My system is not decent

Chapter 1164 Ever-changing, touching people's hearts

In archaeological research, the most important thing is to discover the kiln site.

If you find the kiln site of Ge Kiln, will you find a large number of Ge Kiln porcelain?
Even if there is no complete weapon, finding some remnants, or even fragments, is priceless!

Also, after the discovery of the Ge Kiln ruins, can we analyze the production process of the Ge Kiln through the production equipment at the kiln mouth, as well as porcelain pieces and clay?These are the most valuable things.

It is also for this reason that people have been studying Ge Kiln, wanting to find the truth inside!

To put it bluntly, it is still the interests!
There are too many mysteries about Ge Kiln.

Others Chen Wenzhe didn't know, but he knew that Zhang Sheng, one brother and two were real, and that there were indeed porcelains in the Song Dynasty that had exactly the same characteristics as Ge kiln porcelain.

Otherwise, Ge Kiln, one of the five famous kilns in the Northern Song Dynasty, would not have come out. These cannot be denied.

As for Ge Kiln and Di Kiln, whether they were invented by the Zhang brothers or whether they learned from craftsmen in an earlier period is uncertain.

After all, a craft cannot appear out of thin air, and its development history must be long.

Perhaps, it was created by the Zhang family brothers in the late Song and early Yuan Dynasties all of a sudden?Who can say clearly?

Unless their tombs are found, the most scientific identification is to find out when the two brothers were born!

There are too many controversies here.

If you don’t talk about Ge Kiln, but about Brother Kiln, what Zhang Shenger makes is celadon, is it very different from Longquan Kiln?

Even if the porcelain is very different, is the craftsmanship also very different?

These are all unclear. To really study, you need to find enough undocumented people.

Chen Wenzhe just finished his graduation thesis by the way. He doesn't have time, so he really went to archaeology!

Therefore, it is enough to study a little bit, figure out some of the routines in it, and thoroughly learn the crafts of Ge kiln, various imitation Ge kilns, or all imitation Ge kilns in the past dynasties.

In this way, as a modern person, he can master all the techniques of Ge kiln wares from the Song and Yuan Dynasties to the Ming and Qing Dynasties and the Republic of China.

As for whether the Ge Kiln started in the Song Dynasty or the Yuan Dynasty, it is actually not that important.

After all, Chen Wenzhe studies porcelain, not history.

As for the in-depth study of Ge Kiln, don't tell me, there are really many fine products in Ge Kiln handed down from generation to generation.

For example, there are about [-] pieces of Songge Kiln porcelain in the Palace Museum collection.

One of the Ge kiln gray celadon-glazed bile bottles is really well made.

It is 14.2 cm high, 2.2 cm in diameter and 5.4 cm in foot diameter.

It has a small mouth, a long neck, sloping shoulders, a slightly drooping round belly, and ring feet.

The whole body is covered with gray cyan glaze, and the glaze surface is moist.

The whole body is covered with large black slices and yellow small slices.

The ring foot is covered with glaze, and the foot end is unglazed, dark brown.

On the whole, the shape of this bottle is dignified and elegant, the glaze is oily, buttery, and covered with gold wire and iron wire patterns.

The foot wall is shallow but wide at the top and narrow at the bottom. The inner wall is slope-shaped and cannot be lifted by hand.

In addition to this representative work, other fine works include the Ge Kiln melon-edge bowl, the Ge Kiln gray celadon-glazed begonia-style stove, and the Ge Kiln gray-celadon-glazed bile-shaped bottle.

As long as it comes to mind, Chen Wenzhe will do one, which is already common sense.

There are hundreds of types of Huaxia porcelain in ever-changing shapes. They interpret the beauty of Chinese style with their own unique shapes.

Porcelain wares are shaped like a woman's figure, with near-perfect curves, which impress people's hearts.

Especially some of the basic types, such as bottles, teacups, and teapots.

Although it looks simple, but if you really do it, you will find that the shape of the device inside can be varied.

Recently Chen Wenzhe has made too many glazed porcelains.

But now, he found that the changes in the shape of the device also need to be sorted out.

Therefore, he quickly sorted out the 10 most classic porcelain types, which can also be said to be "the 10 most beautiful types".

He has made plum vases, jade pot spring vases, and bile vases before, all of which are considered classic types in domestic history.

And he also made garlic vases and celestial ball vases, that's five pieces.

Especially the Tianqiu vase, one of which was imitated before. If the imitation of this kind of vessel is not good, especially if the shrinkage ratio is not grasped accurately, the shape of the vessel will burn down.

Therefore, the celestial bottle still needs to be taken seriously.

Tianqiu vase is a porcelain shape deeply influenced by West Asian culture. It was created and fired in the Jingzhen kiln during the Yongle and Xuande years of the Ming Dynasty.

There are also many types, such as blue and white celestial ball bottles, pastel celestial ball bottles, purple glaze celestial ball bottles, Langyao red celestial ball bottles, and colorful celestial ball bottles.

These glaze colors are more classic. Of course, if Chen Wenzhe wants to do more, he can make sky blue glaze, pink green glaze, green glaze, black glaze and other celestial bottles.

Of course, if you want to imitate antiques, you must naturally fit the times.

Tianqiu vases mainly became ornamental vases from the Yongle Dynasty, and were more popular in the Xuande period.

The shape of this bottle is small mouth, straight neck, full shoulder, false circle foot, slightly concave sand bottom.

Because of the huge belly of the ball, it looks like it fell from the sky, hence the name.

Among them, the more famous Yongle blue and white celestial ball bottle with lotus piercing and dragon pattern is now hidden in the Wanwan Palace Museum.

This is the classic among the five types of bottles that Chen Wenzhe is more familiar with, and there are five other types that he knows but has never made.

This is also helpless, although Chen Wenzhe has been busy recently, but there are too many types of classic porcelain in China, he simply can't do it.

If it wasn't for this, he would not have thought about summing up the experience of the ancients to come up with ten classic types.

Next, almost all of the utensils he made were in the Ming and Qing dynasties.

This is also something that can’t be helped. In fact, after careful calculation, apart from the porcelains from the five famous kilns in the Northern Song Dynasty, the porcelains that have been handed down to the present and are most sought after by people are the Ming and Qing Dynasties, especially the Qing Dynasty.

The development of porcelain began to flourish in the Tang Dynasty, and reached a small peak in the Song Dynasty. After that, the blue and white porcelain in the Yuan Dynasty was considered to be a successor to the past and the future.

After that, the firing of porcelain was out of control.

Bright red glazed porcelain from Hongwu and Yongle in the Ming Dynasty, sweet white glaze from Yongle, blue and white glaze, copper red glaze, blue and white glaze red in Xuande, etc., and later cloisonne and bucket colors are all classics.

These are still glaze crafts. When it comes to the shape of the vessel, the moon-holding bottle, one of the top ten types of porcelain vases, came from the Ming Dynasty.

Baoyue bottle is also a style of bottle, also known as "holding the moon bottle".

This kind of bottle has a small mouth, a straight neck, and two ears on the side of the neck. It is named because the belly of the bottle looks like a full moon.

One of the common utensils of Yongle and Xuande JDZ kilns in Ming Dynasty, imitated by Yongzheng and Qianlong in Qing Dynasty.

And as long as it is an imitation utensil of the third generation of the Qing Dynasty, it must not be bad. This point should be known from the market situation.

It is not without reason that the official kiln porcelain of the Qing Dynasty and the Three Dynasties can fetch sky-high prices every time it appears.

(End of this chapter)