My system is not decent

Chapter 1253 Precious Artifact
Throughout the ages, there have been many people who wanted to imitate Kangxi Emerald Blue, but very few imitated them well.

Generally, alternative green materials are used to achieve the hair color effect of emerald blue.

However, if Chen Wenzhe wants to imitate emerald blue, it is much simpler. Of course, he also needs many experiments.

This is mainly to find a raw ore material with a suitable ratio of elements in the pearl material.

As long as this kind of mineral material is found, other pearl materials with different components need to be processed to promote the stability of the pearl material.

In this way, under stable high-temperature firing, you can get emerald blue every time, instead of relying on luck.

"Huh? Are there really Cui Maolan works that have been successfully imitated?"

I was researching how to improve the success rate of emerald blue porcelain, but I didn't expect Chen Wenzhe to make a discovery.

On this day, Chen Wenzhe was trying to burn a batch of Tianqiu vases. He had just entered the kiln and was watching the fire. Unexpectedly, he had an unexpected harvest.

He inadvertently found a piece of work made by master Ge Mingxiang, a famous pottery maker during the Qianlong and Jiaqing periods of the Qing Dynasty, inside the Pearl of Suihou.

He did not find the master of the modern high imitation emerald blue, but he did not expect to find the high imitation master of the Qing Dynasty.

This Ge Mingxiang was a potter in the Qing Dynasty.

Fired ceramics in Yixing kiln, and his creative activities were during Qianlong (1736-1795).

He and his younger brother Ge Yuanxiang are both good at making furnace uniform glaze.

The works they made are in blue emerald glaze, with Ge Mingxiang or Ge Yuanxiang's three-character seal on the bottom, which is called "Yijun".

Their works have always been cherished by collectors at home and abroad, and their works have participated in the London Expo and won awards.

Especially the little devil, he prefers the glaze color of Ge kiln;
Similar works were once exhibited in the "Beauty of Qing Dynasty Craftsmanship" exhibition held by the Osaka Municipal Art Museum.

As a representative category of Yixing kiln, their works are very precious.

Therefore, anyone who has Ge Mingxiang and Ge Yuanxiang engraved characters and seals is a precious weapon.

Let’s talk about Lujun glaze, which is a kind of imitation Jun glaze created and fired by the imperial kiln during the Yongzheng period of the Qing Dynasty. It was popular in the Yongzheng and Qianlong dynasties.

According to the "Nan Kiln Notes" written by the Qing people: "The furnace is of one type (Jun), which is fired in the furnace. It is better to have red dots in the color flow, followed by green dots."

"Tao Cheng Chronicle" of Tang Ying in the Qing Dynasty said: "There were no kiln-made utensils before Shunzhi and Kangxi in the Qing Dynasty. From Yongzheng to Qianlong, there were East Kiln and Yixing Hanging Glaze. The name of the uniform glaze fired in the charcoal surrounding is: 'Furnace Kiln. ', a low-temperature lead glaze, about 800 degrees.

The purple clay teapot is "fired" first, and then the glaze is applied. The glaze is rich in color, with lead white glaze, copper, and cobalt, and the pattern flows and changes. It is a double-hanging glaze, which is beautiful and elegant. "

Lujun glaze uses copper, cobalt and other elements as coloring agents. The glaze is red, blue, purple, blue and other colors. The glaze surface naturally hangs down and melts with each other to form colorful spots or stripes, and the enamel is smooth or smooth.

The large scroll vat that Chen Wenzhe found was a purple sand tire color glaze scroll vat.

This large cylinder is 32cm high, with an upper diameter of 43cm and a bottom diameter of 31cm.

It is not easy to make such a magnificent study object, so it is even rarer.

This piece of utensil is blue emerald glaze, which flows naturally, with dense patterns and luster, showing an elegant and quiet state.

For such a thing, not to mention whether it is a precious tool made by a celebrity, but its appearance characteristics can make people who see it cherish it.

"If you have nothing to do, just make a big tank. Don't think about pulling embryos, just use the method of rolling mud strips, and do it slowly!"

Discovering such a large vat by accident gave Chen Wenzhe the idea of ​​making large porcelain.

Among the large porcelains, the big vat is the simplest.

Of course, Chen Wenzhe has not forgotten the important point, he is making porcelain from the third dynasties of the Qing Dynasty!
Therefore, this imitation of Kangxi's emerald green hair blue work can only be done slowly in the trivial time of spare time.

By this time, he had almost studied sapphire blue and emerald blue.

After all, he has a clear goal, as long as the firing is successful once, and then the pearl material is prepared, it can be fired continuously.

In addition to emerald green porcelain, other porcelains of the Kangxi period were relatively easy to make. As long as he wanted to, he could make a batch of them.

Next, he should start imitating Yongzheng fine porcelain.

You must know that although Yongzheng has only been in power for more than ten years, his artistic achievements have surpassed Kangxi and Qianlong.

Therefore, the pinnacle of court porcelain in the Qing Dynasty is Yongzheng porcelain!

Among the three dynasties of the Qing Dynasty, Yongzheng porcelain is the most, so what is the most classic among Yongzheng porcelain?

In history, Emperor Yongzheng, in addition to being diligent in political affairs, was also praised for his high-end and high-end aesthetic taste.

In particular, the porcelain of the Yongzheng period can be called a miracle standing at the pinnacle of aesthetics.

The porcelain of the Yongzheng period is famous for its fineness, and the monochrome glaze is noble and the color porcelain is elegant.

This aesthetic taste is very similar to the Arts and Crafts Movement, and even the subsequent Art Nouveau Movement and Bauhaus.

However, Emperor Yongzheng lived from the end of the 17th century to the beginning of the 18th century, far earlier than the Western trend of artistic aesthetic revolution.

The glaze color of Yongzheng porcelain is quite special, such as the chrysanthemum petal dish with twelve-color monochrome glaze.

Emperor Yongzheng had a rigorous and orderly personality and a high aesthetic taste. It is said that the elegant and noble monochrome glaze (color glaze) was his favorite type of porcelain.

The single-color glazed porcelain from the Yongzheng period is light and slender, and attention is paid to the composition, with dense and blank spaces, and even regular geometric rhythmic patterns.

The most common monochromatic glaze colors during the reign of Yongzheng should be red glaze, yellow glaze and green glaze.

Red glaze was the category that was reformed and fired to its peak during the Kangxi period, while yellow glaze and blue glaze may be closer to Yongzheng's own aesthetic taste.

Also, during the Yongzheng period, famille rose was very prosperous.

Compared with the simple and plain monochromatic glaze, the characteristics of Emperor Yongzheng are more obvious on the magnificent pastel porcelain.

Different from the splendor and stacking of other periods, the colored porcelain patterns of the Yongzheng period are obviously restrained.

The human landscape, flowers and birds painted on the body of the vessel all have obvious characteristics of shrinking and gathering.

The strokes of the decorative painting are also more slender.

This makes the pictures on the porcelain surface more compact and patchwork, full of three-dimensional effect.

At the same time, the colors used in the colored porcelain of the Yongzheng period were relatively elegant, soft and not bright, with elements in the colors.

The glaze color is already so good, and Yongzheng porcelain is also unique in terms of shape.

During the Yongzheng period, the mainstream shape of porcelain was thin body, light body, beautiful workmanship and charming.

Even the size of all kinds of common household porcelain is delicate and compact.

There were many types of utensils at that time, and there were many porcelain vases alone.

For example, there are moon vases, plum vases, soft mallet vases, appreciation vases, gourd vases, celestial ball vases, olive vases, string pattern vases, cloud ear vases, Guanyin vases and so on.

(End of this chapter)