My system is not decent

Chapter 1231 Art melting ancient and modern
As early as 1981, Mr. Geng Baochang, the master of ancient porcelain in the Forbidden City, set a price of 3900 yuan for the Yuan blue and white plum vase with peony pattern wrapped around branches that Huang Lao participated in imitating in the Ceramics Museum.

At that time, the wages of ordinary workers for about 10 years were higher than the price of ordinary cultural relics. Can you believe this?

Today, the price of Huang Lao's antique porcelain works has increased dozens of times compared to the 90s.

In 2017, the auction price of his antique works exceeded 80 yuan.

In 2006, the large pot with the pattern of "Yuan blue and white Guiguzi descending the mountain" drawn by Master Huang and released in limited quantities has soared from 2.9 yuan when it was released to 40 yuan.

But even so, it is still difficult to buy, so his works have a lot of room for appreciation every year.

You must know that this is a modern handicraft for sale, not a high imitation.

The reason why the price of high imitation is high is that it was bought for the first time, and there is such an impure purpose, so the price given is high.

However, modern works of art that cannot be faked can be sold at a higher price than high-quality imitations, even higher than the prices of some ordinary cultural relics, and the problem can be seen from this.

Before Chen Wenzhe wanted to imitate the Yuan blue and white Guiguzi Down the Mountain Picture Jar, it was because he knew that there was such a master.

Moreover, his imitation of Guiguzi Down the Mountain Picture Jar has reached the pinnacle.

It can be said that the antique porcelain he made is the crystallization of contemporary technology and traditional formula and craftsmanship.

Based on the scientific detection and analysis of ancient porcelain clay, glaze, and material formulas, as well as in-depth research and understanding of traditional production techniques, patterns, and brushwork, Huang's ancient porcelain replicas are in perfect shape.

Its blue and white color is rich and colorful, the glaze surface is clear, the cobalt blue glaze is pure, the color is clean and moist, and the five colors are bright and even in layers.

The engraving and painting of its patterns are vivid and smooth, lifelike and vivid, almost perfect.

And all of this started to lay the foundation for Mr. Huang when he was young.

Because of his hunger and thirst for knowledge of ancient porcelain, after graduating from university, he voluntarily asked to be assigned to work in Jingzhen Ceramics Museum.

Influenced by ancient porcelain culture for a long time and studious, he happened to be inspired when encouraging employees to actively generate income in the Ceramics Museum.

Based on the blue and white porcelain in the museum, make high-quality imitations and sell them externally.

In 1981, he imitated the first "Yuan blue and white" in Jingzhen, and was bought by a neon tour group at a high price of 3800 yuan, while his monthly salary was only 60 yuan at that time.

It is equivalent to more than [-] months of his salary. Just one piece of work is worth this price. How much is this added value?
Tasting the sweetness for the first time has strengthened his road of reproducing ancient porcelain with craftsmanship.

He said: "At that time, I followed the clues, traveled all over Europe, found the formula in a small town in France, and after hundreds of experiments, I finally succeeded in replicating the Qing Kangxi enamel that had been lost for more than 300 years.

In the past half a century, in order to figure out the types and proportions of clay, glaze, and materials needed to make ancient porcelain, I can't remember how many times I have slept in the laboratory and kiln. "

"The highest state of imitation is that the imitator has no self, and the more the work resembles the imitated, the better. As far as the imitator himself is concerned, what he imitates is the style of others, and what he sees is also the second vision of others.

When the skill reaches a certain level, the imitator should jump out of the vision of others and form his own style.In addition to being engaged in antique porcelain, I prefer to use blue and white, underglaze red on ceramics, and create works with mandarin fish, plum, orchid, bamboo, chrysanthemum, pine, and landscape as themes. "

From these few passages, many things can be seen.

Let’s talk about enamel first. As we all know, enamel was first introduced from abroad, so Mr. Huang went abroad to look for it.

So what about Su Maliqing?Because there are too many people imitating Yuan blue and white in China, and most of them are imitating with the idea of ​​earning a vote.

So he never mentioned the research on Su Mali Qing material, but just from the study of enamel color, it can be seen that the road to study Su Mali Qing should also be arduous.

The most important thing is that Mr. Huang has a wide range of hobbies, which is very similar to Chen Wenzhe.

As long as you see good porcelain, you want it. If you can't get the real one, you can't help but want to imitate it.

Such hobbies are not available to everyone.

As for Mr. Huang, he imitated Yuan Qinghua in [-], that is, more than forty years ago!

In addition, the mandarin fish series created by Huang Lao has a variety of postures, and the body is plump but not bloated.

In addition to these, there are plum, orchid, bamboo and chrysanthemum series.

He pursues the realm of "uncut, unpretentious, uncrafted, and uncommon". These works are elegant and vivid.

In particular, plum blossoms have changed from the sparse and desolate habit of the predecessors, and they like to bloom with dense stamens without losing their elegance.

In the series of landscapes, either choose its majesty, or describe the meaning of deepness and indifference, transforming ink landscapes into blue and white landscapes, with smooth charm, so there is a place of transcendence.

"If I want to create, I must surpass all the official kiln porcelains of the past dynasties. I can't make a move without full confidence."

Regarding the prospects of the original road, Master Huang said something amazing.

His 50 years have not only witnessed the rise and revival of my country's porcelain industry, but also witnessed the growth and blooming of a generation of great craftsmen!
The greatest achievement among them should be the establishment of the Imperial Kiln and the inheritance of porcelain rhyme!

In 2015, the Huang family invested 1.2 million yuan and took a loan of 5000 million yuan to establish the Huangyao scenic spot.

The scenic spot covers an area of ​​more than 210 mu. It is a national intangible cultural heritage (handmade porcelain) productive protection demonstration base, a national cultural industry demonstration base, a national industrial tourism demonstration site, and a national 4A-level tourist attraction.

Knock on the palace-style gate of the royal kiln, where visitors can wear ancient costumes and become potters to make ancient porcelain in the workshop;
Pace around in the museum to appreciate ancient porcelain treasures and ancient porcelain specimens;

In the Appraisal Consulting Department, through clues, one can find a dusty history...

The Royal Kiln Scenic Spot can be called the reappearance of JDZ Royal Kiln's "Pottering Map", the condensed version of the thousand-year-old porcelain making process in the Porcelain City, and the innovative version of the industrialization of imperial kiln ceramic culture. .

Becoming the "No. [-] person" does not rely on boasting, but needs to be highly recognized by the market and authority.

In 1981, after imitating the first "Yuan blue and white" in Jingzhen, in 1996, he made another amazing creation.

At that time, an orphaned product in the collection of Shendu Museum, Qing Dynasty Qianlong famille rose hollowed-out consecrated flower pattern elephant ear swivel heart vase, unexpectedly appeared in the Tokyo cultural relics market.

After several checks, it was found that it was a high imitation created by Huang Yunpeng.

In 2013, it was already the stage of "Imitating Yuan Qinghua Ghost Valley Down the Mountain".

Guiguzi blue and white pot, 27.5cm high, 33cm wide, plain bottom, wide ring feet, straight mouth and short neck.

The lips are slightly thicker, the shoulders are sloping and the abdomen is round, and it gradually widens below the shoulders, gradually narrows to the bottom of the abdomen, and slightly curls to the bottom.

Imported cobalt materials are used to draw blue and white decorations, which are divided into four layers.

The neck of the first layer is decorated with water ripples, and the shoulders of the second layer are decorated with peonies.

The abdomen on the third floor is decorated with the theme of "Guiguzi going down the mountain", and the lower part of the fourth floor is decorated with deformed lotus petal patterns and painted with Chenbao, commonly known as "eight big yards".

(End of this chapter)