My system is not decent

Chapter 1509 Professional tricks to lure people into pits

Without seeing other statues of Buddha, Chen Wenzhe couldn't make an accurate judgment, but it's pretty close!

"Those Buddha statues are all in the factory, why don't we go and have a look?"

At this time, Chen Xingchen, who was still following, spoke again.

Li Jinli also lost that complacency, he waved his hand and said: "Come on, let's go and see those Buddha statues, but I found many experts to appraise them."

Although I trust my boss, what if?
This is the general psychology of those guys who take drugs to get eyes in the antique shop.

Chen Wenzhe also wanted to take a look, but didn't it mean that there were rubbings of the treasures of the Six Horses of Zhaoling Mausoleum?
"The rubbings you bought were also bought from the counterfeit factory in Yangluo, right? What do you think? That is the old den of counterfeiting!"

Chen Wenzhe was a little helpless, is Li Jinli gone?
"Boss, I followed several experts from the Forbidden City at that time!"

Looking at Li Jinli with an ugly face, Chen Wenzhe didn't know what to say.

Experts in the Forbidden City don't need to have a meal?Although people follow, they also say things are good.

However, people in the antique shop, even if they see 100% of the treasures, will say that they are not sure.

Even if you see a fake, sometimes you have to say that you can't see it accurately, but it feels good.

As for whether it is accurate or not, is it because they guide you a little bit and let you guess?

You guessed it was true, but other experts did not say it was true!
This is the routine used by some unscrupulous experts to professionally lure people into pits.

There are even some so-called experts who rely on modern news networks and even TV treasure appraisal programs.

From the very beginning, these people have become famous by deceiving others. Can you trust them?I can't kill you!
"No way, it's too attractive. They are all classic Buddha statues from the Wei, Jin, Southern and Northern Dynasties!"

In the end, Li Jinli could only admit that he was unlucky.

Fortunately, he sought stability and did not offer a high price.

Think about it now, the people who competed with him at that time really gave up the competition because of Yi Niantang's face?

I'm afraid not necessarily!Now imagine that there are flaws and pits everywhere.

But at that time, I was blinded by ghosts, and I just couldn't see through it!
Chen Wenzhe couldn't say anything, Li Jinli was reflecting.

As for Chen Xingchen, this couldn't be worse.

Therefore, the car fell into silence.

As for the rubbings of the Six Horses of Zhaoling Mausoleum, it seems that Chen Xingchen also has them?

They are all routines, and they are all movie stars.

The trajectory of Chen Wenzhe's activities today should have been determined by Li Tianqiang, Li Jinli and Chen Xingchen long ago.

Since everything is in the factory, Chen Wenzhe doesn't say anything, he just needs to follow these guys around.

When he came to Yi Nian Tang factory, he drove in and saw the huge statue of Buddha in the courtyard.

Not to mention, these Buddha statues really look like that.

However, as long as you are knowledgeable, as long as you see a little, you can distinguish the authenticity from the false.

There have been countless fake Buddha statues in the past, but as long as you catch a little flaw, you can quickly identify its authenticity!

In recent years, with the change of collection concepts, Buddha statues have become important works of art for many people to invest in financial management and collect for cultivation with their unique artistic shapes, profound cultural connotations, and rich physical remains.

Therefore, it has been popular all the way in the collection auction market, and the price has also been rising.

Enticed and driven by economic interests, some lawbreakers also took the opportunity to sneak in and make and sell counterfeit goods wantonly to make huge profits.

As a result, the Buddha statues on the market are mixed with fish and dragons, making it difficult to distinguish between true and false.

This makes many collectors and investors afraid and deterred.

Therefore, how to identify professional skills such as the authenticity, age, style, subject matter and value of Buddha statues has become the focus of attention of many Buddha statue collectors and lovers.

There are various ways to forge Buddha statues, and the tricks are constantly being refurbished.

But no counterfeit product can escape the eight characters of "soft lines, sweet and vulgar expressions".

No matter which experience is used in the identification, as long as one or two main flaws of the counterfeit product are grasped, and the point is hit at the dead point, the problem can be solved.

Many experiences can also be compared by analogy and draw inferences from one instance.

The key is to have the awareness of discriminating against falsehoods, and never give up when encountering problems, rather strict than lenient.

Don't deceive yourself and others, find steps for fakes, cut your feet to fit your shoes, and the truth will eventually come to light.

Obviously, Li Jinli was tricked by others, he had preconceived ideas, and thought that if the experts confirmed it, he could buy with confidence.

The subconscious mind thinks it is genuine, and thinks that it is picking up leaks, so many obvious flaws are invisible.

In fact, it is relatively easy to identify the authenticity of Buddha statues in the past dynasties.

Because the Buddha statues of each era have their own styles and characteristics.

This is the starting point when appraising Buddha statues. When you understand the starting point of a Buddha statue, the age of this statue will come out.

For example, the identification of Buddha statues during the Wei, Jin, Southern and Northern Dynasties is not difficult as long as you understand the characteristics of the times.

The early Buddha statues were high meat buns, with polished and hair lock styles.

But there is no snail hair, and the snail hair appeared relatively late, only appeared after 500 AD, and became popular in large numbers after that.

The Buddha statues and handprints of the Sixteen Kingdoms period are all meditation seals, because the early Buddha statues were not used by believers to make money and have children, but the objects of monks' meditation.

There are also Buddha statues from the early Northern Wei Dynasty, such as the Buddha statues from the Sixteen Kingdoms period, most of which were unearthed in the Su, Ning and other Yellow River basins.

In the past, few people could recognize such statues, and they could be obtained for a few hundred dollars in the antique market, but now fakes emerge in endlessly.

For example, there are many modern imitations of the gilt bronze statue of Sakyamuni Buddha in the first year of Taihe in the Northern Wei Dynasty.

Buddhism developed in the Northern Wei Dynasty, and many famous Buddha statues appeared.

The styles of Buddha statues in the Northern Wei Dynasty can be roughly divided into those before and after the capital was moved.

The Buddha statues cast before the capital was moved retain a strong influence of the Western Regions and the style of Buddha statues in Liangzhou.

In the 18th year of Taihe, that is, in 494, after Emperor Xiaowen Tuobahong moved the capital to Yangluo, the Northern Wei Dynasty began to completely imitate Han culture.

At this time, the clothing style of Buddha statues appeared in a non-shoulder style.

It is not a coat with the right shoulder exposed. The collar of this coat is drooping, and the chest is tied with a wide belt. The right collar is placed on the Buddha's left hand, and the belt is fluttering, very smooth.

This was the clothing worn by southern scholar-bureaucrats at that time, known as the Baoyi Bodai style.

One of the classics is the painted and gilded Buddha statues of the Northern Wei Dynasty. At this time, the Buddha statues were relatively thin, so-called thin and clean statues.

So when we see this kind of thin-bone Buddha statues with robes and belts, we can judge that their age is after 500 AD.

At present, there are almost no genuine Northern Wei Buddha statues on the market.

The Buddha statues of the Northern Wei Dynasty in front of Chen Wenzhe are not only one, but also classics.

For example, this gilt-bronze statue of Guanyin Bodhisattva from the first year of Zhengshi in the Northern Wei Dynasty (AD 504).

It is very rare for such a Buddha statue to be handed down and enter the market. How could several statues appear at once?

(End of this chapter)