My system is not decent

Chapter 1764 Sasanian Dynasty, a different kind of beauty

According to the records of Song Dynasty, there are four leading counties in Deyang County of Hanzhou, Luo, Shi, Mian and De.

Shifang belongs to Hanzhou, which was a prosperous place at that time.

Lianglukou (today's Matsu Town) is located in the northwest of the county seat, and it was the traffic artery at that time.

At the end of the Tang Dynasty and the Five Dynasties, the economy of Sichuan Province was quite developed. At that time, it was called "Yang Yi Yi Er".

By the Southern Song Dynasty, the commodity economy was developed, and Shu merchants were very active in business at that time.

Due to the back-and-forth trafficking of Shu merchants, porcelain, which plays an important role in commodities, will undoubtedly be brought into Sichuan and Shifang in large quantities.

In the late Southern Song Dynasty, the Mongols invaded south, and the Sichuan and Shu areas were one of the main battlefields where the Song army and the Mongolian army competed.

Experts speculate that this batch of porcelain may have been taken away by noble landlords during the war, so in order to preserve this batch of precious porcelain, they dug a cellar and buried it here.

As the fine works of Song Dynasty porcelain, this batch of porcelain can be preserved so well, which is very precious.

In particular, it provides a large number of material materials for us to study the social economy and porcelain making technology of the Song Dynasty.

If Chen Wenzhe knew that there was such a batch of Song Dynasty porcelain stored in the cellar, he only had to go and take a look, then when he imitated Song Dynasty porcelain before, it would have become very simple.

Cultural relics are non-renewable precious resources, which belong to us and future generations.

They are not only witnesses of historical civilization exchanges, but also reflect the inner feelings of a country.

Therefore, Chen Wenzhe likes cultural relics and all kinds of cultural relics.

Besides, who doesn't like some gold and silver products?
"Except for porcelain, ancient coins, and gold and silver products, is there nothing else hidden?"

Chen Wenzhe, who was not greedy enough, went back in time again, trying to catch up with the treasures hidden by some tomb robbers in the long river of time.

Don't tell me, now this treasure of his can really communicate for a long time. As long as there is a reason and a little bit of realistic anchor in it, he can keep finding what he wants through a little bit of connection. Information.

The long river of history is extremely long, and during this period, treasures hidden in history can be found everywhere.

The latest batch must belong to the glory of the group of tomb robbers in the 90s.

They stole too many cultural relics, many of which were hidden by them, hoping to slowly flow into the market.

Although most of them have no academic qualifications, it does not mean that they are uneducated, and they are not stupid.

They naturally know that rare things are the most precious, so many treasures are hidden by them.

Whether it was due to internal strife or being destroyed by the relevant departments, anyway, the last batch of treasures were hidden underground, and no one was going to dig them out.

This time it was cheaper for Chen Wenzhe, because he saw another large cellar.

But this hoard was hidden by the modern people, but just like the ancients, they never had the chance to retrieve these treasures again.

"Before I got a lot of Yuan Dynasty porcelain on the Silk Road, I didn't expect to see foreign treasures this time."

The ancient Silk Road is very important.

In the blending of Eastern and Western civilizations, it is like two rivers converging continuously, becoming a witness of history.

It shows the colorful social features of ancient my country from multiple aspects, and also conveys the wisdom crystallization of the continuous civilization creation of the Chinese nation.

The Xianing cultural relics on the Silk Road are not only the past, but also the present and the future.

It consistently opens the window of Chinese culture, and condenses into the memory of time in a subtle and silent way.

At the same time, it tells people that Chinese culture and civilization are always moving towards the world.

And the excellent cultures and civilizations of all countries in the world have been entering China.

It is the international time warmed by Chinese feelings. In the hundred gardens of world cultural exchanges, it is as eye-catching as flowers blooming, and it is full of beauty and brilliance.

Seeing the cultural relics in this cellar, Chen Wenzhe couldn't help but sigh with emotion.

Because he saw the development of Western civilization from it, these works full of exotic styles really have a different kind of beauty.

Looking at a gold-gilt and silver pot, Chen Wenzhe felt very emotional. This is a national treasure, and its brilliance contains the beauty of cultural integration.

Chen Wenzhe could tell that this gilt-silver jug ​​was not young, at least 1500 years ago.

It is 37.5 cm high, with a maximum abdominal diameter of 12.8 cm and a weight of 1.5 kg.

Tall and long body, oval abdomen, thin neck, duckbill-shaped flow, round base, curved ends into a sheep's head, a human head at the top, and a round cap with a high nose.

There are three groups of images of six men and women protruding from the belly of the pot, one group is nude, which seems to show the scene of a handsome warrior getting a woman's love.

This is a metal handicraft of the Sasanian dynasty, but unlike its Sassanian counterparts, it has a strong Roman style.

If this kind of exotic cultural relic can be seen as a surprise, then the cultural relic that is closely related to this cultural relic can surprise you.

Like this gilt-silver jug ​​with a studded glass bowl on the side, it's a glass bowl.

The bowl is 8 cm high and 9.5 cm in diameter.

It is a kind of emerald green throughout, and there are irregular small bubbles in the bowl.

This bowl is not only extremely regular in shape, but also has two rows of standard round protrusions of the same size evenly arranged on the outer wall of the bowl.

This should be a native Chinese glass product, but its shape belongs to Persian Sasanian artifacts.

The Sasanian Dynasty was one of the most important and influential historical periods in Iraq or Persia.

This dynasty began in 224 AD, and its territory included today's Liangyi, Afghanistan and other regions.

The scope of control even extended to the ancient Yin San in the South Asian subcontinent.

The Sassanian Dynasty achieved an absolute world-leading technical level in glass manufacturing and established a powerful glass manufacturing industry.

The embossed glass bowl is a high-end glassware, and at that time, only the upper-class nobles could have it.

Like the gold-plated silver pot, it should have been unearthed from the tomb of Li Xian.

It is very likely that it was a gift from the Silk Road businessman at that time to Li Xian.

It was introduced to China through untold hardships along the way, and the embossed glass bowl is the best testimony of the prosperity of the ancient Silk Road trade.

At that time, high-grade glassware from ancient Egypt, Rome, and Persia was worth more than gold.

In that light green light, the spiked glass bowl told people not only that Western glassware was imported into China through the Silk Road.

It also shows that during the Southern and Northern Dynasties of China, the upper class "struggled for wealth" and used glass vessels to show their luxury.

At the same time, it shows that in the Wei and Jin Dynasties, the Han culture in the Central Plains, the minority culture in the Western Regions and the exotic culture from Central Asia appeared in China.

Everything has spirituality, and the gilt and silver pots are the witness of the historical and cultural exchanges between China and foreign countries, and they are the epitome of the frequent commerce and trade along the Silk Road.

Not only is this the only one in our country, but it is also a rare treasure among the existing Sasanian cultural relics in the world.

(End of this chapter)