My system is not decent

Chapter 1452 Influence each other, inherit the same strain

To bury is also known as burial, which is one of the ancient rites of offering sacrifices to land, and it actually means burial.

It's just that before the burial, the last burning sacrifice was held, which was actually destroying the weapon.

This is why most of the utensils in the several sacrificial pits in Sanxingdui that we see today have traces of fire or smashing.

Rather than being destroyed by others, it is better to destroy ourselves, that is what it means.

Now Chen Wenzhe has a comprehensive understanding of Sanxingdui, especially for the unearthed cultural relics, he even knows what these things are used for!

He knows this better than the researchers at Sanxingdui Research Institute.

Those people still guessed by guessing, but he saw the usage scene directly.

"Huh? This is Chaping Mountain? Should it be Longmen Mountain or Yulei Mountain? This is Jianshan Mountain? Shenxian Mountain is a landmark!"

Looking back this time, the picture I saw was too familiar, because these places are very famous.

Of course, not only is he famous, but also mainly because Chen Wenzhe knows that the king of Shu, from Cancong to Yufu, "became gods and became immortals" in Jianshan.

Jianshan is the Chaping Mountain located on the west edge of the present-day Sichuan Du Plain.

Jianjiang is one of the three major tributaries in the upper reaches of the Tuojiang River. It is called Jianjiang from above the Pengzhou Pass.

The following plains are divided into "Jianjiang Nine Rivers", including the Yazi River flowing through the north of Sanxingdui Ancient City, and the Mamu River passing through the city.

Chaping Mountain, the birthplace of the Jianjiang River, has been considered as the place where "immortals" live since ancient times, and it is still called "immortal mountain" by the villagers.

If it was before, Chen Wenzhe really didn't know all of this.

However, Sanxingdui is too famous, and Jin also saw so many imitation bronzes of Sanxingdui.

So, he really understood a lot.

When he visited the Sanxingdui bronze wares before, he had seen the introduction. The route that King Yufu used to go to Jianshan to be deified was clearly marked.

Starting from the Sanxingdui ruins, from east to west along the Yazi River-Mamu River-Xiaoshi River to the pass.

From there, it crosses the Tianpeng Que of the Jiajiang River between the two mountains, and then follows the Jianjiang River from south to north to the foot of Longmen Mountain.

After that, it enters Longmen Mountain from southwest to northeast, and the broad Jianjiang River valley to the east.

Finally, go upstream and climb to the destination of more than 4700 meters above sea level - Shenxianling.

This is a landmark building, and Chen Wenzhe would never admit his mistake just by taking a look at it.

Today's Tianpeng Que in Pengxian County, which is in the transfer station, is very easy to identify because the two mountains face each other and the terrain is dangerous.

And because of this terrain, this place became the turning point of the east-west-north-south direction of King Yufu's "Road to Ascension to Immortals", and it was the so-called dividing line between the human world and the world of ghosts and gods.

The valleys in Shandong Province of Longmen are the fishing, hunting and gathering areas where the "Huamin" live, while the high mountains are ideal places for self-cultivation and immortality.

After the king of Yufu led the people into Mount Jian for "deification", some Yufu people left behind and migrated eastward.

Later, in the Chuandu area, the Shierqiao culture with the obvious characteristics of the Sanxingdui culture was formed;

Another part goes north, passes through Hanzhong Chenggu, and enters the Baoji area of ​​Western Shaanxi today.

They established a country in the Western Zhou Dynasty, and now there is a cemetery of this country in Rujiazhuang, Baoji, and there are even inscriptions.

It seems to be from the bow and from the fish, which means shooting fish.

In addition, a bronze standing figure similar to that of Sanxingdui was also found, which indicates that the two are probably related.

In that area, especially in the previously discovered ancient tombs, many cultural relics have also been unearthed, and the most representative one is a bronze fish statue.

This Western Zhou fish-shaped statue is 15 cm high, 28 cm long and weighs 1.1 kg.

The fish statue is fat and hollow, with a slightly open mouth and a small perforation on the lower lip.

The gills of the fish are full, the dorsal fin of the fish has a square mouth, and an arched square cover is placed on the mouth.

The use of the dorsal fin of the fish as a square cover catcher shows the unique ingenuity of the ancients.

In order to attach the body of the fish, there are four humanoid feet under the belly of the fish, with their backs facing each other and holding their belly with both hands as if carrying weight.

Three of the four villains are big-mouthed, with round eyes and hair growing on their heads;
The other one has a closed mouth and no hair.

Four villains with exaggerated expressions are used as the feet of the fish figure, which is vivid and full of fun.

The whole body of the fish statue is decorated with thread-carved scale patterns, and a set of simplified curved patterns are decorated on each of the two gills to distinguish it from the fish body.

Both sides of the button cover are decorated with a complete set of thread-carved fish patterns, and each edge of the square cover is decorated with a dragon pattern, and the dragon's faucet meets at the front of the button cover.

The decoration of fish statue is simple but not complicated, accurate and precise.

This treasure is now in the Baoji Bronze Ware Museum. It is a bronze wares that integrates the ancient Shu culture of Sanxingdui and the culture of the Central Plains.

Many things like this were unearthed later.

Not to mention anything else, just Shu Ge, there are quite a few.

For example, one was unearthed in Chenggu, which belongs to the bronze triangle of the late Shang Dynasty.

This kind of isosceles triangular aid Ge, also known as "Shu Ge", is mostly distributed in Shu and Hanzhong areas, especially in Shu, and is extremely rare in the Central Plains.

This may be the material remains of Zhou Wenwang's "Fighting Shu" and "Conquering Shu", the ancient Shu people surrendered to the Queen Zhou, and the exchanges between the two sides.

It may contain a large amount of cultural information about the migration of the ancient pre-Shu people to the north.

After the "deification" of the Yufu Kingdom in the ancient pre-Shu disappeared, the survivors of Yufu were able to go north to establish a country, probably because of the impact of the migration of these ancestors.

This ancient country is located at the northern end of the "Chencang Road" along the Qin-Shu ancient road, and Chenggu is just at the junction of the ancient road.

There is a high probability that this ancient country was built by the survivors of the Sanxingdui ancient country after they migrated from Chenggu.

According to the observation of the existing archaeological data, the early Sanxingdui culture not only inherited the local Baodun cultural factors, but also absorbed a large number of other foreign cultural factors.

Such as Xiashang Culture in Central Plains, Late Shijiahe Culture in Jianghan Plain, and Shimao Culture in Northern Shaanxi.

2019年11月至2020年5月，考古人员对三星堆遗址进行发掘时，在3号祭祀坑中出土了一件高达1.15米的双手顶尊铜人像。

Similar bronze statues have been unearthed in the past, but they have not attracted people's attention due to their small size and inconspicuous shape.

This top bronze figure shows the image of the priest in the sacrificial scene.

Precious utensils such as bronze statues on the head, and using them as sacrificial ritual vessels, reflect the etiquette system of Xia Shang culture.

In No. 1 and No. 2 sacrificial pits of Sanxingdui, bronze statues similar in production technology and shape to Central Plains bronze wares were also unearthed.

There are also bronze plaques inlaid with turquoise similar to the Erlitou Xia culture in the Central Plains, etc., indicating that the bronze culture of the Central Plains had a major impact on the formation and development of the Sanxingdui culture.

This is also relatively consistent with the traditional cultural content of the Central Plains, such as the mythical content of the "Shan Hai Jing" shown in the above-mentioned bronze sacred tree.

All of these can show that our cultures are all linked by hometowns, influence each other, and come down in one continuous line!

(End of this chapter)