My system is not decent

For example, in Pit No. 2 of Sanxingdui, 9 bronze animal face statues were also found.

These statues all have long eyebrows and straight noses, huge eyeballs, and wide and long mouths.

The most special thing is the long horns on the side of the head, and the pointed and drooping ears, which looks like a terrifying beast.

Some experts speculate that this is the mask worn by the ancient Shu people when they psychically prayed for the "Nuo Dance".

In ancient times, the mask was called "魌头".

In "Zhou Li Xia Guan", there is a record of "bear skin covered with palms, gold four eyes, black clothes and Zhu clothes... to drive away the epidemic with a cable room".

It is a tradition in the Central Plains to use masks to pray for spirituality during sacrifices.

The human face and animal face statues in Sanxingdui are obviously also influenced by the Central Plains culture.

This is the benefit of being erudite and versatile. In the past year or so, Chen Wenzhe has not been copying the works of Ru Kiln and other famous kilns every day.

It is impossible for him to work every day, so for more than a year, he was either studying or making porcelain.

The process of learning is not only about looking back, but also about reading.

Especially during this period of time at sea, he spent more time reading.

Of course, there is also a lot of time to write a book.

Especially through backtracking, combined with what he learned from reading, he needs to record it.

After all, the full name of his precious cheating device seems to be Civilization Inheritance System?
The many techniques learned must be recorded. Even if it is not for inheritance, Chen Wenzhe still needs to sort out what he has acquired.

Up to now, he already feels indifferent if the system is not systematic.

Now he knows that the word system seems to be based on his imagination, and that treasure has come up with a name that he can accept.

For example, now, there are no tasks at all, and he is no longer asked to study anything specially.

With the upgrade of Sui Hou's Pearl, this treasure seems to have really become an auxiliary thing.

A baby that can assist him to the limit, a baby that can make his wishes come true, and get enough information for whatever knowledge he wants to know.

Coupled with his excellent memory, he has really learned a lot in the past two years.

For example, when he looked at the cultural relics in Sanxingdui, he could find many related ancient relics of similar age.

Therefore, he is now a qualified historian and archaeologist.

It would definitely be suitable for him to study the origin of Chinese civilization, or even do the work of dating Xia, Shang and Zhou Dynasties.

Unfortunately, he is not interested in doing research, he is only interested in collecting.

This time when he came to the museum, Li Jinli and the others gave him a huge surprise.

It turned out that the antique porcelain he couldn't get had to be copied by himself.

Now he has realized that not only porcelain can be copied, but also bronze, gold, silver, and jade can be copied, and even stone tools, he can also copy.

After all, he knew that there were too many treasures he wanted.

Know, understand the situation, but can't get it, how annoying is it?

In fact, he should have thought of it the first time he saw national treasures all over the place in God's Capital.

If you can't get the real thing, it's a good thing to copy a high imitation and play it at home.

Now the national treasures, in addition to bronze, porcelain, jade and stone are also a large category.

When he has time, he will collect a large number of good jade first, and imitate whatever he wants to imitate.

...

For example, jade figures, he has several pieces of jade figures from the Tang Dynasty in his hands.

With the addition of Yulong and so on, this can be considered a large series.

It's a pity that he is unlikely to obtain the real top-notch ancient jade.

Even if he can get it, it must be through illegal channels. At his current level, it is unnecessary to do this kind of thing again.

When it came to the beauty, Chen Wenzhe began to look back again.

Because compared with the slightly exaggerated style of jade men in the Tang Dynasty, the image of Sanxingdui portraits is even more exaggerated.

And the most unearthed jade people seem to be cultural sites in various river basins.

Like the Hongshan Culture, there are also some cultural sites mentioned in Qianqian, almost all of which have found jade works.

Of course, among these beauties, the many characteristics of the Sanxingdui portraits are the most conspicuous.

This is not to say that the portraits in Sanxingdui are the most special, because they are also found in other cultural sites.

For example, there are also many discoveries on the heads of jade figures in the late Shijiahe culture.

In particular, the specific features such as the ears of the Sanxingdui statues have obvious inheritance relations with the jade heads of Shijiahe culture and the stone withered heads of Shimao culture, and all of them express the meaning of gods.

This is actually very interesting, because in it, Chen Wenzhe saw some elements of other ethnic groups.

Therefore, Sanxingdui culture may contain some elements of Central Asian and Western Asian civilizations.

This is also conceivable, after all, the Chuandu Plain is located at the center of cultural exchanges between China and the West.

The background of Zhang Qian's "cutting through the Western Regions" in the Han Dynasty was the discovery of special products such as Shu cloth, goji sauce, and Qiong bamboo sticks that were sold from Shu to India and Central Asia, which led Emperor Wu of the Han to open up the "Silk Road" feat.

What's more, as early as four or five thousand years ago, the wave of bronze culture led by West Asia and Central Asia was introduced to the Central Plains through Xinjiang and Mongolia.

Therefore, in the ancient Shuchuan capital plain adjacent to Xinjiang Province, this kind of communication with foreign regions should have existed for a long time.

Only the current archaeological data are not enough to form a chain of evidence for this kind of cultural communication.

And this is Chen Wenzhe's opportunity, because he can see the activity scenes and even life trajectories of the ancient Shu people at that time through the cultural relics discovered in Sanxingdui.

Now Chen Wenzhe already knows that the Sanxingdui Culture was originally located in the Chuandu Plain, and was only distributed around the central site of Sanxingdui, and basically did not leave the Tuojiang River Basin.

Afterwards, it expanded to the south, and by the third period, that is, the middle of the Shang Dynasty, or a little later, it had been distributed to the Chuandu City in the Minjiang River Basin.

But in this period, the number of sites found is relatively small.

By the fourth period, that is, from the late Shang Dynasty to the early Western Zhou Dynasty, the distribution range expanded slightly.

During this period, the number of ruins also increased significantly, and there were two centers, Sanxingdui and Chengdu.

The narrow distribution of Sanxingdui culture shows that although its bronze and goldware manufacturing technology has reached a certain level, its political, economic and cultural strength is still far behind that of the Shang and Zhou dynasties.

Therefore, it is also natural that it surrendered to Shang and Zhou successively.

After the decline of Shijiahe culture in 2000 BC, five or six hundred years later, the Jianghan area entered a prosperous period again in the early Shang Dynasty.

The large-scale entry of early merchants contributed to the rise of the early merchant bronze cultural center in Panlong City, Wushi City.

The early Shang culture thus exerted a profound influence on the culture of the middle and upper reaches of the Yangtze River, including the Ganjiang River Basin, the Xiangjiang River Basin and the Sichuan Province Basin.

During the Baodun Culture period from 2500 BC to 1700 BC, there was no sign of bronze casting in the Sichuan Basin.

Although in the middle stage of the Sanxingdui culture, bronze ornaments that may have a certain relationship with the Erlitou Xia culture were found, but there were basically no other bronze wares of the same period.

It can be considered that the bronze culture had not really developed at that time.