My system is not decent

Chapter 1839 Unrepeatable ingenuity

Before painting enamel and burning it three times, it is necessary to prepare color materials for coloring.

No less than 30 kinds of color matching methods, as many as hundreds of kinds.

It doesn't matter whether it is thicker or lighter, so it takes several months to complete a enamel colored porcelain, which costs a lot of money, which is by no means comparable to other imperial porcelains.

For example, the painted gold and golden ground ten thousand flower series porcelain, the flowers are all outlined with gold powder.

These all require extremely high costs, and this high cost is only to present a graceful and luxurious shining state.

Especially when painting gold.Do not paint on the colorful materials of hundreds of flowers, otherwise all efforts will be wasted.

It is so complicated that it is bound to be destined that not many flowers will be fired.

Some large utensils are even rarer, and even rarer if the paintings are intricate and exquisite.

And this kind of porcelain in the Qianlong period can just show the incomparable magnificence and dignity of Qianlong enamel colored porcelain.

Each of these porcelains has gone through dozens of processes and dozens of key technical points from kneading clay to firing.

Each piece is fired with ingenuity, even if it looks similar, it has its own unique life.

Seeing this, Chen Wenzhe finally walked out of this antique bronze mirror museum.

This time he really learned a lot. He was like a foreigner who came to China and said that he wanted to eat all the Chinese food, but he stayed for half a year, but he didn't even go out to a single city.

The same is true for Chen Wenzhe now. How long will he stay in Yangluo?
No, here is another copper art workshop, and I saw another small museum.

It can be said that every store here has some antique bronzes on display. If the quantity is slightly larger and the quality is better, isn't it a small bronze museum?
While walking and watching, Chen Wenzhe was surprised when he came to the innermost room.

"This thing can actually be copied? The technology is really good."

Looking at the somewhat familiar bronze ware, Chen Wenzhe was really surprised.

This bronze ware, if he remembered correctly, should be hidden in the Maritime Museum.

This is a national treasure bronze in the Haihai Museum. Experts say it is difficult to copy, so it is jokingly called a fake.

The weight of bronze ware is extremely high in our Chinese cultural relics circle.

It can be said that any bronze ware can make you rich.

From an archaeological point of view, the bronze wares of the Spring and Autumn Period are undoubtedly the most amazing.

The bronze wares of this period can be regarded as a peak in history.

Nowadays, many famous museums in China have a collection of astonishing national treasure bronzes.

For example, Ligui, He Zun, Bronze Fang Zun, Goujian Sword of Yue King, etc. in the Western Zhou Dynasty.

Moreover, these bronze wares, even experts have not been able to figure out their doorway so far, which is really incredible.

The protagonist Chen Wenzhe mentioned just now comes from the Maritime Museum, so it is naturally also a bronze vessel.

It can be called the treasure of the town hall in the museum, a proper national treasure level cultural relic.

Of course, experts are also very recognized it, and admit that it is difficult to replicate.

But what is puzzling is that experts often jokingly call it a fake. Why?

It is the "Chunqiu Beast-Mask Pattern Longliu". It is estimated that many people who are interested in cultural relics are familiar with the "Spring and Autumn Beast-Mask Pattern Longliu".

After all, this treasure is still very special, as long as you are an insider, even if you haven't seen it, you should have heard of it.

This baby is about 30.1 cm high, 39.2 cm long, 14.8 cm in diameter, and weighs 3.65 kg.

From the outside, it actually looks like the old teapot in our hometown.

Of course, this teapot is not ordinary, and the rich shapes and appearances on its body can be called uncanny workmanship.

Continuing to look at it, the mouth of the "Longliu Yu with Spring and Autumn Beast Face Pattern" looks like a dragon's mouth, and its bottom has three legs, which may represent the "three-legged stand".

Furthermore, there is also a small defect, that is, there should be a short chain between the lid and the utensil.

But maybe it was lost because of the age, if the short chain is there, it will definitely add a bit of color.

Three dragons are also depicted on the entire "Chunqiu Beast Face Pattern Longliu", which are the dragon flow, the dragon cover and the dragon-shaped handle.

There are also exquisite animal-mask patterns on the utensils, which may be the final origin of its name "Chunqiu Beast-mask Pattern Longliuyu".

Then this "Spring and Autumn Beast Face Pattern Longliu" seems to be a teapot, but is it really the function of a teapot?

After some appraisal by experts, they believe that this is not the case.

It should be a device for warming wine, or it is used to adjust the concentration of wine for nobles.

There is another very confusing question here. Many people will question why the "Chunqiu Beast Face Pattern Longliuyu" is a national treasure?

Because there are actually some similarities in our archaeological discoveries, why can this "Spring and Autumn Beast Face Pattern Longliu" be named a national treasure?
Could it be that it still hides some other abilities that make it superior to others?

In fact, there are two reasons why "Chunqiu Beast Face Pattern Longliuyu" can become a national treasure.

One is its ingenious craftsmanship. The "Spring and Autumn Beast Face Pattern Longliu" is cast by the lost wax method, which is also one of the characteristics of national treasure bronzes.

The simple understanding is that the various parts of the "Spring and Autumn Beast Face Pattern Longliu Yu" are first cast, and then the welding is started.

Seems like a simple process, but do you know?We are familiar with Zeng Houyi's "Zunpan", Jiangu base, four dragons and four phoenix copper schemes, etc., which have not been copied so far.

Even superb 3D printing technology is helpless, because the structure is too complicated.

Although the "Spring and Autumn Beast Face Pattern Longliuyu" is not as complicated as the previous bronzes, although its structure is not as complex.

But the decorations on its body are dazzling.

At the beginning, the experts also thought that it could be imitated, but they still couldn't succeed.

The second reason is that the "Spring and Autumn Beast Face Pattern Longliu Yu" was unearthed in the southern region.

Many people may be puzzled, let's put it this way, at that time the southern region was sparsely populated and the technology was very backward, and it was even called "South Vietnam".

At the beginning, experts also believed that the "Spring and Autumn Animal Face Pattern Longliuyu" came from the Central Plains.

However, after archeology, it was found that it had a strong "Southern Vietnam" style, and the final research confirmed that it was a bronze ware from the southern region.

The final identification of the experts on the "Chunqiu Beast Face Pattern Longliuyu" is that it was imitated from the Central Plains utensils.

For this reason, this is why many experts joked that it is a fake.

It was indeed a copy, only an antique, and a very old copy at that.

However, the ancients could imitate it, and it was imitated by the barbaric southern natives, which is a bit unacceptable.

The most important thing is that we modern people claim to be high-tech and omnipotent, but we have not been able to imitate that kind of ingenuity until now.

(End of this chapter)