My system is not decent

Langyaohong is considered by the ceramic industry to be the "touchstone" of firing techniques.

Whether the technology is good or not, you can see it clearly after firing a furnace of Langyaohong.

It will be clear at a glance whether it will burn or not, and whether it will burn well or not.

To burn Langyaohong, everything from mud to ingredients needs to be strictly checked.

This unique formula creates a unique artwork, which must have strict craftsmanship.

If you don't understand, it's just as difficult as reaching the sky to find the right mud and glaze recipe from hundreds of kinds of glazes!
For example, according to the ancient method, the glaze must be aged for several months or even a year, so that the fired glaze will be more moist.

Now almost no kiln can do this, because time is too precious to wait for the glaze to go stale.

But Chen Wenzhe knew porcelain and was prepared in advance.

Otherwise, he really has no interest in opening a mud factory.

Because not only the glaze needs to be aged, but also the porcelain clay sometimes needs to be aged.

Adhering to the ancient method in this way, the glaze has been stale for nearly a year, and the production is slow but refined.

In fact, the most difficult part of firing Langyaohong lies in the color development.

Langyaohong on the market is generally fired to 1300°C, but Chen Wenzhe knows very well that in order to make a good Langyaohong, the best temperature is to burn to 1350°C.

Only in this way can the oiliness and luster of the finished product be the best.

It is important to know that for high-temperature ceramics, every 1300°C rise above 5°C is a breakthrough in technological difficulty.

"Maybe we can make a breakthrough here. There seems to be no thin-bodied porcelain in Lang Yaohong in history?"

Langyaohong's thin-bodied firing process is still worth a try.

In order to ensure the yield rate in all dynasties, Lang Yaohong was fired with thick tires.

If you can break through this technical difficulty, then you can fire thin-bodied Lang Yaohong, at least porcelain cups can be fired successfully.

Chen Wenzhe did it before, but that time he didn't pursue thin tires, at most it was considered to be medium-thin.

Putting such a porcelain cup under strong light can only faintly transmit light.

However, it can present a jewel-like transparency, which is obviously more in line with the aesthetics of modern people.

The tribute-grade Langyaohong is gorgeous and beautiful, without losing the tradition, but also has innovative breakthroughs. This kind of porcelain is sure to sell well.

"The snow top is the best, and the flowing glaze is better with ox hair silk, but it is enough to honor the chicken wing pattern, and the three are indispensable."

According to historical records, Langyaohong's tribute selection criteria are extremely strict.

What Xueding blurted out is that the red glaze will flow down naturally, so that the white carcass is exposed at the edge of the mouth, which is called "xueding", which is its most typical feature.

The ox hair pattern is where the flowing glaze hangs down, and where the glaze color is first seen on the snow top, the red is faintly visible, forming an edge like the ox hair pattern.

Hanging glaze, as the name suggests, the deeper the body goes down, the heavier the glaze color is, forming a circle of dark brown accumulated glaze on the bottom of the foot, which is called "hanging glaze".

There are also wing-like black textures on the vertical glaze, which are called "chicken wing feet".

The bottom of the bottle is naturally not enough. Most of the Langyao red cups on the market today are cut off due to poor glaze drooping, that is, "cut the foot".

However, the real high-quality Langyao red single cup can be made to flow naturally without being too full. This is the real traditional "no flow".

Porcelain vases are used as appreciative vessels, and it is allowed to cut enough. Naturally, what is not enough is the best;

Then there is the opening piece, the glaze layer of Langyaohong, and the large pattern piece.

Production is the characteristic of Langyaohong. Within two years of opening the kiln, 98% of the production will be produced, and the remaining 2% will be produced gradually over time.

There are also occasional tiny air bubbles in the glaze, which is naturally flexible.

Staring at the inside of the porcelain cup, it is like fireworks blooming, revealing the beauty of ruby-like flow.

Infused with tea soup, it will be more gorgeous and beautiful like red clouds reflecting water.

Such a finished product, with bright red glaze and flowing cow hair, has rich layers and is visible to the naked eye.

Therefore, even modern works of art can become the darling of auctions.

Especially the bright red of the palace, in fact, in ancient my country, most of the reds were tributes to the royal family, and were collected by the imperial court, and there were very few folk kilns.

The Lang Hong wares left in the world are very rare and precious, and each piece is regarded as a treasure.

It is worth noting that Langhong is a porcelain that cannot be fired overseas at present, and it is a patent of our country.

Because the main palace is bright red, aggressive, difficult to control, solemn and prosperous, it will inevitably awe the viewers.

As a result, Lang Hong has frequently sold tens of millions of dollars in major domestic and foreign auction houses, setting high prices repeatedly, and there is a saying that "if you have Lang Hong at home, you will not worry about food and clothing".

In this way, there are only porcelain varieties that others do not have, and only we have. Naturally, we must carry forward.

To carry forward, naturally not only Chen Wenzhe will do it.

After all, he now has a large number of talents, as long as he overcomes difficulties and achieves results.

Naturally, countless people want to help him with the subsequent transformation results.

Before that, Chen Wenzhe made a series of red-glazed porcelain, including Chinese red.

So, this time he just made a few boutique Langyaohong and it was over.

However, this time, there are bottles, bowls, and cups, which can be regarded as complete.

Especially the small ones, which look like they contain a bowl of red clouds, this is the authentic red clouds!
"Boss, come and take a look at this Xuande blue and white piece!"

Just after leaving the red-glazed porcelain manufacturing studio, Chen Wenzhe was dragged down to the blue-and-white studio.

Chen Wenzhe took a look and found that it was a blue-and-white intertwined flower pattern, and it was from the Xuande period.

The porcelain has a straight mouth, a narrow neck, full shoulders, a round belly, and a round foot. It is written "Daming Xuande Year System".

The shoulders and feet are decorated with upturned and upturned lotus petals for one week each, and the lotus petals are blue and white painted with white outlines and dots on the ground.

The theme of the abdominal decoration is the pattern of twining flowers. The glaze layer is thick, and the blue and white hair color is rich and colorful, which fully shows the characteristics of Xuande utensils.

The imitation is still very good, and this is also one of the top treasures of domestic time.

After all, the historical status of Xuande blue and white is placed there. As long as it is a high-quality product and has no flaws, it is naturally a good thing.

Being able to imitate porcelain of this level, it seems that there are definitely capable people in his staff.

"Boss, the material here is suitable, why don't you make one too?"

Chen Wenzhe looked at the uncooked embryos beside him, these were just finished, and they were cooling the embryos.

He chose a noble cup, trimmed the embryo, and painted it directly.

Chen Wenzhe has done the top ten top treasures a few times, but he has not done all of them.

Since there is a Xuande blue flower this time, he doesn't mind making another one too.

Therefore, what he did this time was to keep the blue and white crane pattern with a tuojue cup.

This is a blue-and-white porcelain from the Qianlong period, a fine product of the "Three Dynasties of the Qing Dynasty", so it is naturally not bad.

It's just that Chen Wenzhe has made too many things of this level. This time, he just saw a suitable shape and made one.

After finishing this one, Chen Wenzhe walked around the studio.

Among the ten treasures, it seems that there are not many of them that he did not make.

Now the materials here seem to be complete, even the materials for making enamelware. Did he make all the materials this time?