My system is not decent

Chapter 1230
Porcelain appraisal is a university question, and if you want to become a qualified appraiser, you must be well-informed.

With more knowledge, you can see the gap between the various porcelains you have seen.

Only in this way can we have some ability to identify all kinds of old porcelain on the market.

They only have some identification ability, so really good appraisers are rare, because learning appraisal requires too much knowledge compared to learning to make old ones.

Sometimes it's hard to be old, but sometimes it's easy.

Some typical features on porcelain, sometimes it is easy to do old.

For example, "iron wire" is very easy to make.

Using the ink dipping method, dip the glazed surface with ink and let it enter the gap between the sheets, and then wash the ink on the surface with water, it is easy to produce the "iron wire" effect.

If you want to identify old utensils made in this way, as long as you are an experienced appraiser, you should be able to see it.

Just visual inspection is enough, because the "iron wire" made by the ink-immersion method is monotonous and lacks change in color, and there is a certain difference from the ancient real "iron wire", which is easy to identify.

However, this also has a premise. You need to know what the real iron wire looks like in order to see such a simple way of making old.

As the saying goes, the Tao is one foot tall, and the devil is one foot tall!
It is not easy to identify, sometimes it is really easy to make old.

Or the treatment of iron wire, if you want to go further, you need potassium permanganate dipping method.

This is to first soak the utensils in a mixed solution of potassium permanganate and brown sugar.

After several days of soaking, when it is taken out, a tan dirt will form on the surface of the utensil.

If there are cracks in the glaze, the gaps can show a yellow-brown "golden thread" effect.

However, for utensils that are less than one year old, potassium permanganate residues often exist in the bubbles and cracks of the glaze.

If you touch some water with your fingers, your fingers will also be dyed purple-brown.

There are quite a few old-fashioned methods of this level, and Chen Wenzhe knows several of them.

For example, asphalt solution is used to make old methods. This kind of old method is to dissolve asphalt in gasoline first.

Then apply the asphalt solution on the surface of the utensils, and after the gasoline volatilizes, use cleaning agents such as decontamination powder to remove the excess asphalt.

This method is mostly used to imitate the old appearance of handed down products. You can use a cotton swab dipped in 120# solvent gasoline to smear the stain. If the stain is dissolved immediately, it means that the asphalt solution is old.

The "old appearance" processed with asphalt solution has a single color, lacks a sense of layering, and sometimes has traces of brushing.

Chen Wenzhe stopped the pen in his hand. Recently, he can say that he has thoroughly studied Yuan Qinghua.

From materials to craftsmanship, from duplication to old-fashioned, he will study the problems that arise in each step, find out the problems, and solve them.

At this time, he was able to confirm that it would be no problem to re-burn the Yuan blue and white flowers.

Even if it is the raw material, he has a certain degree of confidence that it can be completely retro.

However, he still needs to do a lot of experiments in order to really make the perfect Yuan Qinghua.

However, he didn't want to waste too much time. After all, he knew that there were many masters in the country who had done the same thing, conducted the same research, and walked the same path.

Now that the predecessors have helped him clear the way, and he also has a solid foundation, now he can compare his experience with the experience of the predecessors to see if his thinking is right.

If it is wrong, change the research direction. If there are more, it means that the hero sees the same thing, which can save him a lot of time.

Therefore, Chen Wenzhe, who already felt that his research was similar, began to cheat without hesitation.

And he just searched a little bit, and found that those seniors in the country have done much better than he imagined.

It was also at this time that Chen Wenzhe admired the domestic pioneers even more.

They are really powerful, such as "the first person in China's antique porcelain" - Huang Lao.

If you use intermittent words to describe him, it would be to carry the Tao with porcelain, the master of the porcelain world, and the founder of the imperial kiln!

Life is only for one thing!

Everything follows the ancient law!
Everything seeks the ultimate!
Keep improving everything!
Everything is lost!
He is not only a famous research artist of ancient ceramics in our country, but also a craftsman who is familiar with the firing process of ceramics.

The works made by Mr. Wang are often more valuable than many ancient porcelains, and are known as "new contemporary cultural relics".

In 1997, one of his "Ming Yongle Blue and White Seawater Dragon Pattern Flat Bottles" was auctioned as an authentic Ming Yongle product at a neon auction.

Several top ceramic experts appraised, but found no flaws;
After alarming the neon political circles, it was identified as his imitation with the help of neon's national ceramic appraisal experts.

In 2005, at the Huaxia Ceramics Auction held by Christie’s in England, Yuan blue and white “Ghost Valley Down the Mountain Picture Jar” was sold for 1568.8 million pounds, a high price of about 2.3 million yuan, setting the highest auction record for Chinese art in the world at that time .

At the auction preview, Mr. Huang carefully handled the jar, carefully observed every detail, and was deeply infected by the charm of Chinese ceramic art.

In order to allow more people to appreciate the beauty of Yuan blue and white, he then began the arduous process of imitating the artwork.

In order to imitate this porcelain pot, he spent a lot of time conducting detailed surveys and raw material sampling analysis on JDZ's ancient kiln sites and ancient raw material mines according to the characteristics of "local materials" in ancient porcelain production.

After that, he personally prepared mud, glaze, and blue and white materials, and researched and trial-produced them day and night.

In the end, he mastered the recipes of clay, glaze, and materials for antique porcelain of all dynasties, so the ancient porcelain of Jingzhen that he copied from all dynasties can be almost authentic.

Later, under the supervision of Zhang Pusheng, a famous ceramic expert of Jinling Museum, the "Ghost Valley Down the Mountain Picture Jar" was finally imitated.

Before Chen Wenzhe chose to imitate this famous product handed down from generation to generation, it was because he knew that there are masters in China who imitate with a high level.

So how high is it? In 2013, in the "World Yuan Blue and White Exhibition" held by the Maritime Museum, there were results.

This real piece of "Yuan Blue and White Ghost Valley Down the Mountain", which was sold for 2.3 million yuan, and the "Yuan Blue and White Ghost Valley Down the Mountain" recreated by Master Huang Yunpeng have traveled through more than seven centuries and were invited to compete on the same stage.

If it is an imitation made by ordinary people, how can it dare to compare with the real thing?
However, this imitation has already appeared, and it has attracted the praise of many industry leaders.

At the exhibition site, the owner of this cultural relic, the world-renowned antique dealer "Eskenazi", and the re-creator of this "sky-high priced Yuan blue and white", Master Huang Yunpeng, shook hands historicly, becoming a leader in the world ceramics industry. A good story!
Over the past twenty years, with the continuous expansion of Huang Lao's influence at home and abroad, collectors at home and abroad have come here one after another, which has continuously increased the value of his works.

And this is a living master. His works can continue to appreciate in value, even surpassing some ordinary antiques, definitely because of his own strength.

(End of this chapter)