the five famous kilns, Ru Kiln, Jun Kiln and Ding Kiln are all named after the kiln site.

The official kiln has an official background, and the kiln site of the Ge kiln has always been a big unsolved case in the Chinese ceramics industry. This has been said before.

If you study handed down Ge kilns, you will find that the Ming and Qing Dynasties were a special era for Ge kilns.

For example, the earliest document describing the Longquan Ge Kiln that we have seen today was written in the eighteenth year of Jiajing in the Ming Dynasty.

That is, before 1539 A.D., a writer named Lu Shen wrote a "Chunfengtang Essays".

The book says: Ge Kiln, light white with broken lines, named Baijun Sui.

The two brothers, both from Chuzhou, mastered the Liutian Kiln in Longquan.

There are two pottery and green wares, which are as pure as fine jade and are expensive in the world, that is, official kilns and the like;
The pottery that gave birth to a pottery was light in color, hence the name Ge Kiln.

From here, it is proved that the two brothers of the Zhang family must be the ones who created and fired Ge Kiln and Di Kiln.

But here, it is also determined that the kiln mouth where they originally fired porcelain must belong to the Longquan kiln.

Not to mention anything else, as long as Chen Wenzhe grasps this point, his conclusion can be recognized by enough experts.

(End of this chapter)